John Coxon
John Coxon, perhaps uniquely for an improvising guitarist, is inspired as much by the plangencies of Reggie Young as by the astringencies of Derek Bailey. As irascible and as spiky as it gets, his playing is always haunted by the ghosts of popular song and fragments of the blues.
John Coxon, perhaps uniquely for an improvising guitarist, is inspired as much by the plangencies of Reggie Young as by the astringencies of Derek Bailey. As irascible and as spiky as it gets, his playing is always haunted by the ghosts of popular song and fragments of the blues.
Brooklyn Duos
2024 Stock A new collaboration between John Coxon (Spring Heel Jack) and american trumpeter Wadada Leo Smith.
Real Magic Vol.1
*300 copies limited edition* Treader is proud to announce the first solo release from label-founder John Coxon. Best known for his work in Spring Heel Jack and Spiritualized, as well as extensive collaborative work with J. Spaceman, Evan Parker, Charles Hayward, Han Bennink and Pedro Reyes to name a few, it was perhaps inevitable that recent times allowed Coxon the space and time to experiment on his own. Real Magic Vol. 1 is the result of a year’s worth of early morning recordings made during 2…
Crepuscule In Nickelsdorf
A dream-like aura surrounds these recordings by Evan Parker and Mathew Wright - Trance Map+ from the Jazz Festival Nickelsdorf: Crepuscule in Nickelsdorf. “Filtered through the silicon of the hard drive, birds and insects often sound electronically generated and some of the synthesized sounds, designed in software, sound like birds and insects with wings of their own,” writes American journalist Bill Shoemaker. The real seems virtual; the virtual seems real – it is the ambiguity essential to the…
Play The Red Krayola Live 1967
* In process of stocking * Trems, feedback, metronomes and a music box………This recording was made during preparation for a joint performance by J Spaceman and John Coxon as part of : Art and Language: Letters to The Jackson Pollock Bar in the Style of The Red Krayola, Lisson Gallery New York, October 2019. The idea was to attempt to do a cover version of The Red Krayola’s radical and unrepeatable performance at the Angry Arts Festival in 1967. Spaceman and Coxon listened, separately, to the recor…
Rak
This second AG recording for Treader sees Charles Hayward passing the drumsticks to Rupert Clervaux. Together with John Coxon’s simple and insistent guitar themes, the elegant drum-work underpins four extended group compositions, containing a surprising collision of sounds and influences, bringing together Pat Thomas from the Improv scene, Floating Points-collaborator Susumu Mukai, and Alexis Taylor’s mooger-foogered rhodes. Somehow it all crystallises perfectly. The clearest precedent for this …
Clarinet Record
A five part suite evoking the memory of Jimmy Guiffre and Giancinto Scelsi. Alex's brilliant clarinet playing perfecty complements Coxon's musical experiments in which the listener's spatial perspectives are constantly being challenged-extremely vivid recordings of guitars, kalimbas, 78rpm recordings,pebbles, metal objects and handbells form surreal landscapes as he takes the listener on an extended musical journey.
Acoustic Trio
Acoustic trio with John Coxon [acoustic guitars] Ashley Wales [found percussion etc.] and AMM's Eddie Prevost. A slowly evolving and spacious piece originating from reading eddie's book 'minute particulars'. "I have a National Trojan guitar from the 1930s that i bought in a little shop in new orleans. I used this for the ‘acoustic trio’ recording with Ashley Wales and Eddie Prevost [amongst many other recordings]. I remember Eddie saying ‘the perfect instrument’ because it has both a membrane an…
The Founder Effect II
With a generosity of spirit that is touching, the three tracks on this disc are titled after deceased (and much missed) improv heroes—drummer Tony Marsh, saxophonists Lol Coxhill and John Tchicai. (Coxhill never recorded for Treader but Marsh and Tchicai both did.) That gesture serves as a reminder of the close-knit nature of the improv community—a factor which is vital to its music. Although this CD features the same four musicians as the first one, Coxon here plays synthesiser instead of guita…
The Founder Effect I
You cannot judge a book by its cover. Maybe, but music fans somehow know that expression doesn't lend itself to album covers (in this case, CD covers). Look at the Blue Note Records covers from the 1960 sixties, Miles Davis' On The Corner (Columbia, 1972), or The Clash's London Calling (Columbia, 1979), and tell me you don't have a very good idea what you'll hear on those records. Covers matter, and more importantly they reveal essential information about the music found inside. Since 2004, the …
Cinema
Diverse musical elements - coruscating cymbal scrapes, shimmering amplifier hum, melancholy saxophone circlings, sharp hits of snare, string and reed, slow motion guitar riffs, deep tam-tam surges and floor tom rasps, hypnotic prepared piano figures, and hovering fragments of song-like melodies - fracture and coalesce in this single intense improvisation.
Featuring two of the foundational figures of free improvisation alongside a younger arrival, this recording captures the first meeting …
Amplified Trio
Dutch drumming legend Han Bennink teams up with Treader mainstays John Coxon and Ashley Wales for an amplified onslaught of ferocious freeform jazz. For this session Coxon kits himself out with an electric guitar while Wales mans electronics and samples. Between the two of them there's a barrage of flurried sonic ideas ranging from discordant string ensembles and abstract soundscapes to jagged wah-wah abuse. Throughout all this, Bennink's drumming comes across as boundlessly inventive, constantl…
About
A new group comprising Hot Chip's Alexis Taylor, This Heat's Charles Hayward and Treader label regulars John Coxon and Pat Thomas, this quartet are an explosive improvisational outfit, with Hayward leading from the backline via some stunningly powerful drumming. The remainder of the musicians take up predominantly electronic instruments - mostly synthesizers and samplers, but within Taylor's musical menagerie you'll hear a spot of electric guitar, percussion and shruti box. This record is more o…