Maurizio Bianchi
Bianchi began to produce music in 1979, since 1980 using electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". In the beginning, he published tapes under the alias Sacher-Pelz. Until 1984, Bianchi published on other labels intensively as either MB or simply Maurizio Bianchi, sometimes several albums and/or tapes per year, as well as numerous tracks to compilations. Bianchi became religious and withdrew himself from the music business. Much of his work is sought today by collectors, especially as they appeared in extremely small editions
Bianchi began to produce music in 1979, since 1980 using electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". In the beginning, he published tapes under the alias Sacher-Pelz. Until 1984, Bianchi published on other labels intensively as either MB or simply Maurizio Bianchi, sometimes several albums and/or tapes per year, as well as numerous tracks to compilations. Bianchi became religious and withdrew himself from the music business. Much of his work is sought today by collectors, especially as they appeared in extremely small editions
Nuances De Spleen
*50 copies limited edition*
Completely handmade packaging.
The edition consists of:- sleeve cover (13.5x13.5 cm.) in black cardboard (thickness 200 grams), on the front of which is attached a figure printed in color on canvas.- 6-fold cover (13.5x13.5 cm. approx. closed, 40.5x13.5 cm. approx. developed), printed in color (200 grams paper)- cdr with printed surface, in black envelope. In the cd envelope is attached a cardboard envelope (12x6.5 cm. approx., cardboard 200 grams thick) which contai…
Das Testament
*200 copies limited edition* M.B.: electronics, rhythms, neutronic effects. The two suites of Das Testament were recorded in 1982 and can be included among the most extreme and uncompromising M.B. recordings. Once more, maximum electronics.
Symphony For A Genocide
*202 copies limited edition* First issued on LP in 1981 by Sterile Records, London, England. The moral of this work: The past punishment is the inevitable blindness of the present. MB: electronics. Symphony For A Genocide came out in 1981, on this album, MB construct brutal, hallucinatory blasts of electronic noise and grinding rhythms of hand-cut tape noise and overblown synthetic distortion.
These, bleak chilling drones are reminiscent of Conrad Schnitzler at his most neurotic, Nurse With Wou…
Reflected Alienation
Collaboration between noise maestro Maurizio Bianchi and Kristian Day.
KD: crude tape loops, field recordings, synthesizerMB: electronics, guitar, piano, noise effects, pictures
Ircool
*50 copies limited edition* Quiet armonic ambient from the Italian master. The cdr is contained in a cover measuring 14.50x14.50 cm. approximately, printed in color on high quality 300 gram thick embossed ribbed paper. The cover is closed by a 300 gram polyester tag printed in color, which bears the name of the M.B. project. Four colored satin ribbons pass through the tag, then knotted on the back of the cover. The ribbons are four different colors, and are chosen from the colors white, black, g…
Telmegiddo / Bacterihabitat (CDr + LP, Blue)
*2024 stock. *Signed By The Artist* 50 copies limited edition* "LP by Maurizio Bianchi and a CDR by M.B., and that's why a book is such a great idea. Why is that? 'Telmegiddo' (CD) is 'the last cassette tape decomposition' and was previously released as 'Extreme Man 2'. The two pieces on 'Bacterihabitat' (CDR) are from May 1982 and previously released as 'Extreme Man 1' - both of the releases actually released without permission. Its hard to say what the differences would be between both works, …
Bacillusmetrial Entopathogen
*200 copies limited edition* Grubenwehr Freiburg has been amassing an impressive array of releases by highly regarded artists from the noise/industrial scene in a rather short time. This latest addition to their roster, by Italian genre pioneer M.B. (aka Maurizio Bianchi), comes as a co-release with attenuation circuit. The 75-minute CD is accompanied by an oversized 7” artwork insert, which neatly showcases the fact that M.B. is not only a prolific sound artist, but also has something to offer …
Regel
Oblio, a brand new imprint dedicated to reissues from the moodier spectrum of Italian experimental music, launches into action with the first ever fully remastered vinyl reissue of Maurizio Bianchi's 1982 private press masterstroke “Regel”. A seminal cornerstone of early '80s Italian experimentalism, Industrial music, and noise - long hunted by collectors - that is regarded as one of Bianchi's most definitive works - bristling various sound sources, electronics, and synths - more than 40 years o…
En Trance
*300 copies limited edition* Alchemist Maurizio Bianchi has opened seven gates that lead directly to a trance state. Beyond the gates, the sound of higher dimensional beings moving through space, or perhaps the revelry of angels as they celebrate their pouring down from the heavens, jointly unfold the world of a superb ambient trance symphony that mixes unknown sounds that resist our ordinary perception. You can transit at your own leisure in this blissful trance world, and it may be a chance fo…
I. B. M.
Limited edition of 50 copies (hand-numbered sticker). Comes as white shell tape with pro print, 3 panel j-card, clear jewel case. A true experimental music classic by Maurizio Bianchi, originally released as private cassette in 1980 and then later bootleged on tape
Never Existed Before Consequently It Will Never Exist After
Maurizio Bianchi is an Italian pioneer of industrial music and dark ambient, originating from Milan. Bianchi was inspired by the music of Tangerine Dream, Conrad Schnitzler and Throbbing Gristle. He wrote about music for Italian magazines before beginning to release his own cassettes under the name of Sacher-Pelz in August 1979. He released four cassettes as Sacher-Pelz before switching to his own name or simply "MB" in 1980. Bianchi corresponded with many of the key players in the industrial mu…
Absurdum
**Special limited edition of 66 copies.** The long-awaited reissue of ABSURDUM is finally released. Originally published by 13/Silentes in an incredible art edition of only 17 copies as a 3LP box and a handmade book, it is now being made available for everybody. ABSURDUM began as a series of writings by MB entitled DISSECTIONS. These 16 texts are now featured inside the poster cover that includes the CD of the entire work. No other words are necessary. It's only absurd. It's only MB
Art edition.…
Antimateria
*50 handnumbered Editions on green 135g Vinyl* Maurizio Bianchi is one of the founders of early industrial and noise music and should be familiar to most. For Antimateria he contributed two brand new, merging pieces in which he approaches the theme through sounds of luminescent and rushing keyboard clusters. Coalminer establishes several harsh noise tracks, for which they collaborated with the most diverse artists of the genre, from different countries. With the help of Toshiji Mikawa (Japan, Fo…
Verrückt
'Verrückt' was originally a split cassette release with Criminal Party from back in 1987 on the Japanese label Lunatic Propaganda. M.B. better known as Italian power electronics/avant-garde/noise artist Maurizio Bianchi contributed one side of the tape. Original copies are scarce, to say the least, so M.B. himself reissued it as a CDr and now St.An.Da. give it the vinyl treatment. Captivating '80s underground cassette music, bordering on ambient with its bubbling dreamlike soundscapes.
Computers S.P.A.
*300 copies limited edition. Includes CDr and tote bag* "After the "concretistic" beginnings and the synthesis between integral concretism and artificial synthetism, in the autumn. After the "concretistic" beginnings and the synthesis between integral concretism and artificial synthetism, in the autumn of 1980 I arrived at the synthetic court of the purest and most uncompromising electronics and thus the "Computers S. P. A." project was born, consisting of two improvisations on the Korg MS synth…
Doa-Hage-Rmn
Limited edition 88 numbered copies. At the dawn of the 1984 year, the apocalyptic interruption of Armaghedon hijacked neurological experimentation on the tracks of ancestral density, whose symbiotic traces can be found in the current Doa-Hage-Rmn, a radiological symphony that draws its inspiration from the electrolytic resonances of the most radical non-conformism. The exhortation is to pay attention to the subliminal message contained therein, which can be lethal for those who will not accept i…
Gene-P
Edition of 41 numbered copies. Catalogue number on disc is incorrect. Originally released as a private cassette in 1980. Cover image is 1980 arwork by M.B. When we produced the fourth edition of Gene-P in 2019 there was a mix up with the audio files. All the discs had to be repressed.Now available for sale is the final collector edition of Gene-P Rejected in a limited edition of 41 copies with new artwork.
Menses
*Edition of 102 numbered copies* Each copy has a different collage handmade by M.B. on the back cover and is also signed. Each copy is unique! Originally released on LP in a private edition of 300 copies in 1982. This new CD re-issue comes in a fold out oversized card sleeve.
Review from Kata 11, Come Org. 1982:
Suicidal album. Death ia a pleasure after a side of this record - it makes Come's "I'm Jack" seem like "Christmas Oratorio". Let MB be your executioner!
Review by Mauro Alfieri, Rockeri…
Endometrio / Endometrio De-Composto
*2022 stock* "Towards the end of 1982, I was living a moment of creative stagnation, and for avoid the risk of repeating myself with sterile modular secrations, I had an arterial idea: filering ancient recordings of mine through the aid of an Aiwa mucus echo machine , and so I set to process the sounds, transforming them into something completely new, so I coined the term “bionic music”, composed by concrete sounds recycled with electronic spraying… And as main theme I used the medical syncretis…
S.F.A.G. / S.F.A.G. De-Composed
*2022 stock* "Ante-facts : after the disintegrative period of my production (from “Symphony for a Genocide” to “Das Testament”), the purchase of a misanthropic echo-machine and the consequent decay of the electric-analogue machinery, my efforts was redirected to a pre-recording sound sublimation, so I started to re-compose the electronic metastasis of early times, filtering through dehumanizing effects of the echo-machine, keeping attention particularly to the explanatory process of my ancestral…