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Jim Fox’s music is usually noted for its quietude and ambling pace. In the mid-1980s, however, he drifted from these defining stylistic penchants for a couple of years, penning music that often bounced along, energetically and loudly, at a good clip. His clangorous Black Water, from 1984, is rich with dense, sometimes shimmering, sometimes rumbling tremolos and loudly struck chords covering the full range of the piano, set off by brief moments of quiet, twinkling serenity.Jim Fox writes, “Black …
JimFox's Descansos, Past, written in April 2004 in memory of composer-performer John Kuhlman, who died a few years earlier, was premiered in Los Angeles (by the same musicians who are heard on the present CD), June 2004, as part of a series of concerts held at the historic Schindler House.Descansos, Past sets an ever-pizzicato double bass (a five-string, extending to low B), which is featured in a few solo sections, alongside a choir of nine ever-arco cellos, one of which soars up to the highest…
The quiet rumbling of trombones and the soft keening of strings haunt the piano’s slow stream of notes. A mosaic, a tapestry. Rich harmonies and simple triads come and go, like the ever-changing, yet ever-similar, landscapes one passes while driving through a remote area, perhaps a Southern California desert, perhaps a deep woods. Although not in any sense a programmatic music, the events in The City the Wind Swept Away coast in and out of earshot in much this way, or like drifting clouds, slowl…
Last Things, for bass clarinet, pedal steel guitar, piano, and electronic keyboards, was written for clarinetist Marty Walker in 1987, and has been subsequently performed (as a piece for bass clarinet and tape) by Walker at concerts across the U.S. Somewhat a rhapsodic call and response between bass clarinet and pedal steel guitar, it is constructed of seven connected sections (or songs) that over the length of the piece slowly build in intensity. As the piece progresses, each section expands in…