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*Limited Edition* Dive into the groovy sounds of pianist Kunihiko Sugano with this album, where he skillfully maneuvers the Fender Rhodes to produce a blend of sharpness reminiscent of an acoustic piano. The bossa nova flavor promised in the title is delivered with a post-bossa twist, akin to the bossa jazz trio style of the 60s but updated. Think of it as a 70s take on the genre, akin to the works of Tamba Trio and Milton Banana but arguably even better. Sugano's dynamic approach is complemente…
*Limited Edition* Album released in 1977 by Japanese jazz pianist Kunihiko Sugano, who started playing in a trio with Isao Suzuki and George Otsuka in the early 1960s and recorded the classic album Blow Up with the aforementioned two and Takashi Mizuhashi on Three Blind Mice in 1973. Recorded live in Date City, Hokkaido in 1976 as a trio with Osamu Kawakami and Hiroshi Murakami. The air from the venue was recorded to give a realistic impression, and standard numbers such as Luiz Bomfa's A1, whic…
*Limited Edition* Immerse yourself in the charm of a Japanese piano trio session, elevated by the rhythmic enchantment of conga player Yohichi Ogawa. The trio, featuring Kunihiko Sugano on piano, Eizoh Honda on bass, and Teruhiko Takada on drums, takes on a sweet and dynamic quality. Ogawa's conga rhythms add a distinctive flair, injecting energy into Sugano's music—a blend of lyrical imagination, gentle swing, and freewheeling vitality. With extended tracks this session is a delightful explorat…
*Limited Edition* Pianist Kunihiko Sugano unveils a collection of solo pieces, featuring shorter tracks than his trio albums of the time but brimming with emotion. Sugano's gentle and expansive piano touch, reminiscent of Bill Evans, is complemented by a unique phrasing that suggests an approach to the acoustic instrument akin to an electric one. The notes unfold with a measured attack and a lingering sustain. Sugano's distinctive style shines here offering a beautiful and individual musical jou…
*Limited Edition* Pianist Kunihiko Sugano shines in this early album, captured in a relaxed live setting at a small Japanese club. With a conga added to his usual trio, Sugano introduces each number with introspective lyricism before the trio kicks in, showcasing majestic and soulful solos. A classic in the 70s Japanese piano style, the ensemble includes Izao Suzuki on bass, Shinji Mori on drums, and Yoichi Ogawa on congas.
The members of the Hidehiko Matsumoto Quartet, a famous combo from the 1960s, reunited for one night only. Their performance was on a grand scale, as if they were flapping their wings on four different wings, including the groovy "Speak Low" and the swinging "Four Wings".