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Originally released in 1977. Rich textural pieces constructed from an unnotatable, intricate interplay of percussive squeals, scrapes and rattles, parched and pitchless woodwinds, and dislocated keyboards On the evidence here, Acezantez founded by the versatile Croatian composer and instrumentalist Dubravko Detoni merit wider recognition. Contemporary Croatian Masterpiece !Here are supposedly stylistic affinities between early Nurse With Wound and Detoni's music. This Detoni (born February 22, 1…
Trucking right along, here’s the 1974 second entrant from British library Studio G’s “Avant Garde” series, featuring a trilogy of pieces composed by none other than “Acezantez” head Dubravko Detoni - only his second LP release following the storied “Graphie I.II.III / Phonomorphia 1.2.3” LP for Philips’ Prospective 21e Siècle series from a few short years prior.Laid out with familiar Library-lexicon panache - the three pieces are described as “Acoustics for Piano Effects and Cello,” “Piano Effec…
Croatian composer and pianist Dubravko Detoni is a name barely familiar to even the most hardened and fanatical followers of avant-garde composition. Although he has managed to consistently escape almost all forms of wider public recognition, Detoni has, since 1970 -- both in the solo context and with his Acezantez ensemble -- doggedly pursued a singular and unique musical path. Drawing on the conventions and traditions of modern composition, avant-garde electronics, musique concrète and group a…