Philip Corner
Corner became interested in calligraphy during military service in Korea. While there he became enamored with Korean traditional music, particularly the jeongak composition Sujecheon. Many of his scores are open-ended in that some elements are specified, but others are left partially or entirely to the discretion of the performers. Some employ standard notation, whereas others are graphic scores, text scores, etc. His music also frequently explores unintentional sound, chance activities, minimalism, and non-Western instruments and tuning systems. Also in his oeuvre are piano pieces, choral works, electronic music, and more than 400 works.
Corner became interested in calligraphy during military service in Korea. While there he became enamored with Korean traditional music, particularly the jeongak composition Sujecheon. Many of his scores are open-ended in that some elements are specified, but others are left partially or entirely to the discretion of the performers. Some employ standard notation, whereas others are graphic scores, text scores, etc. His music also frequently explores unintentional sound, chance activities, minimalism, and non-Western instruments and tuning systems. Also in his oeuvre are piano pieces, choral works, electronic music, and more than 400 works.
Stones : Dreams
** Edition of 220 copies, it comes with a 16-page pamphlet ** Recital label head Sean McCann on Stones : Dreams: "The first audio document ever published by Fluxus artist Geoffrey Hendricks (1931-2018). There is a romanticism found in Geoffrey, that, in my mind, sets his work aside from his Fluxfriends. Known for his timeless sky paintings, applied to canvas, cars, clothes, and so on, the conceptual married the majestic. He was a master painter, whose work could have filled cathedral ceilings. I…
EXTREEMIZMS early & late
Extremes are extreme, extremely. For Philip Corner, a lifelong commitment to extremes - extreme expression, extreme beauty, extreme noise, extreme silence - developed a mastery of expression, any one extreme may result in all of the others. In gripping new recordings by the duo of Silvia Tarozzi, violin, and Deborah Walker, cello - with assistance from Rhodri Davies, harp, and Philip Corner, piano - Corner's early ensemble works from 1958 are paired with newer, late works from 2015-2016. The wor…
The Judson Years
It’s hard to overstate the importance of Philip Corner. For more than half a century he has been a cornerstone of the American musical avant-garde. A once student of Otto Leuning, Henry Cowell, Olivier Messiaen, and Dorothy Taubman, who went on to inherit John Cage’s legendary Modern Music class at the New School for Social Research. A founding member of Fluxus, Corner made waves fast, creating a body of singular work, both on his own and within ensembles like Gamelan Son of Lion and Tone Roads,…
Piano Activitys Workplays
Moremars is very proud to announce a second release with American composer Philip Corner. Philip Corner, born in 1933, is one of key figures of Fluxus movement, resident composer and musician with the Judson Dance Theatre and the Experimental Intermedia Foundation, co-founder of the Tone Roads Chamber Ensemble and Gamelan Son of Lion. He has created multifarious works in a variety of contexts throughout his life. He has experiment with radical avant-garde expressions, sonorous outdoor performanc…
Gamelan Coming & Going
Recorded in 1985, this long piece, unpublished until now, belongs to the Gamelan series, which Philip Corner has worked for years and counting dozens of pieces. In the word of the author, the piece, for two pianists "...represents one of the most “curious” manifestation in the Gamelan series. The increment-link, high-to-low, is maintained on the chromatic scale of the piano keyboard, giving durations from 1 to 88. However they are realized in both directions at the same time. And counted out lou…
OM Entering. And Once Entered
"The latest LP from veteran fluxus composer Philip Corner. OM Entering. and Once Enterd comprises four previously unreleased recordings with the Barton Workshop, taken from performances in the Netherlands, and South Korea, between 2000-2007. 'Om Entrance which one does....because the performance is a real "passage from the material to the spiritual" unless the "real" world is just as spiritual already which i like to think it is. As perhaps an everyday awareness is already to be entranced …
Gong/Ear: Shaman
Philip Corner (b. 1933) is an American composer, musician and visual artist. A founder member of Fluxus, his teachers include Henry Cowell and Olivier Messiaen, and he has performed with George Maciunas, Yoko Ono and Nam June Paik. While on military duty in Korea in 1960-1961 he studied calligraphy with Ki-sung Kim and many of his works have calligraphic scores. His wide-ranging output includes works for gongs, bells, metal percussion and gamelan orchestra. Philip Corner writes, "Hiah Park - n…
PoorManMusic (Art Edition)
Box set, edition limited to 30 copies. Art edition of “PoorManMusic”, a classic Fluxus work by Philip Corner from 1966 and first released by alga marghen in 2015. Edition limited to 30 copies (+ 5 A.P.) including:
A signed and numbered LP sleeve with hand-drawn calligraphy on front and hand-drawn score on the backA signed and numbered black-vinyl LP record with hand-written labelsA signed and numbered print with hand-made graphic interventionsA signed and numbered score printA signed and numbere…
Through Mysterious Exotic Barricades: Asian & African
Philip Corner (b. 1933) studied composition with Henry Cowell and Otto Luening and musical analysis with Oliver Messiaen. During the 1960s and '70s he was an active member of Fluxus, a founder (along with James Tenney and Malcolm Goldstein) of the Tone Roads Chamber Ensemble, the resident musician and composer for the Judson Dance Theatre, and co-founder of Gamelan Son of Lion (with Barbara Benary and Daniel Goode).
Corner uses a variety of scoring methods, and in his word:"Along with tha…
conceptmusic
Conceptmusic is a work
that speaks for itself.
It is a solicitation.
It is a statement.
It is an object of art,
but also a musical object.
Actual and potential.
“conceptmusic” is a verbal score that leave you the
chance not only to perform but even to conceive
your own music.
It contains no "sounding" support.
Every box is numbered.
PoorManMusic
Homemade noise made by, among others, Philip Corner, Max Neuhaus, Steve Reich, James Tenney, Malcolm Goldstein, Jackson Mac Low, Dick Higgins, Alison Knowles, Carolee Schneemann, Jerome Rothenberg... the Technicians of the Sacred. Gift Event III: A Celebration for poets, musicians, and dancers, based on the orders of the Seneca Indian Eagle Dance and performed at the Judson Dance Theatre, Judson Memorial Church, New York City, March 21 and 22, 1967. A part of the Spring Happenings.
The legandary…
Flux Futures
Limited edition 100 copies. In this book you will find the historical "Manifesto" published by Something Else Press in 1966 printed as the cover, plus its never published revisitation entitled "Manifesto remanifested" of 2006, as well as the last text of Philip Corner "Flux Futures", a 31 pages mix of aphorisms as a new manifesto, printed in a typographic delirium. "Your work will either become a classic or turned into junk".
Through Two More-Than-Mysterious Barricades
“Les Barricades Mistérieuses,” the harpsichord gem by French Baroque composer François Couperin, has been a long-running source of exploration for Fluxus musician Philip Corner, who for years has used it as a jumping-off point for piano improvisations. Through Two More-Than-Mysterious Barricades comprises two very different takes on the same piece. The first dates from 1992, in collaboration with dancer Paulette Sears (who provides the ‘singings and screamings’ of the album’s subtitle); it moves…
Satie Slowly
American composer Philip Corner likes Satie too well not to object to how he is played. From the time of his participation in the first performance of Erik Satie's "Vexations" he realized that here was, lurking under the travesties of the 1st Gymnopédie, one of the greats of this or any other century... a "secret genius" who masked with humility and seeming conformity a profoundly innovative thorough-going critique of the limitations and pretensions of our High Culture as it has come down to us.…
Lifework: A unity
Lifework: A Unity presents the works of American composer Philip Corner (born in 1933). Corner's production has been chronologically and thematically organized in five parts, which serve as the basis for Ensemble Hodos' efforts. Each part was the subject of a concert between 2011 and 2013, all of them in collaboration with Philip Corner. This disc is the 2nd volume - and first to be released - of this project. The disc covers the years 1960-75, when Corner, just back from Europe, took an extensi…
Battutosso / Bone Pulse (And Other Nature Musics)
Philip Corner's Battutosso / Bone Pulse (And Other Nature Musics) features recordings from 1989-97 of the US composer experimenting with bones, "the 100 most beautiful cows' bells", "breath, flute, and rubbing rock", and "Geoff Hendricks' xylophone sculpture". Compelling stuff, as always with Corner's work. Mastered by Silvia Kastel (Control Unit etc) and released on the Italy-based Ricerca Sonora imprint in an edition of 300 copies
Rocks can fall at any time
Philip Corner is one of the greatest American avant garde composers, an American outsider, a unique philosopher redefining what we call music and art, bringing together different cultures in a new kind of harmony, inviting all of us to experience music as a whole and be a crucial part of it. MoreMars Team can proudly announce the release of this amazing LP with 4 unpublished works spanning 30 years of pure creation. The beauty of these recordings lies on their lo-fi, hissy, raw quality.''Gong (c…
Piano Activity
Alga Marghen proudly presents the most iconic of all Fluxus pieces, Philip Corner's Piano Activity, in the legendary 1962 premiere. 'Piano Activities' was one of the pieces that raised the most scandal during the first, four-weekend-long series of Fluxus concerts in Europe. In a very free interpretation of Corner's score, George Maciunas, Dick Higgins, Ben Patterson, Alison Knowles, Wolf Vostell and Emmett Williams proceeded over the course of several days to take to pieces a grand piano, after …
Gong / Ear
** Limited edition of 305 copies, each with a hand-cut facsimile brass gong, silkscreened with Corner's calligraphy and mounted onto the jacket!!** A major figure in 20th century arts and music (and beyond), Philip Corner studied with Henry Cowell and Olivier Messiaen, and was one of the original Fluxus conspirators, among other highlights of his long and storied career. As part of the body of his 'Metal Meditations' work, Gong/Ear is a decades-long series of improvisations with dancers. Utilizi…
Coldwater Basin No.2
Re-emerging from deep Fluxus celebrations in this 2012 summer, alga marghen realized that Philip Corner “Coldwater Basin” LP was instantly sold out. Could there be a better decision than issuing an alternative version of this masterpieces from the glorious 60s, by master of ecstatic music Philip Corner? If you fluctuated over sonic landscapes with the first version, then “Coldwater Basin No.2” will knock your socks off! More intense that Whitehouse, more liquid than your wildest dreams. “Rememb…