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improvization band with a heap of Unfinished Sixties Business factored in (the real-time-from-scratch multilayered equivalent of "I Am the Walrus," let's say)...Free Music in its grandest, and least superficial, sense (à la the denser moments of Ornette Coleman's Free Jazz)...a ritual fusing of any and all musics and non-musics at the level of the hum, the blap, the tink, the boom.
improvization band with a heap of Unfinished Sixties Business factored in (the real-time-from-scratch multilayered equivalent of "I Am the Walrus," let's say)...Free Music in its grandest, and least superficial, sense (à la the denser moments of Ornette Coleman's Free Jazz)...a ritual fusing of any and all musics and non-musics at the level of the hum, the blap, the tink, the boom.
Ostensibly a tribute to the ensemble’s influences from the late 20th century avant-garde and out/free jazz movements, 33 1/3 is an imposing and monolithic effort from Smegma, the long-standing, Portland-based underground noise collective. 33 1/3 find…
The second in the series of Harbinger Sound's efforts to present the Smegma back catalog. This album originally came out in the UK only back in 1987 and is backed by the studio side from the 1988 cassette release, Morass. Twenty-one tracks in total. …
Long out of print huge box, The Los Angeles Free Music Society was a complete screwball fringe music collective that peaked in the true heart of darkness -- America in the mid 70s. They self-released LPs, 7"s and cassettes in the dawn before real ind…