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Llum Moll is a multilayered composition made with a manipulated AM radio receiver subjected to interference by LED lamps. The combination of the lamps in tandem with the radio tuned to certain frequencies creates a phantom organ' sound, turning the receiver into an instrument with a peculiar timbre and pitch. The composition was made in two parts. The first was to record and then select fragments with different lengths, pitches and textures. The second was to readjust the pitch of the chosen fra…
Catalan musician Ferran Fages, known for his guitar work as much as his work with turntables and electronics, delivers here a striking album of evocative, nocturnal electric guitar explorations. Bracketed by two intricate pieces of feedback, the centerpiece of this work maps out a carefully constructed arc of a story, bringing this album closer to that often misunderstood soundtrack-for-a-movie-yet-to-be-filmed genre. Ferran Fages: electric guitar and walkie-talkie. Composed, recorded and mixed …
Edition of 150 copies. Compostion by Ferran Fages (acoustic guitar, contact mics and speakers). The nature of this recording is a distorted image that came to my mind during the composition of the piece.I worked on Llavi vell during 3 months from july to september 2010. The sound is the result of bowing the strings of the guitar in different fret positions, with a bow made of a long metapiece. The fret positions were related to the different divisions of the lenght of the strings: half, third, …
As source of sound Ferran Fages used radio receivers exclusively. It may seem that using various unconventional devices, often extremely amplified and processed, has become a staple of contemporary experimental music language."*Pèl Nord*", however, seems very fresh and certainly makes a new, intriguing chapter in the career of this composer. The dynamics of the record doesn't rely on a traditional patter of a quiet start, increasing drone and reverberating finale. Unhurriedly, it accustoms the l…