Maurizio Bianchi
Bianchi began to produce music in 1979, since 1980 using electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". In the beginning, he published tapes under the alias Sacher-Pelz. Until 1984, Bianchi published on other labels intensively as either MB or simply Maurizio Bianchi, sometimes several albums and/or tapes per year, as well as numerous tracks to compilations. Bianchi became religious and withdrew himself from the music business. Much of his work is sought today by collectors, especially as they appeared in extremely small editions
Bianchi began to produce music in 1979, since 1980 using electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". In the beginning, he published tapes under the alias Sacher-Pelz. Until 1984, Bianchi published on other labels intensively as either MB or simply Maurizio Bianchi, sometimes several albums and/or tapes per year, as well as numerous tracks to compilations. Bianchi became religious and withdrew himself from the music business. Much of his work is sought today by collectors, especially as they appeared in extremely small editions
Inexistence
A brand new album of minimal, cryptic & static sounds. The inexistence is the aplanatic condition of what is not existing, therefore doesn't subsist in the shot reality. Transferring this entomologic concept to radical music, we're consequently asking: inexistent sounds for existing people or existing sounds for inexistent people? Without schizoid presumption, "Inexistence" is replying to this existential question
Mectpyo Bakterium / Genocide O.T.M.
Numbered edition of 600 numbered copies in a trifold 10" inch sleeve with original artwork. Re-issue of the Maurizio Bianchi's early Lp Mectpyo Bakterium . Included in this re-issue is a bonus disc with 55 minutes of ultra rare material officially published on CD for the first time here.Disc 1: First two tracks are from the 1982 LP 'Mectpyo Bakterium' released by DYS Records, USA. Third track is from '40 Days/ 40 Nights' compilation on Stratosphere Music, Japan. Fourth track is from 'Internation…
dekadenz
An unusual, very nice release for Maurizio Bianchi/M. B. playing a decadent piano using sostenuto and damper pedals effects. Ultra limited edition of 100 copies
Technology 1 & 2
First issued as a very limited private tapes in 1981, now for the first time ever on CD for these early tapes by one of the most important figures in noise/electronic history, Maurizio Bianchi. These two discs were originally issued on tape in 1981 and have been bootlegged and cut into oblivion since then; this is the first time they've been made available digitally and fully uncut. Technology 1 has two long 25 min+ songs, both in a similar vein and showing MB taking a more subtle melodic approa…
Evidences Vol.1 - Final Industrial Music 1980
This is the limited friends edition of 50 copies in a red Box Set with golden imprints instead of the black Box Set with silver imprints, especially for the artist and a few other people in relation to VOD. Handsingned copy!
Aybasi
Maurizio Bianchi/M. B. used gelatinous comglomerates of consubstantial sounds, mixed with discretional eviscerated noises. Antithetic metal crucibles for contemplative adherents.
Bactérie
Maurizio Bianchi has been in the game for a long time. Since the late 70's he has proved himself to be a true pioneer of industrial minimalist tactics making it a goal to "produce technological sounds to work for a full awareness of modern decadence." I strongly believe that the most beautiful music is made through the filters of decay and slow demise. Bacterie is a fine example of this and only a sliver of what Bianchi has done over the last 30 years.
Mectpyo Saisei
A magnetotherapeutic leakage bridled in the impartial passivity of our univocal meditations the second haemodialysis generated by maurizio bianchi and akifumi nakajima, announces the new era of untamed audio-inflammation. both operators have sharpened their pathologist scalpels to intoxicate the aural hemisphere with rhizospheric microorganisms and mononuclear blood-cells. inside the parasite plasmodium of mectpyo saisei the clinical rhythm-impulses by aube and septic piano-fragments by m.b. for…
Junkyo
First collaboration between Maurizio Bianchi and Akifumi Nakajima, the second one being the Mectpyo Saisei on Para Disc. Four long tracks of drowsy noise ambiance.
Spiritualis
The duo weave a shimmering tapestry of alien drone, scattering bits of harddrive flotsam across squalls of ringing jetsam. "Improvisational" this recording might be, but aesthetically more than a few chronologically cultural links are forged with pioneer soundscapers of yesteryear (Xenakis, Stockhausen, Babbitt, Subotnick) more so than any straightforward diagrammatical connection with post-jazz avant-gardists... the duo delight in erecting a quakebasket quiverfest of extraordinarily well-articu…
Zyklusters
Versatile sounds macerated during the past two years, finally assembled by Siegmar Fricke using phonematic machineries. In the academese, a "cluster" is a simultaneous musical chord comprised of consecutive tones separated chromatically. In general parlance, a cluster consists of three or more contiguous notes sounded at the same time, and the notes are sounded fully and simultaneously, distinguishing them from ornamented figures involving acciaccaturas and the like. Diametrically opposed are th…
The Valley Of Deep Shadow
Are based on Psalm 23 the brand new recordings by the great Maurizio Bianchi. Maurizio surprises us again with his Valley of Deep Shadow changing again direction and going into new unespected sonic territories. Will you walk through the darkest valley ? To be discovered.. Edition of 515 hand numbered copies.
Akoustikoriginem
Improvisation is the practice of making and creating in the moment and in response to the stimulus of one's immediate environment. Musical improvisation is the spontaneous creative process of making music while it is being performed. It's like speaking or having a conversation as opposed to reciting a written text. "Akoustikoriginem" is a marginal and exhausted resource for experimental diffusion of uncompromised acoustic sounds from the convergent beginnings. Maurizio Bianchi prevalently uses a…
Dead Colours
This is the reissue of a CDR published by SILENTES a couple of years ago in only 120 copies. Now finally available on CD with restored artwork. DEAD COLOURS shows the more quite side of MB... with an incredible dark melanchonic tough in vein of David Lynch's atmospheres... Fantastic!
Menstruum Regles
Decomposition instead that composition. De-structured music that instead structured music. Not to complex and articulated technologies forrecording, mixing of the parts and mastering; not to onesophisticated production and maniacal and defined participations correct in post-production... This the new "challenge" capacityto the extreme limit from Maurizio Bianchi, a new musical effort,"directed", "raw", immediate, absolutely uncompromising new, to outsideof every law and from every pre-constitute…
The Self Portrait Of M.B.
An unusual self-portrait of Maurizio Bianchi in a minimal and introspective version, "a discreet" sonic self-portrait, elaborated with soft and nearly abstract electronic sketches, cyclical waves, tangles of intersected sounds, stratified, continuously changing, manipulated and molded through uses of effects, filters, reverbs, choruses, delay... Expanded paces, rarefied and "apparently quiet" atmospheres, but at the same time always full of a constant sense of gravity and heaviness, of vulnerabi…
Muitnelis
Phonometric composition for concrete sounds and magnetic oscillations, electronically transformed by Siegmar Fricke in the summer of 2006. "We are sorrounded by the silence, and the fascination of such silence is as much impalpable existing. Just if there are vibrator movements coming from a sonorous source, our brain is able to perceive its pitch, its intensity and its timbre decoding them to transform in sounds. If we can't get such sensibility of perception, only the absolute silence exists.…
The industrious tubal-cain
The Industrious Tubal-Cain" which combines the old, harsh sound of M.B. to his newer, more experimental and often more minimal approach.
Elisionem
'The 'elision' in the traditional music is a coercive and systematic dispositive necessary to assimilate two syllabic notes in one only. The 'elisionem', in the avant-gardist branch, is a sound absorbent course used amalgamate various sonorous elements into one. The main purpose is to generate an eclectic and axiomatic damping of the electroacoustic particles in order to proportion the achromatic fulfilment of modern concretism. And the final effect is phonographically disarming... psycho-acoust…
R.C.E.
Subtitled "[An] Exasperating Sonata in Three Dissections for Enharmonic Pianoforte, Industrial Oscillations and Digital Emissions." Packaged in a hard cardboard sleeve, with disc envelope and inserts. Released in a limited edition of 100 hand-numbered copies.