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Jim O'Rourke

Jim O'Rourke is one of the most important characters in music today in many different aspects. His wide-ranging musical career comprises producing records for mope rockers Smog, guitar player John Fahey, and art rockers U.S. Maple, remixing tunes for the Japanese noise legend Merzbow, in addition to his solo career and working with bands like Gastr del Sol, Tortoise and Sonic Youth. He is first of all known for his guitar work, but has also been active on the improv scene with for example Mats Gustafsson, playing various instruments

Jim O'Rourke is one of the most important characters in music today in many different aspects. His wide-ranging musical career comprises producing records for mope rockers Smog, guitar player John Fahey, and art rockers U.S. Maple, remixing tunes for the Japanese noise legend Merzbow, in addition to his solo career and working with bands like Gastr del Sol, Tortoise and Sonic Youth. He is first of all known for his guitar work, but has also been active on the improv scene with for example Mats Gustafsson, playing various instruments

Member of: Bonjintan
Tamper
Originally released by Extreme in 1991, Tamper holds a significant place in Jim O'Rourke's discography, as it represents one of his early ventures into the realm of electro-acoustic music
Edge x Jim O'Rourke
*2024 stock* The cliffhanger collaboration by Masataka Fujikake and Takeharu Hayakawa, which has been going on since 2007, is now complete with a live performance of the May 2011 session with Jim O'Rourke as a guest. The trio's bold arrangements are a powerful work centered on a solitary guitar sound that only Jim O'Rourke could express.
Sakuraza
Modern Obscure Music presents "Sakuraza," a live album featuring Eiko Ishibashi (flute and electronics), Jim O'Rourke (electronics), Kei Matsumaru (alto saxophone), Tatsuhisa Yamamoto (drums), and Giovanni Di Domenico (piano). Recorded at the Sakuraza jazz club in Kofu, Japan, this dynamic and sophisticated performance blends jazz, electronic music, and pop elements.Giovanni Di Domenico, a frequent visitor to Japan, organized this June 2023 concert with long-time collaborators Ishibashi, O'Rourk…
Mimidokodesuka
Face-shredding, spine-melting - these are all just clichés next to the jams found within this humble packaging. Jim O'Rourke, Darin Gray and Chris Corsano may not even exist anymore, judging from the cataclysms to be heard here.
Eureka
2024 repress; originally released in 1999. LP version. "Jim O'Rourke is doing for himself what he's more than generously done for other so-called musical talents. Everybody wants a little pop in their lives and the O'Rourke is no exception. There is no way to listen to Eureka without hearing the eccentricity, the progressive musical textures, the utter lack of anything like pop music, but at the same time it's magnificent in scale, pleasant to listen to, catchy and even reminiscent of other reco…
Insignificance
2024 Repress.  Insignificance, Jim O'Rourke's third solo album for Drag City, reaffirms that he is not only a fine composer, arranger, and producer, but a gifted, creative songwriter as well. As with Eureka and the Halfway to a Threeway EP, O'Rourke continues to find as many possibilities in singing and songwriting as he does experiment with pure sound. However, this time O'Rourke adds a few twists to the formula he pioneered on those two efforts. He sings on each of Insignificance's tracks, his…
Halfway to a Threeway
2024 stock. "Well, never mind--as long as people love it, here's another few sides of long-ago and far-away Jim O'Rourke back on vinyl for the first time since way back in the mid-aughties. It's the Halfway to a Threeway 12" EP back to set turntables a-spinnin'! Fans of Eureka and Insignificance (not to mention Jim's tomfoolery as part of the Loose Fur band) will appreciate the analog pressing of these four slices of the pop music party-pooper combination of folk, classic rock, smooth jazz and a…
Bad Timing
2024 Repress. LP version, originally released 1997, the first Jim O'Rourke album for Drag City. "Make no mistake, Bad Timing is not a pop album by any standards. But it is a musing on popular standards and uses much of the same instrumentation that many of our country's most popular records have. Yes, Bad Timing is a theme record, Jim O'Rourke's pop opera, just waiting for someone to come along and play with it. Based on John Fahey-esque 6-string acoustic guitar foundations, each of the three pi…
Most, but Potentially All
Eivind Lønning has been sharing ideas with Jim O’Rourke for several years: the duo collaborated on music for the Whitney’s ‘Calder: Hypermobility’ exhibition, and Lønning played trumpet on O’Rourke’s brilliant 2020 album ‘Shutting Down Here’. For this new work, Lønning headed to O’Rourke and EIko Ishibashi’s home studio in the Japanese mountains, where he teased unfamiliar, alien textures from his trumpet to open the labyrinthine three-part composition. O’Rourke took the material and subsequentl…
Each Side Has a Depth of 5 Seconds...
2024 Stock. Full title: "Caught in the dilemma of being made to choose" This makes the modesty which should never been closed off itself Continue to ask itself: "Ready or not?" The renowned trio of Keiji Haino, Jim O'Rourke, and Oren Ambarchi return to Black Truffle with their 11th release. Demonstrating once again their commitment to continual experimentation in instrumentation and approach, the record begins with a long-distance collaboration made in response to a commission from New York's Is…
Live at SuperDeluxe - Volume 1
Trost Records returns with a blasting gut-punch of an LP, with “Live at SuperDeluxe - Volume 1”, a full throttle body of improvisations from the all-star quartet of Akira Sakata, Jim O'Rourke, Mette Rasmussen, and Chris Corsano - never before captured on tape - live at legendary Tokyo venue, SuperDeluxe. Riding the wire between free jazz and noise, it's nothing short of powerful, real-time advocation of socio-political importance of free improvisation that leaves you on the edge of your seat fro…
Bonjin Tan
Jim O'Rourke plays a lot with Japanese Free jazz legend Akira Sakata in various formations. Together with Italian composer and pianist Giovanni di Domenico and the drummer Tatsuhisa Yamamoto they form this powerful band. This is their first release, combining contemporary Avantgarde and Free Jazz in a beautiful way.Line-up:Akira Sakata - sax, clarinet, voiceJim O’Rourke - double bassGiovanni di Domenico – piano, hohner pianetTatsuhisa Yamamoto - drumsRecorded at Pit Inn Tokyo on 10 January 2017
With pats on the head, just one too few is evil one too many is good that's all it is
Tip! The heavyweight trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return with their 12th and most epic release to date, the triple LP With pats on the head, just one too few is evil one too many is good that's all it is. Documenting the entirety of their final performance at the dearly departed Roppongi home of Tokyo underground institution SuperDeluxe in November 2018, the music spread across these six sides splits the difference between the guitar-bass-drums power trio moves and experim…
Invito Al Cielo
For the third of Sonic Youth's sound experiment series, they teamed up with legendary nosie-nik Jim O'Rourke. Building on the ideas from the brilliant extended version of "The Diamond Sea" (from Washing Machine); the series explores the (mostly) instrumental side of the band. Though sold as an EP, the three tracks on the CD version of clock in at just over 56 minutes, and can sit quite comfortably with any of SY's best work. The title track opens the record with over 20 minutes of drenching feed…
Lifetime of a Flower
*Limited edition of 500 copies.* Eiko Ishibashi and Jim O‘Rourke created the installation Lifetime of a Flower for the Dortmund exhibition Flowers in 20th and 21st Century Art. In it they set parameters, but allowed the process itself to literally grow uncontrollably: they planted seeds in the garden of their Japanese house and filmed as the plants grew for the duration of the exhibition. Visitors were able to watch the stream in real time, while listening to a composition that reflected the org…
Jasper Sits Out
From Lawrence English: "A few years ago, my dear friend and bandmate Jamie Stewart and I were talking about Swans. I started to mention how much I admired the utterly personal approach to guitar that Norman Westberg had developed on those early records and moreover how that had blossomed out so richly on this latest incarnation of the band. During the course of the conversation Jamie mentioned a CDR that Norman had passed to him, which collected a few pieces of solo work that Norman had been wor…
Mirror
2023 Stock. Drawing deeply on the earliest recorded period of Japan’s history, the Kofun era, Chihei Hatakeyama’s Mirror meditates on the importance placed on reflection during this age. The mirror was a source of great inspiration, not only as a metaphor for the sun, but also for its ability to shift and reflect light from one location to another. This act of transplanting light, considered almost magical by many during that time. Similarly, this idea of reflection spurred Hatakeyama to underta…
Mass Observation (Expanded)
2023 stock. From Scanner, aka Robin Rimbaud: "There were three performers and one witness. I can remember this day well, even though it was some twenty-four years ago. Standing up before a mixing desk in a dark room in an apartment in South London, Jim O'Rourke, Robert Hampson, and myself, literally all hands-on deck as we each took responsibility for the faders on the desk. Introducing sounds to the mix, the accident reigned supreme. Sometimes the high frequency of cellular noise would pervade …
Hands That Bind (Original Motion Picture Soundtrack)
The Original Motion Picture Soundtrack for Hands That Bind, by Jim O'Rourke
In the past only geniuses were capable of staging...
*2023 stock. In process of stocking* Double LP version. Full title: In the past only geniuses were capable of staging the perfect crime (also known as a revolution) Today anybody can accomplish their aims with the push of the button. For its 50th release, Black Truffle presents the ninth album from one of the label's core ensembles, the power trio of Keiji Haino, Jim O'Rourke, and Oren Ambarchi. Drawn from a November 2015 performance at Tokyo's now-defunct SuperDeluxe, the record's opening piece…
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