Das Synthetische Mischgewebe
Violence Against The Evidence
Flag Day Recordings presents Violence Against the Evidence, a collaboration between Roel Meelkop and Das Synthetische Mischgewebe.
Roel Meelkop - analog modular synthesizerDas Synthetische Mischgewebe- acoustic assemblages
Les Troubles
*100 copies * Pentiments makes its first foray into the 7 inch format with a new and vivid work by the indefatigable French sound artist Guido Hübner, AKA Das Synthetische Mischgewebe. Borrowing its title from the identically named epistemological text “Le Trouble” by French polymath Francois Dagognet, the two-part work puts forth an intricate and compacted compendium of the electromechanical vocabulary that DSM has made his calling card. Contained within are deft-handed tradings back and forth …
Squenun
“We somehow tried to use sounds as idioms. Turning them upside down and back again, make them collide with each other’s distorted mirror image, let them mean everything one would usually not think them to mean. “Careta” meaning someone who acts like someone they are not. A sound, in music, usually one would say doesn’t mean anything, but the sound of the word “word” does (if you have learned English). But, a collaboration allows to pretend it would mean something else and language is but a colla…
Inventaire & contradictions. Retrospective 1982-88
started in the early 80's in Berlin with two electronical industrial - avant-garde associated cassette releases. A first LP on the outstanding Madrid based label Discos Esplendor Geometrico followed up by cd's and vinyl on SFCR (F) and Pinch-A-Loaf (Usa), Povertech (Usa) as well as releases with likes as MSBR, Mnortham, Frans de Waard, Ios Smolders, Artificial Memory Trace, Thomasius, TBC, The Oval Language and others, as well as a pile of compilations. Guido Hübner wrote a piece for the Zeitkr…
Frequency Conquistadors
Words are more often then not the point of departure for many works of Das Synthetische Mischegewebe. The track - titles here stem from ‘El Mundo Alucinante’ de Reinaldo Arenas, which itself is inspired by François-René de Chateaubriand’s ‘Mémoires d'outre-tombe’. It is about time rather than history and about being in history. Having lost the war of time, the only thing that remains to do is being, and here we go, ‘being infiniment exigent’ in it’s means of expression. DSM began in Berlin arm…