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Karlheinz Stockhausen

Born in Modrath, near Cologne, the prolific musician wrote more than 300 works from orchestral pieces to pure electronic music during his career. Best known for his avant-garde electronic work, Stockhausen was an experimental musician who utilised tape recorders and mathematics to create innovative, ground-breaking pieces. His Electronic Study, 1953, was the first musical piece composed from pure sine wave sounds. Electronic Study II, produced a year later, was the first work of electronic music to be notated and published. But the composer rejected the idea that he was making the music of the future, writing in 1966: What is modern today will be tradition tomorrow.

Born in Modrath, near Cologne, the prolific musician wrote more than 300 works from orchestral pieces to pure electronic music during his career. Best known for his avant-garde electronic work, Stockhausen was an experimental musician who utilised tape recorders and mathematics to create innovative, ground-breaking pieces. His Electronic Study, 1953, was the first musical piece composed from pure sine wave sounds. Electronic Study II, produced a year later, was the first work of electronic music to be notated and published. But the composer rejected the idea that he was making the music of the future, writing in 1966: What is modern today will be tradition tomorrow.

Originale
**very last copies** Private edition, limited to 100 copies "A documentation of a music happening recorded at Judson Hall, NYC. Sept 8-9, 11-13, 1964 with a stellar line-up that includes James Tenney on piano, David Behrman, Max Neuhaus, Alvin Lucier, Allan Kaprow, Nam June Paik, Allen Gingsberg and Jackson Mac Low. The idea, Allan Kaprow director explained, is “a collage of music and action”. The music was electronic, but the action was clearly electrifying as Karlheinz Stockhausen’s Originale …
Complete Early Percussion Works
Stockhausen’s early percussion music is among the most visionary of the percussion repertoire. This unique collection features some works which are almost impossible to find elsewhere. Zyklus was not only a novel composition in terms of its treatment of time and structure, it was also the first percussion solo ever performed. Kontakte, a masterpiece for piano and percussion with 4-channel tape, challenges to performers to play together and to make the maximum number of “contacts” with the tape. …
Complete Early Works for Percussion
Stockhausen’s early percussion music is among the most visionary of the percussion repertoire. This unique collection features some works which are almost impossible to find elsewhere. Zyklus was not only a novel composition in terms of its treatment of time and structure, it was also the first percussion solo ever performed. Kontakte, a masterpiece for piano and percussion with 4-channel tape, challenges to performers to play together and to make the maximum number of “contacts” with the …
Beton-studie / Zeitmass Fur Funf Holzblaser
A collection of some of Karlheinz Stockhausen's earliest work, including his earliest piece of musique concrète "Beton-Studie" (aka "Étude") written by Stockhausen in 1952-53 at Pierre Schaeffer's studio at the RTF in Paris. Until 1992 this piece was believed to have been lost. The LP also includes the celebrated "Zeitmass" (1955), and "Klavierstück XI, parts I-IV" (1956), both of which helped to cement Stockhausen's role as one of the leading German composers of the 20th century
Studie I & II, Gesang Der Junglinge, Zyklus Fur Zwei Schlagzeuge
A collection of Stockhausen’ s most important works from the 1950s, particularly “Gesang der Jünglinge” (“Song of the Youths”) 1955-56, probably the most iconic piece of electronic music ever written. Only because of Stockhausen’s complete understanding of electronic equipment, along with his creative genius, was he able to produce this masterwork, the first piece of music to unify vocals and electronics.
Le Concerts du Domaine Musical 1956
Doxy presents a reissue of "Les Concerts du Domaine Musical", originally released by the French label Véga in 1956. Le Domaine Musical was a concert society established by Pierre Boulez in Paris, which was active from 1954 to 1973. Boulez intended to provide opportunities for new music, after a general musical migration from Germany and Austria to Paris in the wake of those countries' legacy of war-torn decades without music. Le Domaine Musical created an exciting milieu in which the best an…
For basset horn
Performed by Michele Marelli (basset horn): Traum-Formel (1981); Evas spiegel (1984); Susani (1984); Die 7 lieder der tage (1986); Freia (1991); In freundschaft (1977).  
Sulla musica
Italian only - Se consideriamo le grandi personalità del Novecento, Stockhausen si distingue come una delle forze più creative nella musica contemporanea. Figura controversa e a tratti contraddittoria Stockhausen in queste pagine mostra di essere semplicemente inafferrabile nella vastità delle sue riflessioni e allo stesso tempo di una lampante chiarezza nella sua visione della musica e del mondo. Stockhausen ha investigato a fondo tutti gli aspetti del suono nelle sue composizioni e nella sua r…
Sirius Respect
This CD allows the music of two of the 20th century's musical giants to be heard as they've never quite been heard before. Sun Ra and Stockhausen have a lot in common: mysticism, astrology, a self-constructed cosmology and (intertwining) compositional language, the idea of 'advanced' musical and intellectual work, and an early, involved adoption of synthesizers. In choosing the repertoire, Respect wanted to draw comparisons and contrasts between the two composers and address the questions of how…
Spiral I & II, Pole, Wach, Japan, Zykus,
amazing (an cheap) double CD set  featuring most of the Stockhausen "intuitive music" (ie quasi improvised). The first piece is Zyklus for solo percussion performed here by Tristan Fry in 1974. Zyklus was one of the first works with a graphic score allowing the performer some freedom to improvise. In the late 60s Stockhausen developed the idea of scores which determined a process rather than the exact content & his group toured the world playing this music. Several pieces are included her…
Klavierstücke I-XI / Mikrophonie I & II
Beautiful double CD set, containing a mindblowing Mikrophonie version... Mikrophonie is the title given by Karlheinz Stockhausen to two of his compositions, written in 1964 and 1965, in which “normally inaudible vibrations . . . are made audible by an active process of sound detection (comparable to the auscultation of a body by a physician); the microphone is used actively as a musical instrument, in contrast to its former passive function of reproducing sounds as faithfully as possible” (Stock…
Helikopter-Quartett
The Helikopter-Streichquartett (Helicopter String Quartet) is one of Karlheinz Stockhausen's best-known pieces, and one of the most complex to perform. It involves a string quartet, four helicopters with pilots, as well as audio and video equipment and technicians. It was first performed and recorded in 1996. Although performable as a self-sufficient piece, it also forms the third scene of the opera Mittwoch aus Licht ("Wednesday from Licht"). The Helicopter Quartet was originally commissioned b…
Harlekin
Karlheinz Stockhausen's 'Harlekin' ('Harlequin') for clarinet; and 'Der Kleine Harlekin' ('The Little Harlequin') for clarinet (performed here by Suzanne Stephens). Only one copy available.
Stimmung (Singcircle Version)
In each section a new overtone melody or 'model' is introduced and repeated several times. Each female voice leads a new section eight times, and each male voice, nine times. Some of the other singers gradually have to transform their own material until they have come into 'identity' with the lead singer of the section by adopting the same tempo, rhythm and dynamics. When the lead singer feels that 'identity' has been reached, he or she makes a gesture to another singer who leads the next sectio…
Zyklus - Four Realizations By Max Neuhaus
2004 release. Four previously unreleased realizations of Karlheinz Stockhausen's "Zylus" (different recordings than the one featured on the Columbia LP Electronics and Percussion -- Five Realizations. Recorded 1959-68. The term "New York School" refers to a circle of composers. "Zyklus" was written in 1959 and is one of the first solo pieces to utilize such a large number of percussion instruments (twenty-one). When Max Neuhaus first started to play this piece there were only three percussi…
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