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In some experimental music circles melody is virtually verboten, but you have often embraced it in your work. Do you feel that you are to some extent going against the grain in this?AG: First off, I think melody can be defined separately from harmony. I think of melody as a single voice or layer, and with multiple layers, I like them to overlap in non-structured ways. I am interested in homophony more than polyphony or harmony, where if you take a cross-section through these independent lines y…