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With this album, Yoshiko Shimizu presents a second outstanding recording of works for amplified piano(s) by American composer George Crumb, being the only pianist who has created ‘solo’ realizations of his compositions Celestial Mechanics (Makrokosmos IV), Zeitgeist and Otherworldly Resonances. George Crumb praised her superb 2018 Kairos release (0015029KAI), declaring, “I consider her to be one of my very finest interpreters. Bravissima!”
** 2022 remastered repress ** Pianist Margaret Leng-Tan - considered the leading exponent of “extended” piano techniques - is at her best with this music. George Crumb and Ms. Tan worked closely on the preparation of these works for the recording. Crumb’s Makrokosmos I & II were written to expand the world of color and sonic possibilities which a single piano and pianist could create. In addition to playing the keyboard, the pianist is required to strum and pluck the strings; apply glass tumbler…
** 2021 Stock ** CP² Recordings presents Shapey - Riegger - Piston - Crumb - Sollberger - Berger. Ralph Shapey: (1921-2002) Evocation For Violin, Piano, And Percussion; with Raymond Desroches, percussion; Publisher: Theodore Presser Co. Wallingford Riegger: (1885-1961) Sonatina; Publisher: E. B. Marks Music Corporation. Walter Piston: (1894-1976) Sonatina; Publisher: Boosey and Hawkes, Inc. George Crumb: (1929-) Night Music Ii; Publisher: C.F. Peters, Inc. Harvey Sollberger: (1938-) Solos; with …
Makrokosmos Volume I, whose title reflects Crumb’s admiration for Bartók’s piano series Mikrokosmos, contains 12 pieces, grouped into three parts of four each, and Crumb associates each piece with a sign of the zodiac. This is paired with Volume II, which is similarly structured, after the fashion of Debussy’s twenty-four Préludes. Volumes I and II are filled with references to the history of humankind, myths, Christianity, paganism, occultism, literary works, and the composer’s own mental pictu…
"This historic release couples George Crumb’s earliest work for piano, the Five Pieces for Piano (1962) with his most recent piano cycle, Metamorphoses (2017). Margaret Leng Tan has long been a champion of Crumb’s music, and he composed Metamorphoses (Book 1) for her. This recording is of the German premiere at the legendary Donaueschingen Festival in 2017.Crumb’s Metamorphoses is a natural descendent of his monumental Makrokosmos I & II piano cycle of the early 1970s. With a nod to Mussorgsky’s…
Music for a Summer Evening (1974) is the third part of the "cosmic drama" Macrocosmos, which investigates the relations between the innermost human soul and the vastness of the cosmos; relations that also determine the temporal, dynamic and tonal dimensions of the composition. Its immense material extravagance is reflected by a range of some 70 percussion instruments; in addition, the two pianists are required to perform a variety of different techniques, such as pizzicatos, flageolets, etc. A s…
On reading the title Gnomic Variations, lovers of piano music might fancy themselves to be in a kind of "Grieg's World," but the truth is far from it: the title of the piano solo, completed in 1981, does not refer to any thieving Irish gnomes but solely to the conciseness of the structure of the work. "Gnomic" here means expressing an idea in brief words, or, simply, describing a maxim as accurately as possible. The Gnomic Variations consist of three parts, comprising a total of 18 variations. A…
This CD combines two classic Georg Crumb compositions of the 1970s expertly performed by members of The Carnegie Mellon Philharmonic under the direction of conductor Juan Pablo Izquierdo. 'Black Angels' for string quartet was written as a response to the Vietnam War. The work draws from an arsenal of sounds including shouting, chanting, whistling, whispering, gongs, maracas, and crystal glasses. 'Music for a Summer Evening' is scored for the classic Bartok combination of two pianos and two percu…