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Records are almost always more than they seem. For all the sound and joy that they bring, they are works of art in multiple that indicate vast networks of happening, history, and ideas; beacons to be chased, leading to understanding beyond themselves. Particularly in the case of historical works, whether they emerge from dusty crates or as reissues and archival releases, these objects can reveal unexpected creative intersections that defy our notions of what was. Aguirre’s first-time reissue of …
Nice Price! Recorded in 1985, Water Music is the first "Japanese" solo album by Mott The Hoople keyboard player Morgan Fisher, released on Satoro Takazawa aka Pneuma's label LLE. Six mesmerizing ambient tracks are played out as a multi-sensorial improvisation on a Yamaha DX7 digital synthesizer plus grand piano, tape delays, bowed guitar and shell chimes. The result is an highly contemplative album that flows as a powerful yet ethereal journey through the element of water. Completely remastered …
What could be a better title for our follow-up to
Roedelius' "Evermore" than "Neverless"? Two avantgarde heroes have
teamed up for a unique collaboration that was started by Hans-Joachim Roedelius in Austria and then processed by Morgan Fisher in Japan. Ambient soundscapes with an Asian touch, meditative, repetitive and very seductive. The masterminds behind Cluster and Mott The Hoople united for the first time. 'How
about a collaboration between a former member of Cluster, and the
keyboard …