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One Line, Two Views features seven compositions for nine-piece ensemble by Muhal Richard Abrams. Works range from the subtle textural and tonal explorations of "Textures," "Hydepth," and the title track to the hard bop revisitations of "11 over 4" and "The Prism 3." The disc is rounded out by an ebullient, joyous, and celebratory "Tribute to Julius Hemphill and Don Pullen" and the blues-tinged "Ensemble Song." Abrams opts for unique instrumentation including violin, harp, and accordio…
The reputation of members of the AACM (Association for the Advancement of Creative Musicians), of which Abrams is a founding member, has long been one of adventurous, dangerous, and difficult music. But in fact, much of the music created out of this organization shows enormous appreciation of the blues and earlier jazz forms. Sightsong is a splendid case in point. The album opens with four duets (two dedicated to Chicago legends Wilbur Ware and Johnny Griffin) which have a swing, a groove, and a…
This discounted bundle includes both double LPs released so far in the "Hyperituals: Black Saint / Soul Note" series:Various Artists "Hyperituals Vol. 1 - Soul Note" (2LP)Various Artists "Hyperituals Vol. 2 - Black Saint" (2LP)"Hyperituals Vol. 1 - Soul Note" (2LP)After enjoying roughly half a century at the center of popular culture - despite its continued, towering cultural importance - by the 1970s jazz had fallen onto hard times. Its audiences drifted away, heeding the call of less demanding…
Drawing to light rhythms, grooves and Afrocentric traditions, Hyperjazz Records takes an unprecedented dive into the incredible back catalog of the seminal Italian imprint, Soul Note, with “Hyperituals Vol. 2”. Gathering an astounding group of recordings by Sun Ra Arkestra, Archie Shepp, Karl Berger, Muhal Richard Abrams, Lester Bowie, Cecil McBee, John Carter, Joseph Jarman, Don Moye, Johnny Dyani, Don Pullen, World Saxophone Quartet, and others - many of which have never before appeared on vin…
*2022 stock* "Leroy Jenkins, free jazz's greatest violinist, has always worked best in intimate situations with equally talented partners. He certainly had the optimum conditions on this duet date pairing him with outstanding pianist, composer, arranger, and conductor Muhal Richard Abrams. The duo played six Jenkins compositions for the session, which was recorded live. Abrams and Jenkins frequently alternate roles, letting each other set the pace, never colliding, and forging a highly effective…
The compilation “Celestial Birds” reveals and focuses on the widely unkown electronic compositions of the AACM founder and jazz pianist Muhal Richard Abrams. #5 in the Perihel Series, curated by zeitkratzer director Reinhold Friedl. Anybody interested in jazz knows that Chicago has always been an impressive hot spot for new talents – and still is. One essential landmark in the history and development of jazz was the founding of the AACM (Association for the Advancement of Creative Musicians) in …
The story of the founding of AACM is repeated often enough that it’s
codified into legend: pianists Muhal Richard Abrams and Jodie Christian,
drummer Steve McCall and trumpeter Phil Cohran, having come together in
Abrams’ Experimental Band, met to lay the groundwork for what would be
an independent organization for the production and promotion of creative
jazz on Chicago’s South Side. As an organization committed to
egalitarianism and self-determination, Abrams’ clear role as the
spiritua…
The complete remastered recordings on Black Saint & Soul Note is a monographic box-set collection aimed at recounting the most beautiful chapters that revolutionised the history of jazz. This new series was launched in March 2010 with the simultaneous release of four box-sets, including albums by some of the artists who participated in the success of the outstanding labels. A philological work, beginning with the original recordings on multi-track master tapes, patiently integrally remastered pa…
Muhal Richard Abrams: piano; Marty Ehrlich: alto saxophone, clarinet.
This disc is taken from a live recording of an open air concert
which took place August 11, 1996 at the Brooklyn Museum in New York.
This duet concert was, on one level, a meeting between two of the
seminal jazz innovators of their respective generations. The nuanced and
subtle interchange of ideas between these two great musicians-as they
challenge and provoke each other to explore new musical ground-is
enthralling thr…