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“Sonja Henies Vei 31" is a profoundly moving document of the personal and artistic union between Crys Cole and Oren Ambarchi. Abandoning their usual instrumental artillery, both performers make themselves vulnerable to the listener, undertaking a committed exploration of pure physical gesture. Surrounding an explicitly intimate duo performance is a hazy collage of field recordings, tape hiss, metallic clinks and wandering voices. This forces the listener to hover in a disorienting psychological …
Manhunter is the brand new LP by Australia's James Rushford and Joe Talia. The duo's previous work, Palisades (2009) and Paper Fault Line (2011), showcased a gestural and timbrally rich music, bristling with keen detail and sharp edits. Manhunter stands in stark contrast - an ebbing two-part suite for waning greyscale electronics, dehumanized drum machine, amorphous vocal fragments, and sundry devices, woven together in a fabric of despair. The exquisite bleakness of Manhunter ties it to La M…
Wreckage is a collaborative work between Australian composers Oren Ambarchi and James Rushford. Cycling through a set of asymmetrical harmonic and rhythmic patterns, the composition is a study in displacement. The material, though repetitive, shifts itself in unpredictable ways to create an amorphous, and extremely delicate, sonic world. Wreckage draws upon both avant-garde and avant pop sensibilities, influenced by a variety of artists including Morton Feldman, Luciano Cilio and Luigi Non…
Amongst the first generation of innovators in non-idiomatic and non-composed music, Keith Rowe has distinguished himself through his intense collaboration with younger musicians, collaborations that have engaged all involved in processes of reciprocal influence. Rowe has clearly been a teacher, or in his own words a 'permission-maker', for international groups of musicians who (especially in the last twenty years) have taken up his exploration of dislocated instrumental technique, new modes of l…
James Rushford and Joe Talia are two of the most exciting musicians active in the Australian experimental scene, engaged in major collaborative projects with figures such as Jon Rose and Oren Ambarchi. On Paper Fault Line, they use strategies from contemporary composition, improvisation and electro-acoustics to create a sensuous and approachable, yet subtly disturbing, 30-minute suite. Eschewing the homogenized sound palette and dynamic conventions of post-GRM musique concrete, the record is str…
Incorporating wildly coloured orchestrations and unusual performance actions, set against intense monochromes of noises and whispers, Vellus is a collection of chamber works that obsessively deals with the privacy of ritual, memory and the self. Diverse takes on instrumental concrète by this young Australian composer. 'Lucas Stumbles' (2007) for percussion (Eugene Ughettti, Greg Sully, Mathias Schack-Arnott, Anna Webb) and electronics (James Rushford). 'Respite in the Woodland' (2007) with Aviva…