Lydia Lunch
Teenage Jesus And The Jerks
During the late 1970s, after No Wave pioneer Lydia Lunch met saxophonist James Chance, she began setting her angry and disjointed poetry to anti-music, founding her ground-breaking band Teenage Jesus and The Jerks with Lunch’s shouted lyrics matched by her non-conventional use of electric guitar. The group’s self-titled debut EP is a fast and furious affair, produced by Robert Quine of the Voidoids/Lou Reed, with future Nick Cave drummer Jim Sclavunos on bass and Bradley Field on minimalist perc…
Queen Of Siam
After the demise of Teenage Jesus and the Jerks, Lydia Lunch launched her solo career with Queen Of Siam, arguably her greatest LP. In true No Wave style, the album is a mishmash of irritants, but her palette is far broader here, lurching from slow dirges, excessive feminist exhortations, and raucous personal purges to a touch of disco and lounge music exoticism, as conjured by Voidoids/Lou Reed guitarist Robert Quine, Contortions bassist Jack Ruby, and John Cale’s drummer, Douglas Browne. Spiri…
13.13
Recorded in Los Angeles in 1982, 13.13 exists as document to the pandemonium of specters and potential serial killers who twisted the California Dream into a waking nightmare as they snaked through the boulevards, back yards and basements of a sun stroked paradise turning into a blood soaked inferno of fear, paranoia, panic and lust killings. Lush musical textures provided by members of seminal art punks The Weirdos - Dix Denney, Cliff Martinez and Greg Williams create a hypnotic backdrop to Lun…
Live 1977-1979
Teenage Jesus and the Jerks began to formulate their visionary brand of aural catharsis sometime during the first half of 1977, amidst the sordid ruins of a then fully down-and-out Lower Manhattan. The mastermind behind this juggernaut of sonic libertinage was a barely pubescent but world-weary runaway who called herself Lydia Lunch. Influenced strongly by the Marquis de Sade and Henry Miller, Lunch shrewdly decided to graft the existential horror of her own writing onto harsh, atonal music afte…
Medusa's bed
Medusa's bed fuses Mia Zabelka's avant violin stylings to Zahra Mani's psychoambient soundscapes creating an other worldly surround, the perfect illustration for the nocturnal vocals of Lydia Lunch. Medusa's bed is reminiscent of a murder mystery or hypnotic late night radio drama. Evocative and suspenseful, a threat of something devious, sneaking up out of the dark and whispering an invitation to your shadow. 'Linked due to their ability to physically affect the subject, desire and rage, two of…
13 13
'First reedition. Recorded in 1981. Originally released in 1982. Lydia Lunch: vocals, piano. Dix Denney: guitar. Greg Williams: bass. Cliff Martinez: drums, percussion. Digipack.'
Frankie Teardrop
Known to Rev & Vega as the Baby Faced Killer who they so kindly chaperoned through that lost downtown night world crucible from where both their futuristic, and highly influential, black arts would be born. Artistic Kings & Queens from the dumpster side of town. Lydia gets all wet and dirty with thought of what young Frankie Teardrop might do to her, over a twisted frug of an electronic beat-nicked soundscape by one time Lemon Kitten, David Knight. Rules are for breaking. Here we like to break…