Various Artists
Interwizje. East European Visions of Groovy Sound (1969-1982)
*2022 stock.* At times it is good to step out of your own flat to take a broader look at the whole block. The Eastern Block in this case. Soul Service and GAD Records have prepared for you a journey full of grooves from the 1970s. A must-go trip for lovers of funk rhythms, psychedelic colors and soulful grooves.Nowadays the ‘inter-‘ prefix is perhaps chiefly associated with the Internet or interactivity, but some decades ago it would be incorporated into the names of many international organizat…
Afro Psych (Journeys Into Psychedelic Africa 1972 - 1977)
Whilst the continents contribution to the global funk, boogie and disco canon has been well documented for decades, the strong presence of rock and psychedelia in 1970's African music has been a more slowly evolving story over the years. Pockets of young Africans, turned on by Hendrix, the Doors, Santana and more, started to add heavy guitar riffs to rumbling, ever present funk, and built an afro psych scene that is still turning up gems to this day. With Lagos an epicenter for the emergent scen…
La edad de oro de la cumbia colombiana
Cumbia is a folkloric genre and dance from Colombia. Hereby a compilation showcasing the early developments of a large crosspollination. Since the 1940s, commercial or modern Colombian cumbia expanded in fact to the rest of Latin America, after which it became popular throughout the continent, including Argentina, Bolivia, Chile, the Dominican Republic, Ecuador, Mexico, Peru, El Salvador, United States, Uruguay, and Venezuela.
Hyperituals Vol. 1 - Soul Note
Drawing to light rhythms, grooves and Afrocentric traditions, Hyperjazz Records takes an unprecedented dive into the incredible back catalog of the seminal Italian imprint, Soul Note, with “Hyperituals Vol. 1”. Gathering an astounding group of recordings by Billy Bang, Hamiet Bluiett, Beaver Harris, Paul Motian, Tony Scott, George Russell, Andrew Cyrill, Max Roach, Nanà Vasconcelos, and others - many of which have never before appeared on vinyl - across a beautifully produced double LP, the albu…
The Sound Of Siam Volume 2 (Molam & Luk Thung From North-East Thailand 1970-1982)
*2022 stock* Soundway presents the The Sound of Siam 2 - Molam & Luk Thung Isan from North-East Thailand 1970 - 1982 features 19 tracks, many appearing outside of Thailand for the first time. Both CD and double LP & is accompanied with detailed liner notes written by compilers Chris Menist and Maft Sai. Soundway's second foray into South East Asia is focused on North-East Thailand, the epicentre of Molam and Luk Thung Isan music. Hypnotic phin & khaen riffs, pulsing, electrified country rhythms …
I Had The Craziest Dream: Modern Jazz And Hard-Bop In Post War London, Vol. 3
The third volume in a survey of the modern jazz & hard-bop scenes that emerged in the new cultural melting pot of post war London, with recordings from the end of the 1940s through to the early 1960s. Featuring representations from players whose roots lay in the East-End's jewish community alongside a wealth of talent of Caribbean and African descent playing and recording in post war London during this period. Made in partnership with the Barbican to coincide with the exhibition Postwar Modern: …
I Had The Craziest Dream: Modern Jazz And Hard-Bop In Post War London, Vol. 2
The second volume in a survey of the modern jazz & hard-bop scenes that emerged in the new cultural melting pot of post war London, with recordings from the end of the 1940s through to the early 1960s. Featuring representations from players whose roots lay in the East-End's jewish community alongside a wealth of talent of Caribbean and African descent playing and recording in post war London during this period. Made in partnership with the Barbican to coincide with the exhibition Postwar Modern:…
I Had the Craziest Dream: Modern Jazz and Hard-Bop in Post War London, Vol. 1
Another luminous compilation from London's Death is Not the End, this time examining the city's modern jazz and hard-bop scenes from the end of the 1940s until the early '60s.
Lamkin: Versions & Variants Across the Northern Hemisphere
Death is Not the End teams up with folklorist Derek Piotr once more for this bumper archive of North American folk music, this time focusing on every version they could find of the ballad 'Lamkin'. It's a fascinating study that displays how a standard was able to shift and evolve as it moved from person to person over the decades.
Come, Let Us Sing
What shall we sing? Folklorist Derek Piotr presents the third and final installation in the Bare family trilogy, this time highlighting lesser-known and garbled versions of local folk tunes, and again braiding the past with the present by incorporating his own contemporary fieldwork of the Bare's living descendants.
Pause for the Cause: London Rave Adverts 1991-1996, Vol. 1
Tip! *In process of stocking* "Back in the early ‘90s, whenever the pirate radio MC announced “a pause for the cause”, I usually pressed pause on my cassette recorder. That’s something I would regret years later, when ad breaks had become cherished mementos of the hardcore rave era. Luckily, back in the day I often left the tape running while I went off to do something else. So a fair number of ad breaks got captured accidentally for my later delectation. Not nearly enough, though. So in recent …
Sounds of Absence
*In process of stocking. Limited edition of 500 copies.* Sounds of Absence collects artistic positions on the notion of absence, shaped by two years of pandemic lockdowns. The compilation is a cooperation project with the research group ARS – art research sound – at the Hochschule für Musik Mainz, led by Peter Kiefer, and curated by Wingel Mendoza and Joshua Weitzel. In 2020, ARS initiated a website to collect sounds of public spaces during lockdown conditions, in order to capture the sound of t…
One Night in Pelican
A night-time haunt in the backstreets of Soweto run by a well-known bootlegger should have been a prime zone for nefarious underworld activities. Instead, it nurtured an underground of a different kind. Soon after its opening in 1973, Club Pelican became a spot where musicians steeped in the tradition of South African jazz began to cook up experimental sounds inspired by communion, competition and the movements in funk and soul blowing in from the West. Located in an industrial park on the weste…
Belong To The Wind
For all those who relate "maybe to the wind, because they can feel it, or dirt, because they can touch it. But nothing else." Like Bobby Cornett (aka Shane), we are all trying to find where we belong.
Belong To The Wind marks Forager Records' debut release: A lovingly curated collection of crooning psychedelic folk and soul songs gathered from American 45s of the 1970s. The compilation features 10 songs from 10 different acts, each with an indelible story of love, loss, loneliness, and an unrele…
The Cricket: Black Music in Evolution, 1968–69
A rare document of the 1960s Black Arts Movement featuring Albert Ayler, Amiri Baraka, Milford Graves, Sun Ra, Cecil Taylor, and many more, The Cricket fostered critical and political dialogue for Black musicians and writers. Edited by poets and writers Amiri Baraka, A.B. Spellman, and Larry Neal between 1968 and 1969 and published by Baraka's New Jersey–based Jihad productions shortly after the time of the Newark Riots, this experimental music magazine ran poetry, position papers, and gossip al…
ARMComm Sampler
*In process of stocking. 2022 stock* Sampler Compilation of Various projects involving Adi Newton (of ClockDVA / The Anti Group). 'Here Somnimage handles releases for Anterior Research Media Communications, which one could quickly describe as the label to handle all matters Clock DVA and related. Clock DVA has been around for many years and in many incarnations and these days are original member Adi Newton and TeZ Martinnucci with some fine electronic song material, including vocals. There is on…
Artificial Music (Book)
* 2021 Stock. Language: English * From home studios to streaming platforms, artificial intelligence is defining the sound of the future. This collection of essays explores the key developments in the field of AI and music, examining the process that enables nonhuman creativity to become a resonance chamber for new synergies.
Listen to Lists (Book)
* 2021 Stock. Language: English * Lists have been used for a long time to provide orientation in the world of music. The technological triumph of streaming ser vices has turned the supply of music into a new consumer format that has come to dominate the way music is brought to market. However, the playlist does more than just format the music, it also structures the way people listen to it and sorts the data logs collected by streaming services. This revolution has spawned new organizational ca…
Looking at Music (Book)
* 2021 Stock. Language: English * The performance of computer-generated music breaks with the codes that have been established for concerts: the audience can no longer watch as music is created, and the causal relationship between action and sound has been cut. The laptop performance has evolved into a format in which the audience stares at people staring at screens. Looking at Music examines the role that visibility plays in the experience of music. How important is the live quality to the futu…
Master of Voice (Book)
*2022 stock* The (non)human voice has always been part of modern art, notably within performance art, sound art, and conceptual art. However, Master of Voice temporary master program at the Gerrit Rietveld Academy, Amsterdam, mutated from this history, examining the voice as a unique “discipline.” The graduate program’s focus was on the (non)human voice as a means to an end or an end in itself within artistic practice. A special orientation of the curriculum, co-developed with a team of artists …