Davy Graham
David Michael Gordon "Davey" Graham, originally spelled Davy Graham, (26 November 1940–15 December 2008), was a British guitarist and one of the most influential figures in the 1960s British folk revival. He inspired many famous practitioners of the fingerstyle acoustic guitar such as Bert Jansch, John Renbourn, Martin Carthy, John Martyn, Paul Simon and Jimmy Page, who based his solo "White Summer" on Graham's "She moved thru' the Bizarre/Blue Raga" and "Mustapha". Graham is probably best-known for his acoustic instrumental, "Anji" and for his pioneering use of DADGAD tuning, later widely adopted by acoustic guitarists.
David Michael Gordon "Davey" Graham, originally spelled Davy Graham, (26 November 1940–15 December 2008), was a British guitarist and one of the most influential figures in the 1960s British folk revival. He inspired many famous practitioners of the fingerstyle acoustic guitar such as Bert Jansch, John Renbourn, Martin Carthy, John Martyn, Paul Simon and Jimmy Page, who based his solo "White Summer" on Graham's "She moved thru' the Bizarre/Blue Raga" and "Mustapha". Graham is probably best-known for his acoustic instrumental, "Anji" and for his pioneering use of DADGAD tuning, later widely adopted by acoustic guitarists.
The Holly Kaleidoscope
** "Kaleidoscope / paddled" effect coloured vinyl. Edition of 600 ** Davy Graham was one of the leading pioneers of the acoustic guitar who invented and developed many techniques for the instrument including chord progressions and open tunings (most famously for DADGAD). He also inspired many leading musicians including Bert Jansch, Martin Carthy, John Martyn, Paul Simon and Jimmy Page. The Holly Kaleidoscope was Graham’s final LP for Decca and he was accompanied by his then wife, American singe…
Midnight Man
* 2023 stock * LP version. "Davy Graham is recognized as an early influential figure on the 1960s British folk scene, where he inspired many famous practitioners of the fingerstyle acoustic guitar such as Bert Jansch, Paul Simon, John Martyn and indeed Jimmy Page. Not one to be categorised Graham could be seen as a true world music artist covering the genres of folk, blues and jazz. He also popularized DADGAD tuning, later widely adopted by many acoustic guitarists. Midnight Man was Davy's 2nd s…
Hat
LP version. "Davy Graham is recognized as an early influential figure on the 1960s British folk scene, where he inspired many famous practitioners of the fingerstyle acoustic guitar such as Bert Jansch, Paul Simon, John Martyn and indeed Jimmy Page. Not one to be categorised Graham could be seen as a true world music artist covering the genres of folk, blues and jazz. He also popularized DADGAD tuning, later widely adopted by many acoustic guitarists. Released in 1969 Davy noted that the fourtee…
The Guitar Player
The Guitar Player was Davy Graham's first full-length LP, after releasing his EP 3/4 A.D. two years earlier. This unique album combines his interesting and virtuoso guitar play with some excellent arrangements. With his guitar style he contributed to the musical changes in the early 1960s, where blues, rock and folk started to play a more prominent role in the music scene. The man crosses into blues, jazz, folk, Arabic music and more, often in the same song. It's an essential album and one of th…
Large As Life and Twice As Natural
Reissued by Fledg'ling in 2005. First released in 1968, Large As Life And Twice As Natural is a tremendous acoustic-folk-blues-jazz masterpiece. As always with Davy Graham, the music seems to defy categorization. Perhaps the simplest description would be "great." On Large As Life And Twice As Natural, Davy is joined by the legendary Harold McNair on flute, Dick Heckstall-Smith on saxophone, Jon Hiseman on drums (both from Colosseum) and Danny Thompson (from Pentangle) on double bass. For this ca…
Folk, Blues & Beyond
LP version. "One of the most influential figures in the 1960s British folk scene, Davy Graham inspired many practitioners of the fingerstyle acoustic guitar of the era, notably Bert Jansch, John Martyn and Jimmy Page. Graham is probably best known for his acoustic instrumental 'Anji' and for popularizing DADGAD tuning, later widely adopted by many acoustic guitarists. Not one to be categorised, Graham could be seen covering the genres of folk, blues and jazz. Graham was an entirely British pheno…
Folk, Blues & Beyond...
Reissued in 2005 by Fledg'ling. Folk, Blues & Beyond was first released on Decca Records in 1965, and is one of the most important recordings from the 1960s folk revival. Davy Graham was a UK guitarist, multi-instrumentalist and serviceable-to-perfunctory vocalist, setting standards for succeeding generations. Graham was the first guitarist to emerge from Britain whose work combined stylistic elements from Julian Bream, Big Bill Broonzy, Blind Lemon Jefferson, Ali Akbar Khan, Leadbelly, Joe Pass…
Folk Roots, New Routes
Reissued on Fledg'ling in 2005, originally released in 1965 by Decca. An experimental recording conceived by Austin John Marshall bringing together Shirley's haunting traditional song with Davy's guitar improvisations. Folk Roots, New Routes opened the door for Fairport Convention's Liege and Lief and Pentangle's debut. For this carefully remastered edition, Fledg'ling have restored the original artwork, added a new sleeve-note essay as well as previously unpublished photographs.
A Scholar And A Gentleman: The Best Of Davy Graham Decca
TOP REISSUE "My favourite Davy Graham story was told to me by a poet who gave a recital backed by the guitarist at the Edinburgh Festival in 1967. They were part of a group driving northwards in a van up the M1 motorway. Suddenly he looked at the seat next to him and, in a panic, saw that Graham had disappeared. Where to? The question was soon answered by the appearance of a pair of boot heels resting on the windscreen. Graham, who had somehow managed to climb out onto the roof of the van…