Jaki Liebezeit
Jaki Liebezeit was a German drummer, best known for his work with the Krautrock band Can. He was born in Ostrau, Saxony, Germany on May 26, 1938. He began playing drums at the age of 14, and soon became one of the most sought-after drummers in Germany. In 1968, he joined Can, and remained with the band until their breakup in 1979. He later worked with various other bands and artists, including Jah Wobble, Holger Czukay, and Michael Rother. Liebezeit died on January 22, 2017 at the age of 78
Jaki Liebezeit was a German drummer, best known for his work with the Krautrock band Can. He was born in Ostrau, Saxony, Germany on May 26, 1938. He began playing drums at the age of 14, and soon became one of the most sought-after drummers in Germany. In 1968, he joined Can, and remained with the band until their breakup in 1979. He later worked with various other bands and artists, including Jah Wobble, Holger Czukay, and Michael Rother. Liebezeit died on January 22, 2017 at the age of 78
Members: Can
Out Of Reach
All but unknown to most but the most hardcore Can fanatics, 1978's Out of Reach is one of the group's rarest albums. This is due in large part to the fact that bassist Holger Czukay left the band before the recording sessions, and drummer Jaki Liebez…
Saw Delight
1977's Saw Delight is the German progressive group's farewell. Percussionist Reebop Kwaku Baah and bassist Rosko Gee from a late-era lineup of Traffic to add a sort of Afro-Cuban jazz feel to their sound. Similarly, Rosko Gee's handling of the bass d…
Flow Motion
The second of Can's three Virgin albums, 1976's Flow Motion, is a divisive record in the group's canon. It was their most commercially successful album (the opening track, "I Want More," was released as a single in the U.K. and actually charted, than…
Flut
Jochen Irmler and Jaki Liebzeit met in the town of scheer last july to prepare for an upcoming concert at the slaughterhouse in sigmaringen as well as for a subsequent appearance in the kammerspiele in munich. however, they quickly decided to stop re…
Landed
If you got a quid for each time Can were referenced as influencing a given band or artist, we'd have taken the Bank Of England down years ago. Remastered to a clarity that will come as a shock to those who've been suffering the original cd releases, …
Soon over Babaluma
With Suzuki departed, vocal responsibilities were now split between Michael Karoli and Irmin Schmidt. Wisely, neither try to clone Mooney or Suzuki, instead aiming for their own low-key way around things. The guitarist half speaks/half whispers his l…
Unlimited Edition
Most bands stick out a 'unreleased and bonus bollocks' album when they're bereft of new ideas and need some filthy lucre to keep the country estate fully stocked with coy carp. You get the feeling this was the last thing on Can's mind. Having amassed…
Ege Bamyasi
**Green Vinyl** The group's fourth album, from 1972, originally issued by United Artists. "The follow-up to Tago Mago is only lesser in terms of being shorter; otherwise the Can collective delivers its expected musical recombination act with the usua…
Monster Movie
Are we there yet? After 25 years of critical reappraisal and at least 15 years of indie and post-rock bands flaunting their influence, has Can finally gotten their just desserts? I don't think so. Not just yet. Can still seem just a little bit ahead …
Soundtracks
Soundtracks is a compilation album, first released in 1970, consisting of tracks written for film. The album marks the departure of the band's original vocalist Malcolm Mooney, who sings on two tracks, to be replaced by new member Damo Suzuki. "She B…
Tago Mago
Black vinyl edition You couldn't do much better than beginning with 1971's Tago Mago, freshly reissued in vinyl format. It's a colossus of an album, the product of a band that was thinking huge, pushing itself to its limits, and devoted to breaking …
Live at Aston University, Birmingham
Extremely rare recording of Can performing live at Aston University in Birmingham, on March 4, 1977 and featuring the new addition of Rebop Kwaku Baah (the Ghanian percussionist well-known for his work with Traffic, Steve Winwood, Eric Clapton, et…
A Double Promo Album By CAN
Vocalist Damo Suzuki’s departure from CAN in 1973 had forced the band to re-evaluate their sound. Now with Michael Karoli and Irmin Schmidt sharing vocal duties, the band had also begun drawing on influences from disco and glam. While still remain…
The Lost Tapes
Limited Vinyl Box Set, includes 5 x 180GM vinyl LP's, 28 page 12" booklet and a 24" poster - includes 30 previously unreleased tracks* "The Lost Tapes was curated by Irmin Schmidt and Daniel Miller, compiled by Irmin Schmidt and Jono Podmore, a…
Future Days Live
This album is made up of one long jam session recorded live-in-studio at Inner Space in Cologne during the 1973 Future Days sessions. More ambient than their previous efforts, Future Days was also singer Damo Suzuki's final album with Can. Members o…
Delay
Probably the rawest krautrock release. Malcolm Mooney's singing is trance inducing yet soulful, keeping the songs together when everyone else seems to freak out. Nineteen Century Man an it's over the top distortion, combined with the 'Inner Space'…
Future Days
An uneasy truce had been thrashed out by the warring factions of Can by the time they came to record 'Future Days' in 1972, yet it is the underlying musical tension that makes this album such a thrilling part of their cannon... With Damo Suzuki's eth…
Soon Over Babaluna
With Suzuki departed, vocal responsibilities were now split between Michael Karoli and Irmin Schmidt. Wisely, neither try to clone Mooney or Suzuki, instead aiming for their own low-key way around things. The guitarist half speaks/half whispers his l…
dvd
he Can saga continues with the 35th anniversary of the founding of the group, which will be marked by the release of the Can DVD. Containing access to everything you could ever want to know about Can with rare insights into the personalities and meth…