Mzylkypop
Threnodies and Ad hocs
Threnodies and Ad hocs“My music flows from the paintbox I've assembled over the years from Steel City rehearsals in abandoned little mester warrens to Motor City gospel studios still echoing with the soundtrack of my youth.”
Invocation“A Blood Red Prayer’’
ThrenodiesA song cycle featuring the force of naturę that is Sylwia Anna Drwal “..you shone like diamond studded sin ’’..She compels the listener ‘listen!‘
Ad hocsA prosaic Ulyssean voyage through the influences that shaped iconoclast Adi New…
Kiedy Wilki Zawyja?
"This giddy avant pop affair is rather more avant than pop, with a large backing band of musicians steeped in the stylings of early 1970s psychedelia, mutant prog, free jazz saxophone solos, slinky blues (particularly on “Red White And Blue”) and moody spy soundtracks in the vein of John Barry’s score for 1965’s The Ipcress File. “Last Exit To Lublin” has a spoken word interlude in which the Cold War language of such films is remapped for the era of Brexit: “Papers, please/How long have you been…
Kiedy Wilki Zawyja?
"This giddy avant pop affair is rather more avant than pop, with a large backing band of musicians steeped in the stylings of early 1970s psychedelia, mutant prog, free jazz saxophone solos, slinky blues (particularly on “Red White And Blue”) and moody spy soundtracks in the vein of John Barry’s score for 1965’s The Ipcress File. “Last Exit To Lublin” has a spoken word interlude in which the Cold War language of such films is remapped for the era of Brexit: “Papers, please/How long have you been…