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**in process of restock** Originally published in the mid-1970s, Womens Work was a magazine that sought to highlight the overlooked work of female artists working at the cusp of the visual arts, music, and performance. The magazine was edited by Alison Knowles and Annea Lockwood and featured text-based and instructional performance scores by the following 25 artists, composers, and choreographers:Beth Anderon, Ruth Anderson, Jacki Apple, Barbara Benary, Sari Dienes, Nye Ffarrabas (participating …
**200 copies** Pitchfork Media and Allmusic journalist Mark Richardson defined drone music thus: "The vanishing-point music created by drone elders Phill Niblock and, especially, LaMonte Young is what happens when a fixation on held tones reaches a tipping point. Timbre is reduced to either a single clear instrument or a sine wave, silence disappears completely, and the base-level interaction between small clusters of "pure" tone becomes the music's content. This kind of work takes what typicall…
After the stunning success of last year's New American Songbooks, Volume 1,
Sound American is proud to present another chapter in their attempt to
find new points of view on the concept of the American Songbook. Last year's release found three distinctive voices--Mary Halvorson, Ron
Miles, and Greg Saunier--working together to arrange works from mass
media. Their collaboration, only a few days in total, culminated in a
recording that felt equal parts wild and warm; intimate and
revolutiona…
The 127-page book was designed by Remake Design (who also created the now iconic Donald Judd: Writings book) and features words by or about Jeremy Toussaint-Baptiste, Ornette Coleman, Nicole Kaack, Bradford Bailey, G. Lucas Crane, Jennie Gottschalk, Ambrose Akinmusire, Mats Gustafsson, Peter Margasak, Terry Riley, Kim Brandt, John Cage, Josh Sinton, Edgard Varése, Marc Hannaford, John Zorn, Matthew Mehlan, Million Tongues Festival, Alex Mincek, Lester St. Louis, and Steve Lehman. Each book is th…
**100 copies 2018 repress** Originally released to celebrate the 33rd anniversary of Walter Ulbricht Schallfolien back in 2015, Neu Konservatiw comes in a beautifully designed slevve with insert and postcards. The album features two unreleased Asmus Tietchens tracks plus other exclusive contributions by Werkbund, Column One, Evapori, Hyph, Pierce Warnecke, Ditterich von Euler-Donnersperg and Margitt Holzt.
**Limited to 25 hand numbered copies. Comes in a silkscreened wooden box
and includes all the original artwork and inserts + additional
silkscreened artwork.** In the 90’s Peter Zincken of Nihilistic Recordings started a sub-label called New Noise records for 7” releases and tapes with special packaging. While digging through his archives for Odal material we found these boxes of unsold New Noise 7”s. After sending out artist copies and only selling a handful of each release the remaining reco…
**500 copies** Discos Transgénero presents the first ever reissue of the Domestic Sampler UMYU. Domestic Sampler was a project that Víctor Nubla (former member of Macromassa) recorded for the record label UMYU. It features a host of artists; a synergy of the scene that was happening in Barcelona at the beginning of the eighties. El Grito Acusador, Entr’Acte. Logotipo, Klamm, Secreto Metro, Error Genético, Detra’s Band 10, Boris, Mimi Pimer and Tres reflected the new wave underground scene of Cat…
* A masterpiece of DIY and the countercultural Dutch scene. Includes tracks by Rabbit Fun, Vovo Kai, Tubifex and Viva La Muerte, all remastered from the original tapes.* Discos Transgénero present the first ever vinyl reissue of the essential DIY Dutch compilation from Effenaar, a music venue located in Eindhoven, The Netherlands. It was founded in 1971 and has hosted many national and international concerts throughout its existence. Bands like Joy Division, Sex Pistols or Cabaret Voltaire have …
Akuphone resumes its reissue operations with its latest compilation, Malam Minggu: A Saturday Night in Sunda. This release brings us once again to Southeast Asia, with a stopover in the Indonesian archipelago – to the region of Sunda in western Java. As its name suggests, this collection immerses us in the vibes of Sundanese nights at the turn of the 1980s. During the post-independence climate of the 1960s, Presidents Sukarno and Suharto encouraged artists to renew and innovate traditional Indon…
Temporary Super Offer!... Let's talk about the dangerous counterrevolutionaries who went out and bought a cheap synth and a rudimentary drum machine. The ones that got what 'punk' was really about. The democratization of art . . . Sniffing Glue said learn three chords and form a band, Throbbing Gristle said why learn any chords at all... I am an artist because I say I am. More Marcel Duchamp than Malcolm McLaren. So, sisters and brothers, who do you think led the counter-revolution? Well I'll te…
Since 2015, Chicago's Experimental Sound Studio has been the host of Option, a series of intimate concerts of improvised music. Featuring an uncommonly wide range of players representing virtually all haunts of free music, the series has fostered not only an important exchange of ideas in musical form, but it has also promoted literal conversation about the music, usually substituting a dialogue with the musician or musicians for the requisite second set. In 2018, the series was funded by a cons…
For musicians inhabiting the Antipodean countries of Australia and New Zealand during the 70’s and 80’s, it was a geographically and culturally isolating environment. Boutique shops, community radio and mail order exchanges championed independent and contemporary music from across the globe. It was, however, this isolation that caused a number of small community-focused scenes to evolve, creating their own unique interpretation and reappropriation of outside influences. Through both these scenes…
Buntús Rince translates from Irish as 'basic rhythms', and this new compilation explores how Irish musicians were influenced by strands of different genres of music from around the world, merging them to create their own unique sounds. The compilation features some of the most innovative and talented figures in the history of Irish music and includes rare Irish jazz, fusion and folk outliers from the 1970s and early 1980s from musicians relatively unknown outside of Ireland. Often regarded as a …
**300 copies** Ukrainian label Muscut celebrates its anniversary with "Test Pressing II", its tenth record. The first release, "Test Pressing", was published in 2012 on 7". Like six years ago, the current title is a compilation of Muscut's resident producers, as well as new friends of the label. "Test Pressing II" is a 12" on which there are exactly ten tracks; both sides are significantly different in the color of their mood. The compilation starts with dub-drone sketches from key figures in th…
One of the best of the blacksploitation scores of the early 70s – a masterpiece of music that we rate every bit as high as Shaft or Superfly – maybe even higher! The music here is incredible – a surprising funky turn for JJ Johnson, who most folks know for his straighter jazz work – and like Marvin Gaye, Barry White, and others who were surprising the world with their ability to score music for a full film during the early 70s, JJ really knocks it out of the park with this one – coming up with a…
"Outro Tempo II: Electronic and Contemporary Music from Brazil, 1984-1996" is the second installment of Music From Memory’s Brazilian series. This volume picks up where the first Outro Tempo left off, shedding light on a new wave of experimentalism that emerged in Brazil in the late 1980s and 1990s. The twenty tracks collected uncover another area of Brazilian music that looked to the future for inspiration. This time it drifts beyond the rainforest and into the pulsating heart of Brazil’s great…
Handily compiled selection of lost Italian soundtrack recordings from the 1970s and '80s. Massive props to Fly By Night Music for doing the groundwork and digging up this selection of impossible to find or verging on priceless gems... Highly recommended for fans of Trunk, Finders Keepers and Soundway
In 2016, elnicho and Buró-Buró curated a panel as part of the "SOMA Wednesday" program in the context of the elnicho#5 festival. The theme revolved around the relevance of sound in art and the relationship between them. From a socio-cultural point of view, sound is around us and has historically been a vast territory of exploration. How have anthropological, folkloric and vernacular elements influenced our current listening experiences? Music not assimilated in the past is now revisited through …
Sound and music seem to have been underwhelmingly part of contemporary museums. However, they are shyly making their way in the area of contemporary art, often via visual artists keen on using sound in their work or inviting musicians or sound-focused artists to collaborate. But how are visual arts curators situated both within and outside the boundaries of institutions, and how do galleries and museums deal with the increasing importance of sound? Does its lack of tangible value make it a less …
Milan, 1979, only two years had passed since the explosion of punk but it seemed like ten years had passed, 1977 had inexorably changed the destiny of a generation of musicians. Milan in those years felt a bit like Manchester, a city in black and white, with monuments grayed by smog, busy and still far from becoming the "Milan to drink" of the mid-80s. The music scene was totally disconnected from the rest of the Italian underground, the bands were born and imploded within a few months. The inpu…