Klaus Janek
Delphi
*50 copies limited edition* The Delphi was one of the greatest silent movie cinemas of Berlin. It was in operation since the late 20s, it shone in its own golden era, was bombed during the Second World War, was closed and then reused as a warehouse; its walls faded, its floor grew mildewy and its facade today does not indicate anything about what once went on the inside. The interior itself maintains a faded echo of its former glory and its integration in this century’s 20s makes it a hidden gem…
almenrauschen
These five albums by Klaus Janek appear to have been originally released in 2018, but were bundled together under the title almenrauschen in 2019 in nice colour-coded sleeves designed by Stephanie Roderer – I’ll refer to this aspect at the head of each review section – in an edition of 300 units. The name “almenrauschen” derives from the aural sensation perceiving a non intentional sound world and transforming it to musical sense-making.
This bundle includes the following albums on vinyl:
- Casp…
Caspar
This habit some experimental musicians have of applying forced context or stories to what is essentially pure improvised music does sometimes perplex me. Here Janek references Kaspar Hauser with the title and in the sleeve notes. He also states the intention “…to de- and reformulate the idea of beauty”. When referencing the case of Kaspar Hauser, I assume Janek sees himself as “…set free…” from traditional technique, and aims, on this disc at least, to “…redefine by discover[y] and recover the p…
Three Seasons
'This disc commences with “Prolog / Autumn / Winter Part 1” which are relatively unadorned solo contrabass improvisations from 2003, inspired by the poem Lettera Amorosa by René Char. Although the work apparently “…follows an emotional path a man lives through a loss…” which is intriguing, the main emotions this music is conveying to me are morbid self-analysis, ennui and fatigue. So far so good. Nonetheless, Janek insists upon the piece “…awakening from impotence, sensing awareness and rediscov…
Infinite Bang
'Janek’s “source of inspiration” was apparently Stanislaw Lem’s novel Solaris and Janek’s own social observations in Prospect Park in New York City “…where I was living during the main research period for this work”. I’m not familiar with Lem’s novel, but if you’re expecting echoes or resonances from the soundtracks of either the Tarkovsky film or the George Clooney remake, I’m afraid you may be disappointed.
On side A we find “Infinite Bang Part 1”, which is more solo contrabass and electronics…
Prospecting
'The first track on side A is “Violeros Revisitados”, which is a fight between the sounds made by Brazilian traditional musicians and the UHER Report 400 tape machine the sounds were recorded on. This source material was recorded by Gunther Kipfmüller in Northeast Brazil in the 1970s. Kipfmüller’s daughter, Milena , processes the raw material while Janek adds his contrabass and electronics to the mixture. Brazil born, Milena is also Berlin-based and works as”… a freelance soundartist, dramaturgu…
Reciprocum
Magenta. Road at night. Its probably worth quoting from the sleeve-notes so you get an idea of what the intention is on this disc: “The album consists of music chosen from a pool of recordings made over a time span of 10 years and according to its expression composed ‘together’. All of the music was created through a practice of combining the compositional and performative act. The album making process consists of two levels: the music created in the past functions as material and is put into fo…