Anfangen (:Aufhoren)
One main focus of Peter Ablingers music is on the features of human perception. In his words, "human beings are creatures that think of simultaneous things as things happening one after another. This separation of simultaneity to consecutiveness is mental thought… Listening is the perceptive function most likely to be capable of simultaneity." But the composer is not interested in the linguistic character of music which emerges on the background of syntactic and structural principles. The alter…
Songs and piano pieces
music that allows sounds to sound: to die away, completely, into silence sounds thought from their end: not moving forward, but drawing back. this creates space, expanse, a delicate serenity: silence - and what it shelters - becomes audible. this is singing with the ears: barely more than silence. a singing which not only makes, but becomes space: a space for worlds. phrases are also sounds: unfolded, laid out as a path. sound paths that come into being first when followed, invariably trail…
24 Worter
JF: The 24 words are the titles of the individual pieces, and they are at the same time the entire text. They are also a list that shows how the piece gets from a beginning to an end. It is, in a sense, a cycle not simply a collection of pieces - a cycle which begins, makes a journey and ends at a different place. TA: If I had to categorize this list of words, it seems to me they are addressed to quite different areas. Herzeleid (Heartbreak) for example, sounds old-fashioned, Einsamkeitsmangel …
Next to Nothing
Four text scores composed by Ryoko Akama (VCS3 synthesizer), Bruno Duplant (percussion, tone generator) and Dominic Lash (double bass, clarinet & laptop). The pieces are all text scores, carefully and exquisitely realised by three of the most interesting musicians to emerge on the experimental music scene in the last few years. The musicians combine in a fruitful and intimate exchange, producing a delicate and fragile web of sounds. Four beautifully evolving and carefully paced works.."-Another …
The Harmonics of Real Strings
Four realisations of John Lely's simple but brilliant composition 'The Harmonics of Real Strings', which is basically a very slow glissando along the full length of one bowed string. Anton Lukoszevieze plays one realisation on each string of the cello, following the harmonic transformations as they occur and producing an extraordinary example of 'the virtuosity of restraint'. John Lely originally composed the piece in 2006, and it was recorded in April 2014. "When I'm composing I'm learning, ask…
I Am the Last of All the Field That Fell: A Channel
"I Am the Last of All the Field That Fell: A Channel" is perhaps the most uncategorizable album in Current 93's catalog. Though it employs a vast array of musics, it strategically integrates them in new ways and dynamically adds elements of improvisational jazz to the mix. Founder and frontman David Tibet's present lineup includes regular collaborators -- James Blackshaw, Andrew Liles, Ossian Brown, Antony Hegarty, and Nick Cave -- as well as new ones: Comus' vocalist Bobbie Watson, the Groundho…
Food Court
Kye is proud to present the eponymous debut LP by Australia's Food Court. Centered around the core trio of James Rushford, Joe Talia and Francis Plagne - (alongside contributions from Yuko Kono, Chloë Smith, Alexander Garsden, Nat Grant, Simon Charles and Callum G'Froerer) - Food Court present two live interpretations of Solage's 'fumeux fume par fumee', driving the curious nature of the original composition into radical and extreme new open space. 'Food Court' arrives in a Karla Pringle designe…
Not You
Kye is proud to present the first fully authorized collection of sound work by esteemed Australian novelist Matthew Revert. 'Not You' takes Revert's diaristic/voyeuristic narrations and casts them against a loose-footing of home-recorded 4-track scrabble, iPhone overload, and migratory acoustic dreamsong. These constituent parts combine and flourish in a creative rite of passage that affirms 'Not You' as both hermetic tour-de-force, and masterpiece of primitive self-expression. Mastered b…
Teslam
LP version. "The Invisible Hands is a transcontinental collaboration between Alvarius B. (Alan Bishop of Sun City Girls) and four stellar young musicians from Cairo, Egypt: Cherif El Masri, Aya Hemeda (both formerly of the popular Egyptian group Eskenderella), Adham Zidan and Magued Nagati. On Teslam, The Invisible Hands expand the already panoramic range of their eponymous debut LP with a haunting set of melodic, impeccably crafted songs whose vintage psych/hard-rock edge conjures up early …
Plays Popol Vuh
RED VINYL. Italian sax wizard/multi-instrumentalist/electronic musician (and one of Caribou's Italian favorites) Valerio Cosi comes back after 5 years of silence with a new LP entitled "Plays Popol Vuh". We're not sure if he meant to cover the original titles by the legendary Krautrock collective, because if you're enthusiastically devoted to the 70's band you'll have hard time to find their original melodies in Valerio's renditions. We're sure and proud to tell that the magic he spreads in his …
Hall Des Chars
Considered in the most general terms, the recording is a remarkable realization of a freely improvised timbral counterpoint. By putting lines made of sound color against each other, BRAC succeed in conserving the fundamental formal quality of the string quartet while working with a largely untraditional content. This isn't to say that more conventional pitches and phrases are absent; members of the quartet play elongated harmonized tones or sequences of tones at various points in the performance…
Eroina
There are still so many treasures to be discovered out there, but once you find a gem like this you can definitely put the research on hold for a little while and give it a deep listen. Recorded at Fono Roma in 1971, Eroina is a series of haunting improvisations - each one inspired by the effects of a different drug - made of whirling electronic glitches, skronky horns, pounded piano, funky drums and weird tape experiments delivering the best drone/spaced/drugged out free jazz performed b…
Le passe' du Futur est toujours present
Jean-Noël Cognard is a big initiator of projects and collaborations both in the studio and on the stage. With his label, Bloc Thyristors, he documents these musical sparks. One recalls the great epoch of Soixante Étages, which, at the instigation of Dominique Répécaud, attempted crossing genres in studio recordings for the benefit of the music. Tribraque, is Jean-François Pauvros (guitars and voice), Patrick Müller (electrosonic), Jean-Noël Cognard (drums & percussion). A surprising trio which e…
Then & Now
Christof Kurzmann, Austrian musician and composer, curator, label-founder (Charhizma), co-founder of the legendary Viennese bar for electronic music (Rhiz) with many releases/bands/projects over the years, turns 50. A perfect time for a big multi-variant collection of his unreleased work: solos, duos, special collaborations, groups, for instance with B. Fleischmann, Ken Vandermark, Robert Wyatt, Mats Gustafsson, Tony Buck and many more. From electronica to avant-garde and improvisation to p…
Erfolg
"Erfolg" is the second solo album of the exceptional musician Hans Koch, released 25 years after his first solo work ("Uluru"). "Erfolg" documents Hans Koch's experimental examination of his three instruments bass clarinet, soprano and tenor saxophone. The pieces are state of the art instant composing and sound research. Besides numerous collaborations - in the trio Koch-Schütz-Studer, with musicians like Barry Guy, Cecil Taylor, Han Bennink, Fred Frith, Urs Leimgruber and many others - Ha…
Truancy
Jim Denley and Dutch musician Cor Fuhler first met at the Taklos Festival in Switzerland in the early 1990s and Cor's frequent visits to Australia over the years gave them the opportunity to occasionally play. In 2012 Cor moved to Sydney, allowing them to ramp up the duo - this is their first release together. Over 7 weeks at the end of 2013 they recorded weekly in Cor's backyard studio, eventually choosing take 9 and 12, titling them Skive and Wag. Their imaginative preparations and inventions …
Objects In Mirror Are Closer Then They Appear
"Objects in mirror are closer than they appear" starts from field recording session made by Attilio Novellino and Saverio Rosi in August of 2013 at the woolen mill “Lanificio Leo”, the oldest textile factory active in Calabria, founded in 1873 in Soveria Mannelli (Cz), currently one of the most signifcant cases of company-museum in Italy and winner of Guggenheim Management Culture Prize in 2011.The sounds produced by machines from the late 19th century, with their distinctive timbres and unusua…
Sarcelle Locheres
Finally in stock! First in a series of ten reissues of the cult French underground Futura label. Fully licenced by Gerard Terrones, this is the first official vinyl reissue of “Sarcelles-Lochères”, the unique album of French underground heroes Red Noise led by Patrick Vian. It is a unique blend of free jazz and rock with highly political and satyrical lyrics. The highlight of the album “Sarcelles c’est l’avenir” is an epic journey into proto noise territories which prefigures the decades of soni…
With (Junk-Saucepan) When (Spoon-Trigger) - LP
Second in a series of ten reissues of the cult French underground Futura label. Recorded in december 1970, “With (Junk-Saucepan) When (Spoon-Trigger)” is the first album by Mahogany Brain, led by street poet / underground film maker Michel Bulteau and Patrick Geoffrois. It shares the same raw aesthetics with the Velvet Underground and offers 12 savage and unhinged songs of distorted guitars with crude lyrics. Their story is quite short-lived: two albums in two years, highly respected, two …
Hot Box 1974-1994
Destroy All Monsters are known by some for their role as a bastion of resistance of Detroit's rock; for being, during their second period, the band in which Ron Asheton would reappear. For others, they are a pivotal reference point in the copious but relatively unknown avant-garde underground from the same city, after Thurston Moore and Byron Coley dug up their first recordings in 1996 and the original line-up reunited. Destroy All Monsters comprises two complementary and interconnected po…