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On Lee Gamble’s stunning first major work since Koch [2014], the rave dreamer reawakens to decode and interpret his hallucinations for Hyperdub, coming to terms with the idea of Mnestic Pressure - a confluence of individual and collective pressures on contemporary memory - in an astonishly febrile, vivid collision and projection of jungle and ambient structures. With his move to Hyperdub following a string of modern classics for PAN, Lee Gamble has effectively reset his sound to realise a …
Lee Gamble jacks directly into a latent stream of electronic wonder with his dream-like 'Koch' opus for PAN. Running to 76 minutes over 16 tracks, it's Gamble's most substantial and arguably definitive work, following the beautifully effective 'Diversions 1994-1996' and 'Dutch Tvashar Plumes' releases for PAN in 2012. Where those records deconstructed the elusive, enigmatic timbre of '90s electronic dance music - jungle, techno, ambient - 'Koch' (pron. 'Cotch' - UK slang for relax) is a sort of …
Limited pressing white label 12" featuring two previously unreleased tracks by Lee Gamble. "B23 Steelhouse" is a rework of "Steelhouse Chaconne," itself an unreleased Lee Gamble dub from 2013. On the flip is "Motor System (Extension)," a track taken from 2014's Koch album (PAN 059CD/LP) and extended. Both tracks have been remastered and sound much louder and dynamic than the album cuts -- primed for the DJs. 140-gram 12" mastered and cut by Rashad Becker at D&M.
restocked. Lee Gamble is a UK-based artist and electronic music producer with roots in the original jungle-techno and extreme computer music fields. The Kuang EP heralds the release of Gamble's keenly-awaited 2nd LP KOCH with three tracks of dissociative ambient/techno. "Kali Wave" opens with a bittersweet breakbeat roller sounding something like early AGCG playing in a hall of mirrors, whereas "Mimas Skank" diffuses oily acid and dry dub techno inna dancefloor wormhole, and the detached amb…
2015 repress, originally released in 2012. The 30-minute Diversions 1994-1996 EP is made up entirely from samples from the collection of Lee Gamble's jungle cassette mix-tapes. The audio has been subjected to analog and digital deformations, while trying to extract, expand upon, and convey particular qualities emblematic of the original music. The effect is that of a musical body scan, all that is solid melts into air. Sounds are unearthed, dissected on the operating table, melted and unloc…
'Dutch Tvashar Plumes' seems to map the changes in Lee's approach to music making over the last 4/5 years. From his initial exposure and subsequent immersion into Jungle as a teenager, he soon began experimenting with structure and sound design which led him to a more 'academic' approach with 'Computer Music'. There were many self-imposed rules he adhered to during this time. These last few years he decided to break with that and make an intuitive venture forward. This record is the first real d…