Fabio Orsi
From the rugged coast of naples, italy emerges one of the brightest stars in the italian underground. Fabio Orsi offers up a masterful journey of complex, organic drones and salutations to the sun, emotive guitar glances shoot off into the breeze like ancient magic being rekindled at birth
From the rugged coast of naples, italy emerges one of the brightest stars in the italian underground. Fabio Orsi offers up a masterful journey of complex, organic drones and salutations to the sun, emotive guitar glances shoot off into the breeze like ancient magic being rekindled at birth
We Could For Hours
We Could For Hours is instability. It represents the will to open the gates of unknown. It is the dark, whispered sounds and hidden truths. Chaos. And now here it starts, everything takes form, sensations rise, objects acquire colours, distorted vision but still a vision of reality. Everything dances and follows the rhythm of music, an unknown tribal dance. Silence. Sounds follow themselves but always hidden in a veil of mistery, words are mute, everything is listening attentively to the enchant…
The First Born
The First Born is (quite aptly) the first collaboration between Fabio Orsi (more than a recurring name in the In A Silent Place catalogue) and Mamuthones - better known to friends and family as Alessio Gastaldello and founding member and drummer of Jennifer Gentle, the Italian psych band signed to Sub Pop Records. After six years with the Jennifers, Alessio split amicably in late 2006 and reinvented himself as Mamuthones, a one-man project delving into primitive percussive jamming and equally pr…
Sound Postcards
Sound Postcards is a sound representation of determinated time-space, of its moods and atmospheres, it's a sort of soundpostcard in which the artists portray a familiar and hypothetical landscape. The listener is induced to ''identify'' the represented subjects through interpretative processes which directly compare sound suggestions with subjective/collective imagination. A semanthic game of mirrors reflecting forms in perpetual transition between auditive dimension and symbolic/mnemonic one. "…
The Wild Light Of The Moon
The new Fabio Orsi's "The Wild Light of the Moon" is really good album--one continuous 35-minute piece that ebbs and flows nicely.
Audio For Lovers
Fabio Orsi (collaborator on last year's 'Wildflower's under the sofa') returns with a double disc effort that is at once a highly satisfying 2 hour entry in the ambient genre. Although LVD's catalog often leans toward noiser, less melodic works, Audio for lovers shows both the same modernistic and minimal sensibilities that we've heard from Fabio in the past, while also drawing on the earlier, atmospheric work by Eno, which is to say that the album does precisely what most of us would like out o…
The Stones Know Everything
The Stones Know Everything is a mammoth two-cd offering from experimental fellers Gianluca Becuzzi and Fabio Orsi (try saying that with a mouthful of Pringles while drunk) and surprisingly the duo manage to keep up the quality for the entire duration. Interestingly though the two discs sound very much like separate entities, the first being a more melodic collection of tracks reminiscent of Fennesz or more recently Ateleia, and the second being where the two flex their experimental muscles, forg…
Find Electronica
Originally released in 2007, the oddly named Find Electronica sees Italian soundscaper / audio alchemist Orsi, conjuring up some hushed delicate beauty, that sort of hazy, otherworldly fuzzy drift we can't seem to get enough of. Warm slowly whirling melodies blurred into long lazy drones, the layers constantly shifting, gorgeous overtones surfacing here and there, melodies buried and revealing glimpses now and again through the hushed lush shimmer of these tracks. The opening track is total Pop …
Wildflowers Under the Sofa
The third release by Italian duo consisting of sound artist legend Becuzzi along with relative newbie Fabio Orsi, “Wildflowers” is a surprisingly passionate mix of found sounds, acoustic and electronic, along with some guitars to flesh out the vision.There are three fairly long pieces, which offer the duo the opportunity to develop the tracks through various moods and pitches; here, the traditional and the experimental dance around each other, with rhythms both borrowed from and suggested by an …