Folk /
Glimmer
Violinist Nils Økland and keyboardist Sigbjørn Apeland, musical partners for thirty years, have long explored the interface of Norwegian traditional music and improvisation. Glimmer, an exceptionally beautiful and touching album, takes as its starting point folk music from the Haugalandet region of Western Norway. Apeland’s collection of pieces from local singers who have helped to keep the traditions alive forms the basis of the repertoire here, along with original compositions. The latter ran…
Genesis
Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians …
Puste Ulice
The band Tuleje consists of Gosia Zagajewska, Ksawery Wójciński and Wojtek Kurek. Their original arrangement of folk music from eastern Greater Poland is filled with deep respect for the original material, and at the same time expresses their subjective view of tradition. A bold look, full of references to jazz, blues, early music and free improvisation. The repertoire was based on folk melodies from the Konin area - from the villages of Babiak, Kramsk and Osiek Wielki. The lyrics were written b…
Trance Gnawa Music From Morocco
"In North Africa, a ziara is a spiritual ceremony where people come to exorcise demons, purify their bodies and loudly reaffirm their attachment to God, the prophet and the deities who claim to embody him. On this occasion, there are uncontrolled outbursts from the audience, but this has nothing to do with Roman orgies, as it lacks ostensible debauchery, aphrodisiacs or saturnalia - it is merely a blurring of the line between the religious and the superstitious. In a shrill parable, cries erupt …
Still Valentine's Day 1969
Still Valentine’s Day 1969’ is the highly anticipated live recording which was recorded at the same night as John Fahey’s seminal release ‘The Great Santa Barbara Oil Slick’ by influential solo guitarist Sandy Bull. Bull took elements of so many different kinds of music (Arabic, folk, jazz and Indian just for starters) and combined them to forge his characteristic style which would see him garner rabid fans with only a handful of releases. This particular recording was taken from a live show at …
Les Filles De Illighadad
Sublime recordings from rural Niger. Two very different sides of Tuareg music - dreamy ishumar acoustic guitar sessions, and the hypnotic polyphonic tende that inspires it. Guitarist Fatou Seidi Ghali and vocalist Alamnou Akrouni lead the troupe, named after the village. Recorded in the open air studio of the desert.
Raga Jaijaivanti
*2024 stock* "Beautiful music, splendidly played on the ancient and noble rudra veena. Highly enjoyable."- Anonymous
Four Dhuns
*2024 stock* "Imaginitive and playful light classical Hundusthani bansuri" - Megan Vance
Raga Patdip, Pahadi Dhun
*2024 stock* "Pandit Hariprasad Chaurasia has excelled himself in the rendition of raga Patdip in this album. His melodious alaap and creative phrases as only he can, take the listener to the lush meadows of ancient India."
Raga Bairagi Bhairav, Raga Shuddh Sarang, Raga Madhuvanti
*2024 stock* Born in Mumbai, India, Aruna Narayan Kalle is a renowned sarangi maestro.
Raga Yaman, Raga Bhupali
*2024 stock* Italian master of Hindustani classical music in collaboration with tabla player Giuseppe Fiore.
Ragas Purvi & Joyiga
*2024 stock* "Two other beautiful interpretations by Ustad Asad Ali Khan, whose mastery of his rudra veena must be blessed by the gods."- Anonymous
Raga Shuddha Todi
*2024 stock* Zia Mohiuddin Dagar was the pre-eminent master of the Rudra Vina, and his profound artistry and understanding of Raga -- and the states of consciousness embodied in them -- is evident on this album. If you appreciate North Indian music, you will probably already know of Dagar Sahib's work. If you are new to the genre, this album may seem abstract if you don't have the knack of going below the usual mind-stuff (with which most of us are preoccupied) to the deep meditative state which…
Raga Darbari Kanada / Dhun In Raga Mishra Pilu
*2024 stock* "A splendid document of this remarkable culture's main art." - Allan Evans
Raga Marwa
*2024 stock* "This music conjures up an entrancing, tranquil world that most of us would be the healthier for exploring."
Three Ragas For Solo Violin - Rāga Sarasvatipriya / Rāga Vasantapriya / Rāga Śivapriya
Tip! *2024 stock* "This CD defines tastes, intelligence, control, musicality, creativity, and performance excellence. Subramaniam's mastery is confirmed in these revelatory ragas, revelatory in the vision that they impart and also as a demonstration of his amazing ability. It's Dr. Subramaniam all alone. No tabla. No guest artists from the jazz world. Just solo violin against a gentle backdrop of tamboura. You hear see it all here. This CD clearly shows why he is one of the world's greatest viol…
Rag Jaijaivanti, Rag Kedar, Rag Gorakh Kalyan
*2024 stock* 3 raga from one of finest sarod's master.
Rāg Bhimpalāsi
*2024 stock* "...the opening alap, dreamy and haunting, is most satisfying, whereas in sitar rags, the closing gat is more exciting. Fans of Indian music should welcome it." - The Birmingham News
Raga Yaman
Tip!!! 2024 Stock. Zia Mohiuddin Dagar (14 March 1929 – 28 September 1990), (aka Ustad Zia Mohiuddin Dagar and popularly known as Z. M. Dagar), was a North Indian (Hindustani) classical musician, one of the 19th generation of Dagar family dhrupad musicians. He was largely responsible for the revival of the rudra vina as a solo concert instrument
Rag Bagesri / Rag Des
2024 Stock. Sensitive sitar from one of the instrument's leading younger exponents, specializing in the vocal-derived gayaki style. Pandit Budhaditya Mukherjee is an Indian classical sitar and surbahar maestro of the Imdadkhani gharana (school), recognizable by his intricate vocalic playing complemented by spectacular high speed playing. Bageshri and Des are two ragas that are extremely difficult to play, yet Pt. Budhadityaji has treated both of these ragas with the utmost respect. An outstandin…