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Alessandro Bosetti

Composer and sound artist working on the musicality of spoken words and unusual aspects of spoken communication, producing text-sound compositions featured in live performances, radio broadcastings and published recordings. In his work he moves across the line between sound anthropology and composition, often including translation and misunderstanding in the creative process. Field research and interviews build the basis for abstract compositions, along with electro-acoustic and acoustic collages, relational strategies, trained and untrained instrumental practices, vocal explorations and digital manipulations.

Composer and sound artist working on the musicality of spoken words and unusual aspects of spoken communication, producing text-sound compositions featured in live performances, radio broadcastings and published recordings. In his work he moves across the line between sound anthropology and composition, often including translation and misunderstanding in the creative process. Field research and interviews build the basis for abstract compositions, along with electro-acoustic and acoustic collages, relational strategies, trained and untrained instrumental practices, vocal explorations and digital manipulations.

Placés dans l’air
Carried like a feather by the wind, crushed by the pressure unmistakably present, this soprano saxophone trio, sculptors of air columns, explorers of fullness, tamers of emptyness, plunges us in the complex relationship of three poets of the breath. It is recorded with a great attention by POB in a warehouse in Toulouse.
Charlemagne, la vue attachée sur son lac de Constance, amoureux
Two electro acoustic compositions from Alessandro Bosetti from 2000 and 2002 and a recent text sound composition of Antje Vowinckel. It is very fine composed abstract music that starting from microscopic sound details develops organic and highly dynamic although very reduced structures. All the pieces make an extended use of silence, space and very small, carefully shaped, sound particles creating a feeling of natural “breath” and flow. Although this music shares some techniques with the “musiqu…
° Bosetti ° Krebs °
Recorded in real time on July 2001 at AudioCue Tonlabor, Berlin
Breath on the floor
Alessandro Bosetti, soprano saxophone; Michel Doneda, soprano saxophone. Recorded in Castelmaurou on the floor of Adre L vocobs studio, nd. Cover drawing (reproduced above) by Alessandro Bosetti; design by Marcus Liebig.
Zona
Since the work of Anthony Braxton, Sonny Rollins, Steve Lacy or Evan Parker, solo saxophone recordings are no longer a 'problem'. And especially recordings of solo soprano saxophone ö Parker and Lacy (and Lol Coxhill) have more than just rehabilitated this instrument, long neglected by jazz and improvised music. Solo recording has become so canonized that an improvising saxophone player is expected, at some time, to make a solo album. Alessandro Bosetti, from Milan, Italy, but who has been livin…
Il fiore della bocca
Produced in 2003 for the sound art department of a german radio station, "Il Fiore della Bocca" is one of the most controversial text sound compositions by Alessandro Bosetti. Composed exclusively with the voices of physically and mentally handicapped people, the piece displays an impressive richness, depth and variety of sound, covering the full range of musical possibilities of the spoken voice; from heavily processed to completely unprocessed, naked and direct. The piece has an ambiguous natu…
Her name
"Her Name" is a record founded on meetings and voices. Having toured extensively throughout Europe, China, Japan, and the U.S., Bosetti's performances consisted of some of the music you'll hear within. During the performances he sat, with a computer sitting on a table next to him, his voice at the aural focus, coming from his mouth in the middle of his face, he translated the recorded voices of the people he's met along the way. Those voices appear in this recording. However, many more things al…
Exposé
Based on a series of 33 musical ideas written, printed, framed and 'exposed' in a recent installation in Milan, Exposé is the first of a new cycle of works as well as the result of Alessandro Bosetti's fascination with speech loops. The mesmerizing voice of Audrey Chen, endlessly repeating the same sentence over the entire duration of each piece, is full of musical nuances, and it rewards close attention. The result is a weird and fascinating experience, that takes the listener through a surreal…
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