Albert Ayler
Of all the protagonists of free jazz, Ohio-born tenor saxophonist Albert Ayler (1936) had the shortest career (he first recorded in 1962 and committed suicide in 1970 at 34), but he nonetheless managed to articulate one of the most radical aesthetics, second only to Cecil Taylor's. He often sounded like someone who wanted to create a virtuoso art out of anti-virtuoso playing. Ayler started out playing rhythm'n'blues. By the time he landed in New York, he had developed his idiosyncratic style. One of the giants of free jazz, Albert Ayler was also one of the most controversial.
Of all the protagonists of free jazz, Ohio-born tenor saxophonist Albert Ayler (1936) had the shortest career (he first recorded in 1962 and committed suicide in 1970 at 34), but he nonetheless managed to articulate one of the most radical aesthetics, second only to Cecil Taylor's. He often sounded like someone who wanted to create a virtuoso art out of anti-virtuoso playing. Ayler started out playing rhythm'n'blues. By the time he landed in New York, he had developed his idiosyncratic style. One of the giants of free jazz, Albert Ayler was also one of the most controversial.
New Grass
Albert Ayler's 1969 album New Grass has been misunderstood from the day of its release. The album finds Ayler experimenting with soul music and digging back into his R&B roots (he started his career playing saxophone with Chicago bluesman Little Walter), fusing it with the avant-garde free jazz (the one element of the record which garnered consistent praise) and adding the vocals of Rose Marie McCoy, The Soul Singers and Ayler himself. As if predicting the divisiveness of the record to follow, A…
Something Different! The First Recordings Vol. 1 & 2
The complete session finally back on CD! Recorded in Stockholm on October 25th, 1962, this session marks one of Ayler's earliest recordings, featuring a European backing group he assembled during his brief stay there, before returning to the States in 1963 and beginning his legendary run with ESP-Disk and Impulse! Though his genius was not yet fully formed, one can easily hear he's headed that direction, and this rare and long out of print recording is an essential piece of the history of one Am…
Prophecy
With the essential sidemen to express his unique voice and approach to free jazz, saxophonist Albert Ayler, double bassist Gary Peacock, and drummer Sunny Murray, recorded these sessions in 1964 for the ESP label as "Prophecy", this excellent reissue & remaster also adding the live "Albert Smiles with Sunny" (inRespect) from the same concert; essential.
Spirits To Ghosts
Three variations of quartet settings from iconoclastic free jazz saxophonist Albert Ayler, remastering and combining two Debut Records albums, "Spirits" from 1964 and 1965's "Ghosts"
Spiritual Unity
2023 repress. LP version. 180 gram virgin vinyl, with original artwork restored. Spiritual Unity, recorded on July 10, 1964, is the album that made Albert Ayler and ESP-Disk' famous (or, in some people's eyes/ears, infamous). Mr. Ayler had already recorded in Europe and, in February '64, in New York, but this was the first album on which neither he nor his collaborators held back. It was also ESP's first jazz recording. Spiritual Unity presented a new improvisation paradigm: looser structure, le…
Recorded in Stockholm, October 25th, 1962
On this double album, the Albert Ayler Trio consisted of Ayler, bassist Torbjörn Hultcrantz and drummer Sune Spångberg. These four dissonant songs recorded during their live performance on 24 October 1962 were issued on the Bird Notes label in Sweden as Something Different!!!!!! and reissued overseas as the first edition of The First Recording. The tracklist includes a barely-recognisable rendition of the showtune I'll Remember April, an off-kilter take of Sonny Rollins' The Stopper - retitled R…
Music Is the Healing Force of the Universe - Fragments of Music,
"Music Is the Healing Force of the Universe is a powerful and often ignored recording from the Albert Ayler catalog. It is a prophetic statement dealing with guilt, confusion, sorrow, and hopes of redemption. A powerful rhythm section of Bobby Few on piano, Stafford James and James Folwell on bass, (Folwell on electric fender bass), and Muhammad Ali on drums manage to take a backseat to the prominent vocals of Ayler's business associate and girlfriend Mary Parks, listed on the record as Mary Mar…
Bells
Reissue on 180-gram opaque white vinyl. Originally released in 1965. The transitional "Bells" was just under 20 minutes, released originally as one side of a clear vinyl LP with the other side empty of music. It was recorded at a May 1, 1965, Town Hall concert of ESP artists, displaying Albert Ayler's new group, which added Albert's brother Donald and Charles Tyler. The denser sound of "Bells" shows Ayler moving towards the bigger sonic statement made on Spirits Rejoice (ESPDISK 1020CD/LP), h…
The First Recordings Vol. 1
Recorded in Stockholm on October 25, 1962, this session is one of Albert Ayler's earliest recordings, and features a European backing group he assembled during his brief stay in Sweden before returning to the States in 1963 and beginning his legendary run with ESP-Disk' and Impulse! Though his genius is not yet fully formed, one can easily hear he's headed that direction, and this rare and long out-of-print recording is an essential piece of the history of one America's most uniquely lyric…
Ghosts
"I have to admit that this record contains some of the most intriguing and wicked music I ever experienced. And I say that from the point of view of a John Coltrane aficionado. Well, Ayler and his mates Don Cherry on trumpet, Sonny Murray on drums and Gary Peacock on bass guitar are definitely on par with the before mentioned god of free jazz and others like Ornette Coleman. If you listen to this album from the pop music perspective you may find only screeching and overblown saxes and some non s…
The First Recordings Vol. 2
Recorded in Stockholm on October 25, 1962, this session is one of Albert Ayler's earliest recordings, featuring a European backing group he assembled during his brief stay there, before returning to the States in 1963 and beginning his legendary run with ESP-Disk and Impulse. Though his genius is not yet fully formed, one can easily hear he's headed that direction, and this rare and long out of print recording is an essential piece of the history from one of America's most uniquely lyrical voice…
My Name Is Albert Ayler
Originally released in 1964, My Name Is Albert Ayler, is the debut album from legendary free-jazz saxophonist Albert Ayler. Recorded in Copenhagen with a Scandinavian rhythm section this album sets the stage for the sheer brilliance that was to come. Although the backing band plays fairly straight ahead bop and feels out of place at times, it doesn't detract from the program as a whole, as Ayler's singular sound shines through. This is especially true on the absolutely stunning version of…
Bells/Prophecy: Expanded Edition
** 2020 restock, nice price** Albert Ayler's trio with Gary Peacock and Sunny Murray is best known for the July 10, 1964, recording of Spiritual Unity (ESPDISK 1002CD), the album that made both Ayler and ESP-Disk' famous when it was released in 1965. A decade after that, in 1975, ESP-Disk' also released, as Prophecy(ESP-3030), the first documentation of the group, recorded a month before Spiritual Unity by Canadian poet Paul Haines at a concert at a 91st Street club. These Cellar Café recordings…
Spirits Rejoice
Live recording of Albert Ayler's large septet configuration, featuring brother Donald, Charles Tyler, Sunny Murray and both Henry Grimesand Gary Peacock on bass. Compared to the bare trio of Spiritual Unity, this nearly big band of two bass players and a strong horn section allows Ayler's expressive vision depth from the joyous to the aggressive in Ayler's five original compositions. The digitally remastered recording was originally made at 30 ips instead of the usual 15 giving it excellent fide…
New York Eye And Ear Control
Originally released in 1966. Featured artists: Albert Ayler (tenor sax), Ed Blackwell(trumpet), Don Cherry (trumpet, cornet), Sunny Murray (drums), Gary Peacock (bass), Roswell Rudd (trombone), John Tchicai (saxophone, alto sax). Michael Snow is a Canadian national treasure, a true Renaissance man. He assembled a stellar group to improvise a sound track for his art film, titled Walking Woman, featuring a silhouette that is rumored to have been inspired by Carla Bley. Digitally remastered. Manufa…
Lorrach, Paris 1966
"The enthusiasm of the Paris audience, the strong following the Aylershad in France does not come as a total surprise, For, as the musician and his brother explained in the Down Beat story: if you really understoodthe message of Sidney Bechet, you should have no difficulty to this newkind of free spiritual."-Peter Niklas Wilson
"The two concerts presented on this disc represent two of the finest dates of Albert Ayler's European tour of 1966. The band -- with brother, Don, on trumpet, violinist M…
Stockholm, Berlin 1966
Hard to believe that this far down the line there would still be unreleased recordings of Albert Ayler, never mind a full live set from the apex of his reign, the glorious 1966 tour of Europe, so I nearly did a double take when I first saw this title listed. The Berlin set which the CD is bundled with turned up in lesser fidelity and in the incorrect order on Revenant’s disputed Ayler box, but the Stockholm set has never even been booted and both receive their first release fully authorised by t…
Live in Saint-Paul-de-Vence, France, July 25th, 1970
White vinyl LP release of saxophonist Albert Ayler's quartet with pianist Call Cobbs, bassist Steve Tintweiss, and drummer Allen Blairman performing in Saint-Paul-de-Vence, France in 1970 (LP 1 of 2). Just a few months before Albert Ayler presumably jumped to his death from the Statue of Liberty ferry into the frigid November waters of NYC's East River he was on stage for two energy filled nights at the Fondation de Maeght in Saint-Paul-de-Vence, France. Little did he know at the time tha…
Live in Saint-Paul-de-Vence, France, July 27th, 1970
Grey vinyl LP release of saxophonist Albert Ayler's quartet with pianist Call Cobbs, bassist Steve Tintweiss, and drummer Allen Blairman performing in Saint-Paul-de-Vence, France in 1970
"Just a few months before Albert Ayler presumably jumped to his death from the Statue of Liberty ferry into the frigid November waters of NYC's East River he was on stage for two energy filled nights at the Fondation de Maeght in Saint-Paul-de-Vence, France. Little did he know at the time that the recordi…
Swing Low Sweet Spiritual
Following a few years spent living and playing in Scandinavia, an unknown saxophone player by the name of Albert Ayler returned home to the USA to begin imposing his revolutionary style of jazz on the world. Having recorded his debut album, My Name Is Albert Ayler for the Danish label, Debut Records, this session (which took place in New York City on 24 February 1964) was his first American effort, resulting in the eventual release of two albums: Spirits (released in 1964 on Debut) and Swi…