Elisabeth Coudoux
Reid/Edwards/Coudoux
We maneuver through woody sounds created by individual movements and decisions. Our cello playing is free from classical patterns, a real achievement! It is not natural to develop one's own approach to this high culture instrument. In this trio there are three multi-layered variations of personal expressive will and power.
Dialogue Concerts Conceptual Research on Architecture and Music (Book)
In the current state of geopolitical instability, migration, climate change, and housing crisis, professionals in different disciplines question once again the integrity of the actions they take. It is against this background that the comprehensive publication at hand transposes into book format the experiences of the performative research undertaken by the Dialogue Concerts series and the themes it provoked. The richly illustrated volume presents lectures and the visuality they refer to, discus…
Earis
*2022 stock* In November 2020, stuck in cologne, Elisabeth Coudoux composed this pieces – more close to her own intuition. These ideas are a direct result of a conceptual processes that matured over the span of many years, shaped by the individual sound and the personalities of the musicians involved. 12 short sonic islands teem with abstract, experimental sounds that don’t shy away from melody or formal play. Earis - The ear behind the iris - the idea of seeing without words, of forming a music…