Philip Glass
Philip Glass began from premises similar to Steve Reich's but shunned Reich's austere science and always remained closer to popular music than to classical music. He moved away from the arduous repetitive patterns of Music In Twelve Parts (1974), rediscovered melody and approached the format of the opera from a different perspective with Einstein On The Beach (1976). Movie soundtracks, operas and collaborations with pop/rock musicians became his preferred media.
Philip Glass began from premises similar to Steve Reich's but shunned Reich's austere science and always remained closer to popular music than to classical music. He moved away from the arduous repetitive patterns of Music In Twelve Parts (1974), rediscovered melody and approached the format of the opera from a different perspective with Einstein On The Beach (1976). Movie soundtracks, operas and collaborations with pop/rock musicians became his preferred media.
The Photographer
**2019 stock, reduced price** The Photographer is a chamber opera by world renowned composer Philip Glass, first performed in 1982 at the Royal Palace in Amsterdam. The story revolves around the life and work of photographer Eadweard Muybridge, the 1…
Music in Twelve Parts
Incredible lost recordings by Philip Glass from 1975, released at ORTF Sextet at La Maison de la Radio, Paris. The sextet is comprised of a stellar cast of musicians with Philip Glass, Jon Gibson, Dickie Landry, Michael Riesman, Joan La Barbara and R…
The Complete Sony Recordings
This massive box set offers perhaps the definitive and most comprehensive collection of Philip Glass’ work ever assembled. The Complete Sony Recordings is the first ever release of Philip Glass Sony Classical recordings together in a limited-editio…
Candyman (Original 1992 Motion Picture Soundtrack)
Clive Barker who wrote the story for Candyman is a multi talented artist, painter, director & producer. The extent of his work is endless. Spawning the likes of Nightbreed, Hellraiser, Lord Of Illusions and the Books Of Blood just to name a few. Phil…
How Now/Strung Out
"Every new musical language requires new performance skills. Works such as HO NOW and STRUNG OUT were, in effect, pieces written to develop these skills which include stamina, sustained concentration, and an ability to play continuously in an easy an…
Rework: Philip Glass Remixed
There are two basic reasons why composers like Philip Glass end up getting remixed: rhythm and repetition. Glass' most identifiable music is simple, or so it seems: Play a chord, break it down into its constituent notes, and repeat the notes in hypno…
Rework
One of America’s greatest ever composers gets the remix treatment. What is it with remix albums this week - are they back? Anyway it’s always an odd thing the remix album, basically it’s just an excuse for the great and good to strut their stuff and …
A Nonesuch Retrospective
Philip Glass is one of America's best-known living composers, with a career that spans more than four decades and includes chamber music, symphonies, operas, concerti, film scores, and music for dance. On September 30, Nonesuch Records, which has had…
Film Scores: Neverwas Recording Archive Vol. IV
Philip Glass' score to the film Neverwas is the fourth release from the Philip Glass Recording Archive. Neverwas, a film starring Ian McKellen, Aaron Eckhart, Nick Nolte, Brittany Murphy, Jessica Lange and William Hurt, is a fantasy-mystery with a bo…
Musique Pour Piano Solo
Mention "minimalism" and certain names will pop up, both within and outside of the classical world: Terry Riley, Steve Reich, John Adams. The most famous one, however, would be Philip Glass. Unlike most 20th Century composers, Glass has reached far b…
Analog
Unreleased recordings from the late 70s, performed by Glass (Farfisa, Yamaha & Hammond organs, Fender Rhodes piano, Arp synthesizer). New release which contains three seminal works in Glass's musical history. In the late 1970s, Philip Glass was asked…
Solo Music
Recordings of Contrary Motion and Two Pages by Philip Glass during February and March 1975 in New York City. Performed by Philip Glass (electric organ) and Michael Riesman (acoustic piano on Two Pages). Only one copy available.
Music in the shape of a square
On 30 June 1999, the ensemble Alter Ego performed a concert of works by Philip Glass at the Opera Paese Gallery in Rome, one of the most innovative musical venues in the city and where Alter Ego has played regularly since 1996. Glass himself was pres…
Glassworks
In 1982 Philip Glass became the first composer since Aaron Copland to join the CBS Masterworks label. Glass had formed the Philip Glass Ensemble in 1968, but it wasn't until his opera Einstein on the Beach (1976) that he achieved great critical and p…
Concerto pour violon
On the present recording, the opening Prelude - with its magnificently sustained arc of tension and not-quite release - is followed by the dance from Act Two, Scene 3 which, in more obviously rhythmic fashion, celebrates the inauguration of the city …
From The Kitchen Archives - New Music New York 1979
Founded in New York in 1971, The Kitchen is internationally known as a leading center for video, music, dance, performance, new media and literature. Orange Mountain Music has begun the restoration of audio reels from performances at The Kitchen with…
Music With Changing Parts
a seminal masterpiece, Philip Glass' Music with Changing Parts is representative of an exciting new generation's interest in one of the most important composers of our time. Icebreaker is considered by many to be the United Kingdom's leading new musi…
Music 4 Hands
Orange Mountain's new release Music 4 Hands presents new transcriptions for two pianos written and performed by Dennis Russell Davies and Maki Namekawa. Featured compositions are Philip Glass' 'Six Scenes from Les Enfants Terribles' and Steve Reich's…
Alter Ego Performs Philip Glass
During the 1960s and '70s, Philip Glass established himself as a leading artistic voice by creating a new musical language in the downtown loft spaces of New York's Soho district. Forty years later, Glass' early revolutionary music continues to appea…