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At Soundohm, we’ve dedicated our lives to music which defies category and constraint - which ventures into unknown territories, risking everything to stand on its own. There are few better cases than Werner Durand - a true maverick of experimental practice. Since the early 1980s, the composer and instrument builder has been sculpting a singular landscape in sound, bridging countless compositional spectrums, while resting comfortably in none. Rising to the stunning singularity for which he has b…
Amelia Cuni was born in Milan and has lived in India for more than 10 years where she studied dhrupad singing with various renowned masters. Werner Durand has been performing his own music for saxophones, Iranian ney and self-made wind instruments since the late 70s. He started building his own wind instruments from plexi-glass, PVC and metal tubes in the early 80s and has performed in various groups including The Thirteenth Tribe and Armchair Traveller. For more than 20 years, Cuni and Durand h…
BLUES ALIF LAM MIM IN THE MODE OF RAG INFINITY/RAG COSMOSIS is a new composition from Catherine Christer Hennix's expanded just-intonation ensemble, the Chora(s)san Time-Court Mirage. This expanded ensemble includes vocalists Imam Ahmet Muhsin Tüzer, Amir Elsaffan and Amirtha Kidambi, an expanded brass section with the addition of Paul Schwingesnschlögl and Elena Kakaliagou as well as the additon of Marcus Pal and Stefan Tiedje on electronics.Packaged in a lavish, oversized letterpressed jacket …
Central Palace Music, performed by Catherine Christer Hennix's just-intonation ensemble The Deontic Miracle, is the first in a series of archival Hennix releases to be issued via Imprec. This previously unheard piece was taken from an eight day festival organized in the Spring of 1976 at the Museum of Modern Art in Stockholm. The group features Catherine Christer Hennix on Renaissance oboe and custom sinewave generators, Peter Hennix on Renaissance oboe and Hans Isgren on sheng.Central Palace Mu…
Going back to his early musical inspirations in the early seventies, Werner Durand was fascinated with the multiple saxophone sounds coming from Terry Riley's Poppy Nogood and Happy Ending, Dickie Landry's Fifteen Saxophones and Ariel Kalma's Reternelle. His particpation in the Parisian saxophone ensemble Urban Sax in 1976/77 became a starting point for his own musical endeavours. The 2 saxophone pieces presented here were composed and recorded roughly 10 years apart and document his move from f…
The collaboration between Victor Meertens & Werner Durand dates back to the mid 90s, when they started performing together in art circles in Germany. At the time their performances consisted of Victor's Actions, which included bread making processes with text recitals in combination with werner's musical performances on his invented wind instruments and his playing of Victor's home baked Bread Instruments with inserted pipes.In 2003/4 Werner was artist in residence in the Worpswede artists…
Born of Six, featuring Amelia Cuni, Catherine Christer Hennix, and Werner Durand, create exemplary drone compositions rooted in the traditions of Dhrupad, early minimalism and just intonation. Composed by Durand, Cuni, Hennix, Svapiti is one long composition measuring 55 minutes in length. 'A solid foundation is the best basis for the fundamental.' Narada´s exposition of the seven notes begins as follows: because Sadja (the tonic) arises from the combination of nose, throat, chest, palate, tongu…
2024 restock. The world premiere of the infinitary computer animation NUR, and the accompanying infinitary computer sound composition SOLITON(E) STAR were given at Diapason Gallery (NYC) for the celebration of La Monte Young's 70th birthday in 2005. Catherine Christer Hennix has now extended this installation in the venerable tradition of the pentatonic blues for a live ensemble for voice, brass, computer and live electronics in the mixed-media environment. Blues Dhikr Al-Salam (Blues Al Maqam) …
Far-out garage blues from the unpredictable talent of Henry Flynt, here in collaboration with C.C. Hennix. The two lengthy improvisations here straddle the borders between unrefined bluegrass and free-jazz improv. Flynt's freetime chord phrasings are given some context by the elaborately off-kilter beats supplied by Hennix, but the overall feel here is one of primordial, rock & roll chaos. While you'd expect a certain amount of soloing in such long-form improv workouts, expectations are subverte…
Mindblowing new LP on ini.itu label, composed by Amelia Cuni & Werner Durand, with David Trasoff. The music on this LP is based on the Hindustani Raag Lalit and its modulation to Raag Todi. Lalit is performed in the early morning before sunrise, Todi later on, after sunrise. Here, they are both played against a background of sine waves tuned to the raag’s intervals and going through subtle phase shifting. The restrained sinewaves tapestry, ornamented with Amelia Cuni’s voice and David Trasoff’s …
Finally available again, reprinted in 500 copies only housed in a elegant white boxed edition:: Known to the very few, The Electric Harpsichord is possibly THE obscure masterpiece of the days of the early American minimalism. Recorded live in 1976 after many years of study under the guidance of Pandit Pran Nath and LaMonte Young, it has finally found the perfect home in the DieSchachtel ART catalogue: a lavishly produced and innovative silver/black cardboard book+CD edition, that gives the …
In the enigmatic Aqua Planing, Werner Durand and Alio Die create a sonorous, powerful, impervious space; sometimes liquid, subtly endearing. A meeting of mysterious sounds, both improvised and organised, of the traditional and self-made wind- instruments and their hybrids by Werner Durand (persian and circular water ney, circular clarinet, khen, prepared shakuhachi) with the editing, loops and enviromental recordings by Alio Die. As in the title track, where they recorded the sound of the wind…
Master of dhrupad traditional indian chant,present an exceptional performance live in Bombay, Morning meditation. With a 20 Page booklet. "This recording illustrates Amelia Cuni's highly original musicianship... A great deal of her music's appeal rests on the resplendent luminosity of her voice, and the emotional intensity with which she charges her renditions." - Deepak S.Raja
An amazing new CD by the german composer Werner Durand, whose drone style is characterized by its subtle, gradual alteration of pitch which leads one to loose a sense of "time" and draws one deeper and deeper into the sound itself. "The name Werner Durand might not be very well-known, which is a great pity. His claim to fame has nothing to do with his real music: he played flute on Muslimgauze' 'Mort Aux Vaches' release. But Durand's background is with improvisation and wind instruments. As far …
A terrific drone album here, on this first solo-release, Werner Durand presents six works all dealing with the buzzing phenomena. This phenomena is found in many musical cultures around the world as an integral part of the sound, eg. with chinese and korean flutes, ethiopian and basque string instruments and also the Indian tanpura. The results are stunning: dense drones with pulsing, buzzing, dizzying movements swarm with an intoxicating cadence. Recorded in multi-track, the sounds are sometime…