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n 2014, while wrapping up the mix sessions for Syntropy (three:four, 2016), Mike Wexler found himself writing a different kind of song. Whereas Syntropy had been beholden to a world of ideas laying just beyond the purview of the songs themselves, something new began to present itself - something more streamlined, more personal, direct, and grounded in a bedrock universality of form. Where was this shift coming from? - At the same time decidedly more straightforward and troublingly dark. With Nov…
Dispossession is the second full length from Brooklyn’s Mike Wexler, and his debut for Mexican Summer. An artist who defies easy categorization—a songwriter/guitarist without a traditionalist bone in his body, with an ear for far flung sound-worlds and sonic atmospheres both high & low, Wexler brings all of his manifold interests to bear in carving out a space for a singular vision uniquely attuned to the present moment. Dispossession is the product of over two years of intermittent recor…