Paul G. Smyth
Magnetic Stencil/ 2
Tip! "Instead of building towards a crescendo, Smyth and Wiese delight in sustained textures, then continue their patient growth … Scraped and plucked strings, caressed keys and percussive body knocks stand unwavering against waves of static, clusters of tinkling bells and spectral effects ... Throughout, the music’s flow remains profoundly atmospheric, almost oneiric, whether circling down a spiral of whisper-like low frequencies or being thrown around by violent stabs of noise. To finally brea…
The Outlier
*In process of stocking.* Paul G. Smyth is an Irish pianist who has worked with such innovative free improvisers as Evan Parker, John Russel, Peter Brötzmann, Derek Bailey and Keiji Haino, and runs the Weekertoft label. John Wiese is an American electronics musician, known for the Sissy Spacek project as well as his work with Sunn O))), Wolf Eyes, Merzbow and Evan Parker. The duo of Smyth and Wiese was recorded at the National Concert Hall in Dublin in February 2015.
"The Outlier" is a 54-minute…
Ditch School
*2022 stock* “the music has kept me at the edge of my seat each time I’ve listened.” — The Free Jazz Collective
"absorbing and vivid... guitar and piano in a beautiful collision... astonishing" — a Jazz Noise
John Russell, guitarPaul G. Smyth, piano
Calenture and Light Leaks
“a brisk but free-flowing dialogue with phrases and ideas being batted back and forth between them ... in effect, they are soloing simultaneously with each being aware of the other's playing and responsive to it. Even when Parker gets locked into one of his protracted, circular-breathing solos, Smyth is still there with him, responding with an impressively gargantuan solo of his own. The two obviously understand and complement each other well.” — John Eyles, All About Jazz
“Parker and Smyth use …
Tongue in a Bell
**CD Edition** “Peter Brötzmann has made no secret of the fact he doesn’t especially dig playing with pianists, citing a few notable exceptions including Fred Van Hove, Pat Thomas and Masahiko Satoh. Recorded in Dublin in 2015, this adventurous set extends the honour to Irish pianist Paul G Smyth. As Brötzmann locks into a characteristically savage mutter, Smyth responds with hyperkinetic leaps up the keyboard but, when the tenor briefly drops out, he’s able to employ a more deft touch, generati…
Psychic Armour
"Operating at an extremely high level, Smyth and Corsano share a special connection. One can almost see their thoughts syncing together and their bodies merging into one four-armed monster. Several moments are reminiscent of the best work from Cecil Taylor and Tony Oxley, while still managing to sound like Smyth and Corsano." — Burning Ambulance
“With the energy and focus on display, it is tempting to compare the meeting to two heavyweights coming toe-to-toe, prepared to slug it out… but that wo…