Piero Umiliani
Although most of his work straddled the gap between jazz and lounge, prolific Italian composer Piero Umiliani also had a yen for electronic music, and he was one of the first in Italy to experiment with the Moog and other electronic keyboards. Like many of his Italian colleagues at that time, he composed the scores for many exploitation films in the 1960s and 1970s, covering genres such as spaghetti western, Eurospy, Giallo, and soft sex films. Although not as widely regarded as, for example, Ennio Morricone or Riz Ortolani, he helped form the style of the typical European 1960s and 1970s jazz influenced film soundtrack.
Although most of his work straddled the gap between jazz and lounge, prolific Italian composer Piero Umiliani also had a yen for electronic music, and he was one of the first in Italy to experiment with the Moog and other electronic keyboards. Like many of his Italian colleagues at that time, he composed the scores for many exploitation films in the 1960s and 1970s, covering genres such as spaghetti western, Eurospy, Giallo, and soft sex films. Although not as widely regarded as, for example, Ennio Morricone or Riz Ortolani, he helped form the style of the typical European 1960s and 1970s jazz influenced film soundtrack.
