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"As far as my artistic memory goes, I have always been fascinated by the boundaries between continuity and discontinuity, between the sayable and the unsayable, between the countable and uncountable; between what can be described completely by an algorithm and what cannot; between precise writing and writing that only manages to approximate any given phenomenon; between directionality and a lack thereof, adirectionality — a conflict that, not without a certain degree of internal struggle, I woul…