Allan Kaprow
Untitled Essay and Other Works (Book)
** 2024 Stock ** This pamphlet presents scenarios for three narratively elaborate Happenings—“Mushroom” (1962), “Paper” (1964), and “Interruption” (1967)—and a key early statement, which originally accompanied the first published Happening in 1958. The essay forcefully propounds Allan Kaprow’s ideas on the practice of art as a radical form of life that perpetually reinvents itself.
Originally published by Something Else Press between 1965 and 1967, the Great Bear Pamphlet series was envisioned b…
Fluxus Anthology 60 Years Anniversary, 1962-2022
** Last copies ** In (heavy and over-sized) wooden box of 80 copies, hand numbered. Ten audiotapes with interviews/statements, tape collages, electronic music, interview, live events with new and some old material. By Charlotte Moorman, David Tudor, Fernad Kriwet, Joe Jones, Robert Filliou, Carolee Schneemann, Allan Kaprow, Richard Maxfield, Emmett Williams, and many more.
What is Fluxus? Fluxus was launched in 1962 as an interdisciplinary, neo-avant-garde artist collective, whose organized act…
Abart von Kunstlern
Reissue of tape from 1972. Edition of 200 copies. "a re-issue of a tape originally published by albrecht.d in 1972 through his Reflection Press, Stuttgart. The artists on the recording are supporting Wolf Vostell because Frankfurter galerist and art dealer Hans Neuendorf accused Vostell not making art anymore but only makes press conferences. Side 2 contains a chance composition by Nam June Paik.
"In the early eighties Dietrich and me were talking a lot on the phone ab…
How to Make a Happening
Historic release. Originally released as an LP in 1966 by Mass Art, this is Allen Kaprow, father of The Happening explaining how to do it, and what is - and is not - a Happening. Simple in construction, yet profound in context, How to Make a Happening is Allan Kaprow delivering 11 rules on how, and how not, to make a Happening, an movement begun by Kaprow in the late fifties that is known for its unpredictability, open scores, and constantly-evolving form. On the first track, Kaprow speaks plain…