Mats Gustafsson
Saxplayer, improviser and composer. Soloartist and international tours and projects with a.o. Peter Brötzmann, Sonic Youth, Merzbow, Jim O´Rourke, Barry Guy, Otomo Yoshihide, Yoshimi, Ken Vandermark and in working groups The Thing, Sonore, FIRE!, Gush, Boots Brown, Swedish Azz and Nash Kontroll. Large ensemble work with Barry Guy New Orchestra, Peter Brötzmann Chicago Tentet and the NU – ensemble.1800 concerts and over 200 recordproductions in Europe, Australia, Africa, North & South America and Asia.
Saxplayer, improviser and composer. Soloartist and international tours and projects with a.o. Peter Brötzmann, Sonic Youth, Merzbow, Jim O´Rourke, Barry Guy, Otomo Yoshihide, Yoshimi, Ken Vandermark and in working groups The Thing, Sonore, FIRE!, Gush, Boots Brown, Swedish Azz and Nash Kontroll. Large ensemble work with Barry Guy New Orchestra, Peter Brötzmann Chicago Tentet and the NU – ensemble.1800 concerts and over 200 recordproductions in Europe, Australia, Africa, North & South America and Asia.
Member of: DUX Orchestra
Jag Dricker, Jag Dricker, Alltså Finns Jag
*200 copies limited edition* Gustafsson and Lindsjö had collaborated in the mid-eighties in the Swedish-American group The Bad Quartet. Playing local gigs in both New York and Lund. Lindsjö later moved back from New York City to reunite with Gustafsson in Stockholm, where the ensemble Gush had just begun to establish itself. With their shared American influences in mind, Raymond Strid was recruited on drums to form the trio Maxcolic.
The trio started off in a free improv funk/rock that contraste…
DEG
A live recording of a great performance from Kevin Drumm, Mats Gustaffson and Leif Elggren. Recorded live at Fylkingen Oct 10, 2001 on the Blue Tower Sound System.
Gush 30 Kraków 2018
3-CDs box-set documents Gush residency at Alchemia club in Krakow in November 2018 celebrating band's 30th aniversary. Gush performs precisely as one might anticipate from a trio of seasoned musicians who have collaborated for three decades. Gustafsson's saxophone emulates the qualities of the human voice, Sandell's piano evokes both lyricism and percussive rhythm, while Strid's drums exude a captivating, enigmatic fluidity in their aesthetics. Their collective efforts yield an intense, abstract…
Live Album
Flute, harp, drums: a rare combination that this trio turns upside down. In the wake of John Zorn's experiences on the borders of jazz and noise, the collaboration between Delphine Joussein, Rafaëlle Rinaudo and Blanche Lafuente aims at pushing their instruments beyond their limits, with the enthusiasm of a mad scientist... It is no coincidence that the three musicians, considered the missing link between Nirvana and Sun Ra, have already aroused a big curiosity and are constantly touring accross…
Fonstret N.3 - Edition Festival For Other Music (Magazine)
Fonstret is a project of Stockholm’s Edition Festival for Other Music focused on publishing new works and surfacing material from the festival’s archives.
Book sewn with open spine. 170 x 239mm. 192pp. 1+1 Pantone 546C, 120 gsm offset paper inside, 300 gsm offset paper covers.
Text by:
Johan Arrias, Elsa Bergman, Nadine Byrne, Erik Carlsson, Scott Cazan, Jon Collin, Mats Dimming,Niklas Fite, Marta Forsberg, Joel Grip, Mats Gustafsson, Carl Michael von Hausswolff, Isak Hedtjärn, Karin Hellqvist, …
Watching A Dog. Smiling
*300 copies limited edition*New release on NoBusiness from two of the best reed instruments' veterans.
Mats Gustafsson – slide flute, flute, baritone sax and live electronicsLiudas Mockūnas – sopranino, soprano, reedless soprano, overtone, bass sax and contrabass clarinet
Afro Blue
Saxophonist Mats Gustafsson is notorious for his prolific nature and constantly expanding circle of collaborators, but few of his partnerships have been as powerful and profound as Gush, the Swedish trio which formed way back in 1988 and celebrates its 36th anniversary in 2024. This performance was captured live at the famous Stockholm jazz venue Fasching on December 17, 1998, and the music excited all three musicians when they revisited it this year. The album is named for the Mongo Santamaria …
Exhale- Volume 2
Tip! *200 copies limited edition*Erwan Keravec - bagpipes,Mats Gustafsson - piano mate and slide saxophoneRecorded September 13 and 14, 2017 by Martin Siewert, ViennaMastered by Martin Siewert, ViennaCover design/illustration: Lasse MarhaugPhotos by Mike KeysendalThanks to: "Stark Reality"Hans Falb and HeidiTitles inspired from Ted Huges "Crow" (Faber & Faber 1970)
Their Power Reached Across Space and Time - To Defy Them Was Death - Or Worse
World-renowned horn player Mats Gustafsson teams up with Joachim Nordwall to create Their Power Reached Across Space Ana Time- To Defy Them Was Death- Or Worse- an avant-garde masterpiece. Gustafsson and Nordwall push their instruments to the limit, almost mirroring the title of the record by "reaching across space and time". The duo creates a sense of vast, three-dimensional auditory expanses. "This is where acoustics and analog synths meet. It is unique music. Unheard Vibes. Perfect for specia…
Hidros 9 - Mirrors
Conducted by Mats Gustafsson for two 9 piece chamber ensembles, 4 soloists, tape machine, turntable. Recorded at the Avant Art festival, Warsaw, Poland, 2022. The monumental composition for 27 musicians by Swedish saxophonist, improviser and composer Mats Gustafsson is an in-depth exploration and continuation of the previous piece Hidros o.T. (2019), commissioned by NyMusikk Trondheim, inspired by the mirrored forms and visual structures of artist Mathias Pöschl. Controlling 3 different groups o…
Opus One
'The initial idea behind Ensemble E was to combine traditions of Contemporary Music, Noise, Improvised music, Free Jazz and other experimental music fields and traditions with the deeper music traditions. This is deeper research of traditional and non-traditional ways of expressing folk music of Scandinavia, Portugal, Poland, Ukraine and more. Much more. By putting them next to each other/ on top of each other/ inside of each other. Creating new ways. The instrumentation of Ensemble E is spectac…
Why Do You Mourn
The End is near - after two albums on the now defunct UK label Rare Noise, the powerful project of Sofia Jernberg (vocals), Kjetil Møster (clarinet and tenor saxophone), Mats Gustafsson (flutes, baritone saxophone and electronics), Anders Hana (baritone and bass guitar) and Børge Fjordheim (drums) release their third album on Trost. They combine Avantrock, Jazz and a haunting beautiful voice to a seethe mix of emotions, noise, music - a sonic landscape, dynamic and captivating. This album is a t…
Mouth Eating Trees And Related Activities
*2023 stock* "Swedish multi-reed artist Mats Gustafsson was just beginning to come into his own at the time of this recording. The oddly titled Mouth Eating Trees and Related Activities catches him at the cusp when his prodigious technical abilities were starting to be subsumed into an impressive musical presence. It doesn't hurt that his companions for this freely improvised session are stalwarts like Barry Guy and Paul Lovens, who provide accompaniment that's creatively telepathic. While Gusta…
One To (Two)...............
*2023 stock* These 18 short duets between cellist/trombonist Gunter Christmann and Swedish new music provocateur and saxophonist Mats Gustaffson eschew all melodic pretension, leading to some very difficult, though rewarding listening. Christmann performs mostly on his stringed warrior, where scratches and little sounds lead the way. Somehow, when matched with the saxophonist's highly developed sense of rhythm and sporadic flurry, the results lure the listener into a den of revolutionary fervor.…
Off-Road
Tip! *2022 stock. In process of stocking* Their second duo recording, the follow-up to 1999's Apertura. Off-Road finds the two of them forsaking their earlier, glacially meditative m.o. for a shower of digitally recomposed slivers, the metal-on-metal timbre of a saxophone equipped with contact mics, Grubbs's chiming electric guitar, and Gustafsson's pro rhythm analog synthesizer clipped to the bell of his horn.
Naja
*In process of stocking* Swedish saxophonist Mats Gustafsson might have a separate discography for his solo records. He's investigated the possibilities of unaccompanied reed music from almost every angle. Presented with the opportunity to make a new solo record under the isolation of the pandemic, Gustafsson returned to a project he'd conceptualized but never realized: the playing-card pieces of Peter Brötzmann. Although these Fluxus-like prompts are better known through the two card sets the G…
Hidros 8 Heal
Tip! For the 8th edition of Mats Gustafsson's NU Ensemble, Gustafsson focused on the current state of the world, „Hidros 8 Heal" is an attempt to rise and find the questions about the state of things. there is an extreme unbalance on local and global levels at the moment — from ideological, economical, cultural and political perspectives – and we need an equilibrium of some sorts very soon. can it heal ? what can make it all heal? and for how long can it heal?
Anna Högberg - alto and baritone sa…
Prosperity
*In process of stocking.* Next Festival Records is thrilled to announce that the new album 'Prosperity' from Mats Gustafsson & Christof Kurzmann, has been added to the catalogue.
Mats Gustafsson is a Swedish saxophone player, composer, and improviser. Gustafsson works on the boundaries of noise, electronica, contemporary rock, and free jazz, as well as contemporary dance and theatre production. He performs solo and in various all-star impro projects. He has gone on international tours with artis…
Vertical
Tip! Written, performed, and produced by Mats Gustafsson (STIM/N©B) & Tony Lugo.
Mats Gustafsson: Alto, Tenor, Baritone and Bass Saxophones, FluteTony Lugo: Drums, ElectronicsMats Gustafsson & Tony Lugo: Concatenative Synthesis & Machine Listening Algorithms
Recorded May-July 2021 by Olof Madsen at Discaholic Studios, Nickelsdorf, Austria & Craig Bowen at Tempo House, Baltimore, MDMixed by Craig BowenMastered by Lasse MarhaugDesign by Tony LugoPhotography by Mats GustafssonArtwork by Peter Brötz…
Contra Songs
Tip! *In process of stocking* ‘Alone at night. Large church room. Lots of air. Stone. Wood. Glass. Quietness. Stillness. The dead and the alive. Surroundedness. ‘Existentialistic matters spinning. Peaceful state of mind. The dialectic equilibrium of complete stillness and deeper thoughts on contra-resistance on local and global levels. Fighting (y)our stupidities. Contra. I have never ever before gotten myself into such an unusual setting for a recording project. And yet, so simple. So naked. S…