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Elmar Lampson’s music has got what is commonly referred to as “soul.” It becomes apparent in the way the music embraces the listeners and accompanies them through time in images of sound. The Mysterienszenen were inspired by the Mystery Dramas of Rud…
"Why do I have to sing Mozart all the time?", the tenor in Bernhard Lang's opera "I hate Mozart" cries out in despair. Well, why always listen to Mozart operas and not an opera of the early 21st century for a change? With their provocatively named co…
For Elmar Lampson, composition and the phenomenology of music overlap as disciplines, and attentive listening is as critical to his works' reception as is analysis of their carefully timed structures or pitch content. Lampson's String Quartet No. 2 (…