We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Severed Heads

Severed Heads is an Australian group based and founded in Sydney in 1979 as Mr. and Mrs. No Smoking Sign. The original members were Richard Fielding and Andrew Wright, and were soon joined by Tom Ellard. Fielding and Wright eventually left the group, leaving Ellard as the sole continuing member of the group. A variety of people have played in Severed Heads, including Garry Bradbury, Paul Deering, and Stephen Jones, but over time the group has devolved to Tom Ellard. Early Severed Heads music was characterised by the use of tape loops, noisy arrangements of synthesizers, and other dissonant sound sources, putting Severed Heads in the general category of industrial music
Severed Heads is an Australian group based and founded in Sydney in 1979 as Mr. and Mrs. No Smoking Sign. The original members were Richard Fielding and Andrew Wright, and were soon joined by Tom Ellard. Fielding and Wright eventually left the group, leaving Ellard as the sole continuing member of the group. A variety of people have played in Severed Heads, including Garry Bradbury, Paul Deering, and Stephen Jones, but over time the group has devolved to Tom Ellard. Early Severed Heads music was characterised by the use of tape loops, noisy arrangements of synthesizers, and other dissonant sound sources, putting Severed Heads in the general category of industrial music
Dead Eyes Opened
Severed Heads are one of the longest standing bands to have emerged from the Australian post-punk and experimental scene. They began in Sydney in 1979, and were an early outfit to incorporate elements of 'industrial' noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed, song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Gary Bradbury and psychedelic guitarist Simon Knu…
Ear Bitten / No Vowels, No Bowels
Dark Entries picks up Severed Heads yet again for Ear Bitten, a double LP reissue of some of the band’s earliest material. As originary Aussie industrial legends - although founder Tom Ellard would balk at being branded as such - Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and quietly infectious nursery-rhyme-esque melodies. In 1979 Ellard, Richard Fielding, and Andrew Wright abandoned the moniker Mr. and Mrs. No Smoking Sign and ado…
Stretcher
Medical Records presents it's 60th release with the much needed reissue of Australia's Severed Heads and their 1985 release - Stretcher. The Severed Heads story continues with the expanded and Stretched 2LP reissue. After personnel changes in 1985 (Garry Bradbury and Paul Deering left the band), Sev was now down to a 2 piece (Tom Ellard and Stephen Jones). Stretcher was originally released to be a compilation to introduce the band to an American audience, but it was ultimately sold in three vers…
Clifford Darling, Please Don't Live In The Past
Severed Heads are one of the longest surviving bands to emerge from the Australian post-punk independent music scene. They began in Sydney in 1979, incorporating elements of ‘industrial’ noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Garry Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads was…
Adenoids 1977-1985
Contains earliest Tracks from 77-81 plus Tracks from the Terse-Releases Earbidden, Clean, the long lost Side 3-Tape, Blubberknife,Cheesecake and various other tracks from 83-85. To subscibe this treaure it is best to state what Tom Ellard had to say: "And here we have it - the ultimate produce of the new millennium. A box of vinyl discs with music from as much as thirty years ago. Could something express any less faith in the future? My guess is that we seek to capture some 'purity' that has sin…
1