Toru Takemitsu
Searching For Fantasy / In The End (Ep)
Another legendary avantgarde soundtrack from Tokyo Senso Sengo Hiwa [The Man Who Left His Will on Film] directed by Nagisa Oshima, originally released in August 1970. Oshima’s avant-radical blend of Marxist politics, agitprop cool, and softcore is a heady time capsule of early 1970s Japanese counterculture, with a dreamy pop score by the great Toru Takemitsu
Corona - For Away - Piano Distance - Undisturbed Rest
Performed by Roger Woodward (piano). Recorded Decca Studio No.3, West Hampstead, London, 4 May 1973. This is the first International CD release featuring this recording. Was first released on Decca's HEAD label in 1974. For Takemitsu, sound can be beautiful without being significant, can signify beauty without making 'sense'. The quality of the music is thus elusive: it is not something one must necessarily 'understand', but perhaps rather absorb and accept. His works have, all the same, qualiti…
Complete Piano Works
Tōru Takemitsu was a Japanese composer and writer on aesthetics and music theory. Though largely self-taught, Takemitsu is recognised for his skill in the subtle manipulation of instrumental and orchestral timbre, drawing from a wide range of influences, including jazz, popular music, avant-garde procedures and traditional Japanese music, in a harmonic idiom largely derived from the music of Claude Debussy and Olivier Messiaen. In 1958, the international attention he drew with his Requiem for st…
Quatuor Hêlios
Isabelle Berteletti, Florent Haladjian, Jean-Christophe Feldhandler, Lê Quan Ninh. “D’une lumière” (1996) by Jean-Christophe Feldhandler for piano, electric guitar, melodica, percussions, etc., “Oscille” (1997) by Lê Quan Ninh for 4 stones, 4 lightnings II and computer, “Kvadrat” (1988) by Vinko Globokar for 4 percussions, “Seasons” (1970) by Toru Takemitsu for percussions and tape.