Peter Brötzmann
Peter Brötzmann was a German jazz saxophonist and clarinetist regarded as a central and pioneering figure in European free jazz. He was one of the most prolific and enduring free jazz musicians to emerge from Europe during the 1960s. His fat, rough tone and emotively ferocious method of attack on saxophones, clarinet, and taragato, appeared on literally hundreds of recordings, from solo concerts to large ensemble studio dates and virtually every configuration in between
Peter Brötzmann was a German jazz saxophonist and clarinetist regarded as a central and pioneering figure in European free jazz. He was one of the most prolific and enduring free jazz musicians to emerge from Europe during the 1960s. His fat, rough tone and emotively ferocious method of attack on saxophones, clarinet, and taragato, appeared on literally hundreds of recordings, from solo concerts to large ensemble studio dates and virtually every configuration in between
Member of: Full Blast
The Intellect Given Birth to Here (Eternity) Is Too Young
Lucky restock, sold out at source * Edition of 800. Heavy custom tip-on box with pure black uncoated paper throughout and stamped black ink pigment frame. Mounted white paper inserts printed with metallic silver foil. Nine full size inserts including 8 full color art prints by the artists. Solid black paper inner sleeves * The first music on record by the iconic free music duo of Peter Brötzmann & Keiji Haino since 1996. Two complete performances recorded in Los Angeles and San Francisco in the …
Solo + Trio Roma
*2022 stock* "The rhythm section is thunderous in general with Nilssen-Love providing polyrhythmic barrage fire to Brötzmann’s assaults. It is a vortex of sounds – some shrieking, others almost torn, spat, even puked – owing credits both to hardcore and to Dadaistic sound poems, sharing their free rhythms, their devoted declamation and their rejection of conventional form and content. Trio Roma is a supremely passionate and committed group." -Martin Schray, Free Jazz Blog
Instant Composers Pool
**Restocked, with slightly reduced price. Very last copies** A Monumental 52 CD + 2DVD + photo-book box (Every box is numbered and unique because Han Bennink himself painted each copy by hand! ) to celebrate 45 years of Instant Composers Pool - and worldwide delivery is included! "Improvisation is like daily life... like crossing a street" - says Han Bennink. The ensemble of the Instant Composers Pool, or ICP, improvises for 45 years now on the highest level. "These guys can swing like madmen a…
Jazz in der Kammer 1974
The first concert of Brötzmann / Van Hove / Bennink in East Germany – 4.11.1974, Deutsches Theater, Berlin recorded by the Radio for the series "Jazz in der Kammer" Nr 71. Linernotes by Bert Noglik, Translation by Jep Bishop.
Ultraman vs. Alien Metron
Tip! In the first years of its existence, starting in 1997, the Peter Brötzmann Chicago Tentet worked as a collective, inviting all and any of its participants to contribute compositions to the band's repertoire. Eventually, the Tentet would jettison scores and pre-planned structures altogether, opting for free improvisation, but on their early tours and initial recordings they played pieces written by the various band members. A marathon set of summer studio sessions in 2002, just off a U.S. …
3 Points And A Mountain
"A real cause for celebration. A performance distinguished by gleeful energy and audacious dada wit. It possesses a vigor of discovery and invention that makes it sound timeless." - Cadence "A great and enjoyable session from three of the most creative and unique musicians in European avant-garde music." - All Music Guide"Wonderful, intoxicating stuff. Together theses three troubadours tiptoe exaggeratedly through pastiches of bop, cabaret, baroque, and lounge, and work through dozens of mood ch…
Historic Music Past Tense Future
Black Editions presents “Historic Music Past Tense Future”, the first ever album to feature the meeting of Peter Brötzmann, Milford Graves and William Parker. Three of the towering figures in the history of Free Jazz forge an incredibly vital free music born from lifetimes of uncompromising, ceaseless artistry. “Historic Music Past Tense Future” is the inaugural release by Black Editions Archive and the first in a series of records that will present previously unreleased works featuring Milford …
Groupcomposing / Tetterettet / Yi Yole (3 LP in bundle)
This special bundle collects the recent reissues on Our Swimmer of three seminal albums originally released on the Instant Composers Pool label, namely the following:Instant Composers Pool - Groupcomposing (LP)ICP Tentet - Tetterettet (LP) Dudu Phukwana, Han Bennink, Misha Mengelberg - Yi Yole (LP)Instant Composers Pool - Groupcomposing (LP)
* Limited LP reissue, and the first time the album has been in print on vinyl since its initial release* Our swimmer presents a reissue of Misha Mengelberg'…
Be! Jazz / FMP reissues
* small repress available*This special bundle collects the latest Be! Jazz / FMP vinyl represses, namely the following three LP:
Globe Unity Orchestra and Guests "Pearl" (1977)Brötzmann / Oliver / Kellers feat. Manfred Schoof "In a State of Undress" (1989)I.C.P. Tentet "In Berlin" (1979)Globe Unity Orchestra and Guests "Pearl" (1977)
**Edition of 200 copies.** For fans of European free jazz, Globe Unity Orchestra needs little introduction. The project is nothing short of legendary, carving a pat…
Groupcomposing
* Limited LP reissue, and the first time the album has been in print on vinyl since its initial release* Our swimmer presents a reissue of Misha Mengelberg's Groupcomposing, recorded in 1970 and originally released in 1978. Comprised of a one-time international free music supergroup, and originally released as the sixth production on pianist Mengelberg and drummer Han Bennink's ICP label, Groupcomposing has been largely absent from the history books. This is the case because the record has been …
Alarm
* 2021 restock * CD reissue of Alarm by the Peter Brötzmann Group, originally released on FMP in 1983. Harry Miller: bass; Louis Moholo: drums; Alexander von Schlippenbach: piano; Peter Brötzmann: saxophone; Frank Wright: saxophone; Willem Breuker: saxophone; Toshinori Kondo: trumpet; Alan Tomlinson: trombone; Hannes Bauer: trombone. Recorded during the 164th NDR Jazzworkshop, November 12, 1981, at the Funkhaus Hamburg. Produced by Peter Brötzmann and Jost Gebers. Cover design by Peter Brötzmann…
Along the Way
Hardcover edition .Texts by Brötzmann, Stephen O'Malley, John Corbett, Karl Lippegaus, Heather Leigh, Sotiris Kontos, Thomas Millroth, Markus Müller Being on the road so much, the time-space between the tours is not long enough for preparing big canvases and starting oil-paintings. You use what’s on the table - paper, cardboard, an empty cigar box, pens, felts and brushes, ink in a glass or a Chinese ink stone. You use what there is and that’s what we musicians call improvising and that’s wha…
Left / Right
**2021 Stock** Catalog for Left / Right, an exhibition held at Corbett vs. Dempsey. July 27 – August 17, 2013. Includes an essay by Jim Dempsey. Design by Sonnenzimmer.
At Mu
Adyton presents At Mu, a live performance by Peter Brötzmann: tenor saxophone, b-flat clarinet, tárogató, and Miklós Szilveszter: drums. Recorded live at 12. újbuda jazz festival at mu theatre, budapest on 2 september 2016. Dedicated to the memory of Johannes Bauer.
Graphic: Design Work, 1959–2013
* In process of stocking * Brochure for an exhibition held at Rice University Art Gallery, Houston. October 8–November 14, 2013. Includes an essay by curator John Corbett. Design by Sonnenzimmer. Artist and musician Peter Brötzmann is best known as one of the preeminent figures in contemporary improvised music. He was trained as a visual artist in his hometown of Wuppertal, Germany, in the late 1950s, and his early musical career as a saxophonist and clarinetist was paralleled by his first art e…
Paintings and Objects
Catalog for an exhibition held at Corbett vs. Dempsey, October 26 - November 30, 2007. Includes an essay by John Corbett. Design by Kathi Beste. Artist and musician Peter Brötzmann is best known as one of the preeminent figures in contemporary improvised music. He was trained as a visual artist in his hometown of Wuppertal, Germany, in the late 1950s, and his early musical career as a saxophonist and clarinetist was paralleled by his first art exhibitions in Holland and Germany. Brötzmann assist…
Balls
Atavistic presents live recordings circa 1970 Berlin from the legendary free music duo of German free jazz saxophonist Peter Brotzmann and Dutch jazz drummer and percussionist Han Bennink and pianist Fred Van Hove. Instrumentation: Peter Brozmann (tenor saxophone), Fred Van Hove (piano), Han Bennink (drums, gachi, shell, voice). Recording: Recorded by Wolfgang Bukatz on August 17th, 1970 in Berlin. Supervision by Hans-Dieter Frankenberg. Produced by Jost Gebers. This album was originally release…
M.A.N. – B.A.N.
* Edition of 300. Double lp in a gatefold sleeve is set to be released in a limited edition of 300 copies * Asked if they would be interested to perform at the Summer Bummer Festival in 2019 with reed player Peter Brötzmann, both bass player Farida Amadou and drummer Steve Noble replied with a quick and definite ‘yes’. The plans to join forces with this iconic player existed already and the Summer Bummer Festival would be ideal to meet on stage for the first time. To show the extreme musical div…
Actions For Free Jazz
Edition of 500, no repress, no digital** Smalltown Superjazzz was a free-jazz subsidiary label to Smalltown Supersound from 2005-2012. The label has been dormant in the years 2012 to 2019, but is now reborn as the AFJ-Serie. The AFJ-Series represents a new start - built on the foundation and heritage of the Superjazzz label. AFJ-Series is short for Actions for free jazz. This was the slogan for Smalltown Superjazzz and was borrowed at the time from Don Cherry & Krystzof Penderecki’s The New Eter…
Tongue in a Bell
**CD Edition** “Peter Brötzmann has made no secret of the fact he doesn’t especially dig playing with pianists, citing a few notable exceptions including Fred Van Hove, Pat Thomas and Masahiko Satoh. Recorded in Dublin in 2015, this adventurous set extends the honour to Irish pianist Paul G Smyth. As Brötzmann locks into a characteristically savage mutter, Smyth responds with hyperkinetic leaps up the keyboard but, when the tenor briefly drops out, he’s able to employ a more deft touch, generati…