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Luigi Nono

Luigi Nono's avant-garde partisanship was inseparable from a commitment to socialism, twin aspects of a revolt against bourgeois culture: hence his avoidance of normal concert genres in favour of opera and electronic music, his frequent recourse to political texts and his work in bringing music to factories.

Luigi Nono's avant-garde partisanship was inseparable from a commitment to socialism, twin aspects of a revolt against bourgeois culture: hence his avoidance of normal concert genres in favour of opera and electronic music, his frequent recourse to political texts and his work in bringing music to factories.

Fragmente - Stille, An Diotima
** Edition of 300 copies, gold foil printed sleeve, includes 12-page booklet and 2 leporello inserts printed on translucent paper ** Since their founding during the early years of the new millennium, the Italian imprint, Holidays Records, has stood a…
50 Years
In 2012, the Wergo label celebrates its 50th anniversary. For half a century, Wergo has been synonymous with contemporary music. The label's catalog reads like a virtual who's-who of modern music, both in terms of composers and performers. From the b…
The Avantgarde Series
The legendary DG Avantgarde vinyl series (1968-1971) is turning 55! In order to celebrate this occasion, the series is now released on 21 CDs for the first time. The Avantgarde series serves as a historical document for a time of radical change in mu…
Nostalgia for the Future Luigi Nono's Selected Writings and Interviews (Book)
Nostalgia for the Future is the first collection in English of the writings and interviews of Luigi Nono (1924–1990). One of the most prominent figures in the development of new music after World War II, he is renowned for both his compositions and h…
La Fabbrica Illuminata / Ha Venido, Canciones Para Silvia / Ricorda Cosa Ti Hanno Fatto In Auschwitz
*2022 stock* Magnetic tape for serial use is not the prerogative of Stockhausen or the French members of the GRM. On the other side of the Alps, at the RAI Studio di Fonologia in Milan, Luigi Nono worked for a long time on the development of a new fo…
La lontananza nostalgica utopica futura
Experiencing La lontananza utopica futura has enriched my musicianship. The unusual openness of the original materials by Nono required the establishment of an interpretive path through tapes and scores. This need has led to the emergence of a creati…
Les Espaces Électroacoustiques II
The idea of exploring important 20th century electro-acoustic compositions within their historically informed performance practices, and using this as the basis for the production of a new interpretation in 5.1 surround sound, has created quite a sti…
Como una ola de fuerza y luz - Unfolding Waves
Between April and June 1971, after the democratic election of Salvador Allende’s government, Luigi Nono visited Chile for three months, meeting several artists, composers and politicians, among whom was Luciano Cruz Aguayo, one of the leaders of the …
Musica Manifesto n. 1
**First ever repress of this seminal work.** LP version, edition of 300 copies on black vinyl. Long considered, with Pierre Boulez and Karlheinz Stockhausen, to be one point in the trinity of the post-war avant-garde, Luigi Nono was, without question…
Risonanze Erranti
*Super Audio CD* The poetic significance of Luigi Nono's Risonanze Erranti (1985-87) should be interpreted in the light of the reflections developed since the summer of 1975 with the venetian friend and philosopher massimo cacciari, to whom the work …
Caminantes... Ayacucho
2007 release - Luigi Nono No hay caminos, hay que caminar … Andrej Tarkowskij (1987) “Wayfarer, there is no path. Yet you must walk”, in Spanish: “Caminante, no hay caminos. Hay que caminar.” These words are the contents of an inscription, which Luig…
Le Concerts du Domaine Musical 1956
Doxy presents a reissue of "Les Concerts du Domaine Musical", originally released by the French label Véga in 1956. Le Domaine Musical was a concert society established by Pierre Boulez in Paris, which was active from 1954 to 1973. Boulez intended to…
Seguente
Re-release of ed. RZ LP Luigi Nono plus three remarkable recordings. All works by Luigi Nono: ("A Carlo Scarpa" for large orchestra), ("A Pierre" for contrabass flute, contrabass clarinet and live electronics), ("Guia Al Gelidi Mostri" for electro…
La lontananza nostalgica utopica futura / Nuctemeron
Lovely 2xCD digipack + 16 page booklet: CD1 features Luigi Nono's La Lontananza Nostalgica Utopica Futura (1992), an original title, a unique aesthetic metaphor even: one could say that the past reflected in the present [nostalgica] brings about a cr…
Prometeo, Tragedia dell\'ascolto
One of the most significant musical works of the twentieth century is now available in an archive-quality recording. Only now, using surround-sound technology can the twenty-six channels be balanced out and distributed, spatially and dynamically, wit…
Quando Stanno Morendo
Works of art are often triggered by private events. Sarà dolce tacere (1960), for example, was written on the occasion of the 40th birthday of Bruno Maderna, Nono's (former) teacher and close friend; and also in 1960 Nono wrote Ha venido for his daug…
Variazioni canoniche sulla serie dell\' op. 41 di Arnold Schoenb
"All my works always start out from a human incentive: an event, an experience, a text in our lives leads to my instinct and my conscience and wants me to bear witness, as a musician and as a man." This is how Nono, in 1960, described his motivation …
Das atmende Klarsein
Researching into the fringe ranges of hearing, and actually going to the limits: electronics – live or prerecorded – was one of the tools employed by Luigi Nono in pursuance of this object. In his work Das atmende Klarsein he moreover endeavored to e…
Orchestral Works & Chamber Music
He was truly one of the greatest. A collage portrait of Luigi Nono, from Due espressioni, premiered at Donaueschingen in 1953, to Post-Prae-Ludium (1987).
Como una ola; Epitaffio No. 1; Epitaffio No. 3
Luigi Nono began Como una ola de fuerza y luz (Like a wave of strength and light) as a piece for piano and orchestra in 1971, at the instigation of Maurizio Pollini. While the composition was in progress, Nono learned of the death of a young Chilean …
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