Borbetomagus
Borbetomagus formed in 1979 when saxophone players Jim Sauter and Don Dietrich joined with electric guitarist Donald Miller. Bass guitarist Adam Nodelman was briefly a member. Their aggressive music has been described as "a huge, overpowering, take-no-prisoners mass of sound." One extended technique they use is called "bells together" where Sauter and Dietrich place the bells (openings) of their saxophones against one other while playing. While the core trio listed above has been responsible for most of Borbetomagus's music, they have collaborated with Swiss circuit bending duo Voice Crack, Dutch cellist Tristan Honsinger, German double-bassist Peter Kowald, and others.
Borbetomagus formed in 1979 when saxophone players Jim Sauter and Don Dietrich joined with electric guitarist Donald Miller. Bass guitarist Adam Nodelman was briefly a member. Their aggressive music has been described as "a huge, overpowering, take-no-prisoners mass of sound." One extended technique they use is called "bells together" where Sauter and Dietrich place the bells (openings) of their saxophones against one other while playing. While the core trio listed above has been responsible for most of Borbetomagus's music, they have collaborated with Swiss circuit bending duo Voice Crack, Dutch cellist Tristan Honsinger, German double-bassist Peter Kowald, and others.
Members: Jim Sauter
Barbed wire maggots
Back in stock, CD reissue of what was the 4th Borbetomagus album, originally released on LP by Agaric way back in 1983. The trio of Jim Sauter (reeds), Don Dietrich (reeds) & Donald Miller (guitar). Recorded at In-Roads, NYC. May 7, 1982. "Barbed Wire Maggots is a motherfucker, even now, 23 years after it was recorded. Recorded at In-Roads on Mercer Street, BWM documents a gorgeous evening of extreme sonic dialogue. Sauter and Dietrich's reeds skinny-dip into virtual classicist free mode at time…
Sauter, Dietrich, Miller, Doherty
Expanded reissue of the debut Borbetomagus album from 1980 with the trio of Sauter, Dietrich and Miller further bolstered by Brian Doherty on electronics. These early recordings have a beautifully corrosive classical avant garde/Industrial edge that is as bluntly beguiling as low-grade splatter. Also features a winning shot of Donald Miller's legendary mullet on the back as well as the previously unreleased "Last Concordat" - bonus! The trio of Jim Sauter (reeds), Don Dietrich (reeds) and Donald…