Reinhold Friedl
Equal parts composer, performer and curator, Berlin's Reinhold Friedl is a veritable renaissance man. In conjunction with his highly regarded orchestra zeitkratzer ("time scratcher" in German) as well as in collaboration with such artists as Lou Reed, Lee Renaldo and Merzbow, Friedl has helped set new standards for Europe's new music scene, crossing every conceivable line that separates chamber from computer music, and piano from studio composition.
www.reinhold-friedl.de/
Equal parts composer, performer and curator, Berlin's Reinhold Friedl is a veritable renaissance man. In conjunction with his highly regarded orchestra zeitkratzer ("time scratcher" in German) as well as in collaboration with such artists as Lou Reed, Lee Renaldo and Merzbow, Friedl has helped set new standards for Europe's new music scene, crossing every conceivable line that separates chamber from computer music, and piano from studio composition.
www.reinhold-friedl.de/
(c)ovid's metamorphoses
Big Tip! With a wide range of work by sound artists and musicians, writers, filmmakers, photographers, and visual artists, (c)ovid's Metamorphoses uses the Covid-19 pandemic and its far-reaching consequences as an instrument for change, artistic and otherwise. A play on experiment across various fields of artistic practice, all featured work revolves around ideas of transmission and inspiration, conjuring up a massive body of vital and daring artistic expressions unashamedly avant-garde. (c)ovid…
Alloy
In 2015, Lemur started a collaboration with German pianist Reinhold Friedl. Friedl is the leader of the international ensemble Zeitkratzer, working at the intersection of improvisation and composition. In this respect, Friedl's experience and working method have much in common with the ideas and working methods Lemur uses. Not least through an interchange between work with large and small ensembles.In collaboration with Reinhold Friedl, we focus on the use of extended playing techniques, form ex…
Lichtung
With over a dozen releases on Karlrecords, and a total output of more than 100 albums in general, Reinhold Friedl doesn't need much of an introduction to anyone interested in contemporary music / avantgarde: his ensemble zeitkratzer is as respected as it is feared for its radical approach on music, and it seems redundant to mention all collaborators and projects.
Friedl is known for his unique piano sound, his advanced techniques, and his musical intensity paired with precise exuberant sound con…
Moon
Tip! Bocian Records presents Moon by saxophonist/clarinetist Frank Gratkowski and pianist Reinhold Friedl. Recorded and mixed by Nik Hummer. Mastered by Rashad Becker.
Scarlatti
zeitkratzer director Reinhold and his ensemble present new compositions, grounded on Domenico Scarlatti's piano sonata F-minor K.466. Commissioned by the dance company Rubato and dedicated to Mario Bertoncini (1932-2019).
Pita / Friedl
Electronic music legend and head of Editions Mego, Peter Rehberg, teams up with zeitkratzer mastermind Reinhold Friedl. 3 side-long pieces melting electronic / contemporary avantgarde. Uncompromising.
Animal Electrique
In retrospection it seems significant that Reinhold Friedl and Eryck Abecassis met for the first time in Marseille, a brute and operatic melting pot of cultures and sounds and noises. The idea of a common project came up, but it took almost ten years to be realized. Finally, François Bonnet (GRM artistic director) supported enthusiastically the collaboration and invited the two composer-performer to the Akousma Festival 2019 at Radio France in Paris.
Intense rehearsal periods in Vienna and at la…
KRAFFT
KRAFFT for orchestra was composed in 2016 as a commission of the French State, and was premiered in Paris and Marseille, France. The composition has a similar kind of metric structure as String Quartet No.3: all instruments play in rhythmic unison throughout. KRAFFT is an ironic-onomatopoetic wrong spelling of the German term "Kraft", meaning "power" or "force". The listener should feel exposed to a sonic undertow. The notion of huge power and force is often connected to the existence of clandes…
Music For Piano
Zeitkratzer's boss revisits the piano guts some years after his much acclaimed and genre-defying album Inside Piano (2011). While Reinhold Friedl's first solo album defined the practice of playing on the strings of a grand piano and revealed the source of sounds we couldn't identify on some of Zeitkratzer's recordings, Music For Piano, ... Spring/Flower/Cracker/Stream, brings concrete and quasi electroacoustic sounds together with clearly articulated piano notes. In the enigmatically titled Musi…
String Quartets
String Quartet 1, 2 et 3 composed by Reinhold Friedl (Zeitkratzer) and performed by Quatuor Diotima.Reinhold Friedl’s string quartets do not pretend to be string quartets, they are anti-Goethe. There is no sophisticated conversation of four elder gentlemen, sitting in armchairs. The music is physical work for the performers and intended to be physical pleasure for the listeners. All three quartets are based on the same idea: smooth transformations from a given texture into another one. The rando…
Tobel
Reinhold Friedl, inside piano. Franck Vigroux, electronics. 'An encounter between two worlds. Reinhold Friedl and Franck Vigroux are two musicians, both addicted to a real contemporary approach, getting to the core of sound but by very different means. Reinhold Friedl with his purely acoustic instrument and his highly developed and refined inside-piano techniques meets Franck Vigroux with his electronics including all kind of devices from tape recorders to analog synthesizers. Their sole …
Kore
180-gram LP version in gatefold sleeve. Includes download code. Edition of 300. Reinhold Friedl and his zeitkratzer ensemble perform Friedl's Kore, an homage to Greek-French composer Iannis Xenakis. A natural advancement of Friedl's composition Xenakis [A]Live!, released in 2007 by Asphodel, Kore was conceived for nine amplified instruments, demonstrating zeitkratzer's well-established tradition of instrumental amplification (e.g. its early collaborations with Zbigniew Karkowski and Merzbow an…
Real Time
Reinhold Friedl and Dirk Dresselhaus come from really different backgrounds: Dirk Dresselhaus has released several experimental-electronic freak-pop recordings as Schneider TM since the late '90s. He started making music in the late '80s and developed his personal approach to sound and structure as an autodidact, starting with guitar effect devices and four-track home-recording. Reinhold Friedl studied mathematics and music, won scholarships and international commissions, and built up the ensemb…
Tobel II
Reinhold Friedl, inside piano. Franck Vigroux, electronics. 'An encounter between two worlds. Reinhold Friedl and Franck Vigroux are two musicians, both addicted to a real contemporary approach, getting to the core of sound but by very different means. Reinhold Friedl with his purely acoustic instrument and his highly developed and refined inside-piano techniques meets Franck Vigroux with his electronics including all kind of devices from tape recorders to analog synthesizers. Their sole purpos…
Mutanza
This CD presents compositions for piano using the instrument in an unorthodox way. The strings are bowed with nylon strings, stimulated by E-Bows, rubbed with metal, the keys' sound is examined as a corrugated surface and staccato rhythms are repeated in a narrow register. On the one hand, the pieces introduced here explore new ways of playing the piano. In this sense they are enlarged playing techniques, as they have been developed for most instruments in the second half of the twentieth …
Inside piano
double CD edition'Friedl has developed his 'inside piano' technique to such a level of delicacy and precision, that any anticipated distinctions between instrumental and electroacoustic music, or between improvisation and composition are dissolved or transcended.' - Stephen Robinson, The Wire 'This is the first solo release of zeitkratzer's mastermind Reinhold Friedl. He teaches the grand piano how to sing and to sound like an orchestra, calling this new way of playing an old instrument I…
Pech
Pech is the latest duo recording from inside pianist Reinhold Friedl and avant- percussionist Michael Vorfeld. Over the past five years, this pair of German musicians have created some of the most engaging and imaginative electro-acoustic music, exploring the potentials of subtle performance techniques and refined compositional approaches. On Pech, the duo seek to uncover the hidden and masked character of their instruments - the piano is altered via various preparations and unconventional ways …