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1998 release ** "Whoa. Look out. When you look at the cover you know the sh*t is gonna hit the fan when this old master of the vanguard drumming tradition hooks up with the "gentle giant" of the alto, the tenor, and the flute. Sabir Mateen may not be as well-known as Sunny Murray is, but he's every bit as effective and iconoclastic. The title of the album is funny; they aren't even in the same country that opera comes from -- even though Murray lives near there. So what have you got? Drums, drum…
2025 stock Sunny Murray's talent is bigger than any category you could use to describe it. he's one of the most original musical minds of the past 50 years, a genuine innovator, the liberator of the drum kit, and an artist of uncompromising honesty. murray's playing in the 1960s with albert ayler, cecil taylor, archie shepp, & others opened up entirely new expressive realms for the drums in jazz. murray's act of liberation --to free drummers from their strict time keeping role-- still outrages m…
2025 stock Sunny Murray is widely credited with being the first drummer to fully liberate the kit, developing a form of omni-directional accompaniment that dissolved the distinction between supporting and leading and helped spark the free jazz revolution that took place in the early 60s. Indeed, Murray spent time with most of the new music's major theorists, including both Cecil Taylor and Albert Ayler. But in recent years he hasn't seemed like quite the drummer he was, lacking the focus and (pe…
*2022 stock* Exact repro, originally released in 1978. One of the hippest, tightest sessions ever recorded by drummer Sunny Murray – a large group set recorded with his Untouchable Factor group – a great ensemble that includes Frank Foster on soprano sax, Oliver Lake and Arthur Blythe on alto saxes, Hamiet Bluiett on baritone, Don Pullen on piano, and Cecil McBee and Fred Hopkins on bass! The sound is somewhat straighter than Murray's free jazz of a few years before – almost in the mode that Fos…
Temporary Super Offer! Ezz-Thetics presents New York Eye And Ear Control 1964, Revisited. Albert Ayle tenor saxophone, Don Cherry cornet & trumpet, John Tchicai alto saxophone, Roswell Rudd trombone, Gary Peacock double bass and Sunny Murray drums.
As a visitor of the Albert Ayler Quintet concert 1966 in Lörrach, Germany and producer of his recordings since 1982, I like to present New York Eye And Ear Control by Albert Ayler, remastered, given permission for it by Desiree Ayler-Fellows of the Al…
The documentary feature Sunny’s time now explores the life and work of the avant-garde drummer Sunny Murray, one of the most influential figures of the Free Jazz revolution. Through a series of interviews with key time witnesses as well as historic and contemporary concert footage, it reassesses the relationship between the libertarian music movement and the political events of the 1960s whose social claims it so intimately reflected. It also recounts how the most radical forms of musical expres…
Between 1969 and 1971, Francois Tusques and Sunny Murray were often accomplices in rebellious music. After other recordings, their collaboration culminated in an album that became mythical, Intercommunal Music, the site of a joust within the orchestra. The ephemeral and demanding label Shandar had invited François Tusques to lead a recording session on his own suggestion. Sunny Murray, one of his guests, arrived at the studio at the eleventh hour with a group of musicians ready to stage a ʹcoup …
**300 copies** Original, limited LP-only edition released as Super Secret Sound (3SLP010) in 1997. Sunny Murray - drums, Bob Dickie - bass, bass clarinet, Robert Andreano - guitar, bass. Recorded 30 May, 1994 at 816 South St. Philadelphia, PASpecial assistance - Cowboy Keith Thompson. Artwork - Wayne Hamilton (1966-2009).Engineered and mixed by Robert Andreano - Photographs of Sunny and Robert taken 11th June, 1994 at St. Stephen’s Church 19 S. 10th Street, Philadelphia, PA by Thomas V. Hartmann…
Examples on record of sunny murray's enduring originality and influence as a drummer are many (refer to eremite 14, 45 & 46, among others), but very few recordings demonstrate his strikingly unusual voice as a band leader and composer. none do so more spectacularly than his 1969 album big chief. unfortunately it's been a sick collector's item since long before ebay. so it is with great pride and satisfaction that eremite returns to our friends in the human clan this long unavailable masterpiece.…