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Earle Brown

Earle Brown was an American composer. Among his many innovations, he near-singlehandedly re-invigorated classical music with improvisation by establishing his own formal and notational systems. It is important to note that he did this at a time when his peer John Cage was actively dismissing improvisation as the regurgitation of one's habits, a position incompatible with Cage's Zen leanings. Brown was the creator of open form, a style of musical construction that has influenced many waves of composers. Among his most famous works are December 1952 with its use of a 'radical' score, the open form pieces Available Forms I & II, Centering, and Cross Sections and Color Fields.

personal website  

Earle Brown was an American composer. Among his many innovations, he near-singlehandedly re-invigorated classical music with improvisation by establishing his own formal and notational systems. It is important to note that he did this at a time when his peer John Cage was actively dismissing improvisation as the regurgitation of one's habits, a position incompatible with Cage's Zen leanings. Brown was the creator of open form, a style of musical construction that has influenced many waves of composers. Among his most famous works are December 1952 with its use of a 'radical' score, the open form pieces Available Forms I & II, Centering, and Cross Sections and Color Fields.

personal website  
Selected Works For Piano And/Or Sound-Producing Media
”The earliest and still predominant influences on my conceptual attitude toward art were the works of Alexander Calder and Jackson Pollock ... the integral but unpredictable ‘floating’ variations of a mobile, and the contextual ‘rightness’ of the res…
An Anthology
Essential and visually stunning 1963 anthology edited by Young and Maciunas featuring most of the artist who would be take part in Fluxus. Very rare second edition published in 1970 of this important book.
Tracer - Chamber Works 1952-1999
Surround sound DVD. Earle Brown first encountered the work of Alexander Calder in 1948, whose mobile sculptures Brown saw as a visual embodiment of the variable (impermanent) aesthetic that he was striving to create. This Calder aesthetic stayed with…
Sinergy
The question of form is key in the music of Earle Brown, one of the foremost American composers of the past fifty years. It was a certain amount of serendipity and a shared interest in the liberation of musical form which brought Brown to gether, cir…
Morton Feldman / Earle Brown
Finally back in print. This rare Morton Feldman /Earle Brown split LP was originally released in 1962 on the small NY-based Time Records and features Feldman's 'Durations I-IV' on side A and Brown's 'Hodograph I,' 'Music for Violin, Cello and Piano' …
Earle Brown: Selected Works 1952- 1965
This long-awaited reissue of the CRI recording of Earle Brown’s (1926–2002) music is the best overview of his seminal early works. “It is obviously a great pleasure for me that Cri is re-releasing its 1974 recording of my work, and an even greater pl…
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