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Carlo Giordani

Carlo Giordani is an electronic engineer with a background in geophysics that led him to develop signal processing software and algorithms for managing electromagnetic fields. This physical and direct relationship with the Earth is the basis of his sound research, focused on the collection of field recordings reworked in the form of soundscapes and complex textures.

Carlo Giordani is an electronic engineer with a background in geophysics that led him to develop signal processing software and algorithms for managing electromagnetic fields. This physical and direct relationship with the Earth is the basis of his sound research, focused on the collection of field recordings reworked in the form of soundscapes and complex textures.

Total Blackout
** 2021 Stock. Edition of 47 numbered copies in pro-printed cardboard box ** Born from an original concept by Paolo Ippoliti of Logoplasm, this compilation is a collection of seventeen randomized and "unplugged" tracks by aal, Andrea Marutti, Carlo Giordani, Crashcars for the Ravers, Fhievel & Luca Sigurtà, Madame P, Rinus Van Alebeek and Vale. All the artists were asked to create their contributes without using any electrically-powered source/instrument, just like they were experiencing a real …
Impressioni Organizzate di Ansie Liquide CD
"Impressioni Organizzate di Ansie Liquide" is an immersive, languid realm, filled with elegant, poetic beauty, that bristle with unknown elements and the lingering potential of danger. Andrea Marutti and Carlo Giordani have created an album that simultaneously drowns the ear and fortifies it with breaths of fresh air. A remarkably sensitive reminder of the creative potentialities that rest at the heart of electroacoustic, concrete, and field recording based musics, doubling as a vision of their …
Impressioni Organizzate di Ansie Liquide (MiniCDr 3")
"This aquatic collaboration between these two italian artists (the ambient master and the field recordist) is the first part of a large body of work that will be fully released sooner or later..." - Jean-Marc Boucher"[...] Large chunks of field recordings are processed and, together with those who still have a more natural feeling, combined into a large, twenty-two-minute soundscape of drips, splashes and the uber-drone of what sounds like a submarine engine humming in the back. It is something …
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