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*200 copies limited edition* Aotearoan expat Dean Brown has been slowly growing the Little Skull catalogue for the last 21 years. His sound belongs to the Aotearoan underground tradition, folding in elements of portastudio rock, folk and noise. As well as HoP his works have appeared on Planam, Elica, Digital Regress and Anomalous. These two tracks find Little Skull staring into space with his toes in the sand as he conjures a tumble-down cosmic blues dusted with tape hiss and distortion. As usua…
*300 copies limited release* "In early 2000s New Zealand, Little Skull started as a small project. Smallness was perhaps the defining characteristic. Lathe cut 7”s in vanishingly small editions, the intricate, fiddly covers hand- crafted with what one would have to assume were very small hands. Or just with the aid of tweezers perhaps. The labels of these records provided no information beyond an illustration of a small – little even – skull. The music was also mysterious and miniaturized but al…
Necessary, and slightly expanded, vinyl edition of the first Little Skull long player which was originally released as a micro-edition CD-R in 2009. Written, performed and recorded by Dean Brown on borrowed and home made instruments during a year spent living in a cold colonial-era house across the street from Len Lye's childhood home in Aro Valley, Wellington NZ. Fashioning a bass from a coffee can and elastic band, using the home's antique doorbell, and unavoidably including the seeping sound…
**Edition of 300 copies** Next-level DIY print publication from Gothenburg’s IDDB label head and Discreet Music co-owner Matthias Andersson who’s thankfully taken it upon himself to document the tricky to navigate but dripping with intrigue New Zealand lathe cut scene. Speaker Crackle In The Garden originally ran for a short series in fanzine Fördämning, but here it’s been expanded to cover no less than 83 individual micro-releases from the likes of Armpit, The Drugs, Entlang, Little Skull, The…
Another sublime installment from Dean Brown’s Little Skull. This 5 track 10” moves through minimal, naïve, folk/chamber territory on into darker, more twisted waters. Hand-made covers and inserts featuring three different lino-cut images. Each record comes with three inserts on transparent stock and features one of those images on the cover. Therefore there’s three variations of outer sleeve design. No requests!
**Housed in a beautiful handmade diorama sleeve and box. Limited to 100 copies.** Just a few months after fortuitously meeting Dean Brown in London’s Low Company I am delighted to be releasing this Little Skull 7”. For a few years I was listening to Little Skull LP’s unaware that Dean’s own brand of NZ underground music was in fact being recorded a short distance from my London home. Furthermore, Dean’s intricate homemade sleeves were crafted in London, shipped to Italy, then back to London wher…
** Special cover with hand-made 'paper-cut forests' pop out diorama. Handmade edition of 200.** A light in the window will guide us safely home”, the new and unique LP by Little Skull, is an album defined by places, journeys between them, and the traces we leave. Insignificant instrumentation congregates on insignificant locations, leaving behind ghosts in a place of their own. Warbly guitars and a town hall in rural Waikato.Wheezing melodicas and a train through Tongariro. Tinny autoharps and …
Last copies! ** Edition of 250 copies in incredible diorama-style hand-made sleeve. **One more top mysterious trace from the Little Skull legacy: Dean Brown's album Ubique (i.e. "everywhere" in Latin) marks the passing of time and people. This sense of loss is very present though the whole record; not getting around to saying the things we meant to say and making sense of the leftovers. Screaming calmly, Dean Brown's Little Skull has shrunk, even more, until his head is almost just sore meat - t…
** last copies** Outstanding new release on the legendary Elica records, a lovely LP record housed in hand-made unfolding pop-up sleeve in a limited edition of 150 copies only. It cannot get more mysterious than Little Skull's (sometimes spelled Li'l Skull) output so far, a small series of privately produced lathe-cut singles, plus the odd mini-CDr, released in tiny editions of a very few dozen copies and with basically no names or notes, just a consistency in their astonishing packaging. In fa…